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Florian Mussgnug

Biographic Data

ID695520
NAMEFlorian Mussgnug
GIVEN NAMESFlorian
FAMILY NAMEMussgnug
SIGNATUREMUSSGNUG F
AFFILIATIONSUniversity College London
ORCID0000-0003-0018-4594
VERIFIEDYes
TOTAL WORKS13
TOTAL CITATIONS3
WORKS AS AUTHOR13
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2000
LATEST PUBLICATION YEAR2025
H-INDEX1
  • From Post-War to Early Anthropocene

    Open Access•Florian Mussgnug•ARTICLE•Italian Studies•2025

  • Anti-Apocalyptic Optimism

    Florian Mussgnug•ARTICLE•Italica•2024•Cited by: 1•References: 15

    This article discusses Carla Benedetti's influential critique of eschatological climate fatalism, which is centered on two religious concepts, "apocalypse" and "prophecy." These concepts are described by Benedetti as contrasting cognitive and affective orientations. I compare Benedetti's approach with the work of philosopher Déborah Danowski and anthropologist Eduardo Viveiros de Castro, and with the ideas of theologians Catherine Keller, Judith …

  • Speculazioni ecologiche

    Open Access•Florian Mussgnug•ARTICLE•Narrativa•2021

    Il contributo indaga due filoni della letteratura apocalittica italiana. Il primo, che ha origine negli anni Settanta, esplora il corpo non umano o post-umano come luogo di violenza estrema (creaturely life). Il secondo, più recente, si nutre di ricordi idilliaci e nostalgici di un passato pre-industriale (retrotopia). L’efficacia politica di entrambe le tradizioni comporta un’attenzione sempre maggiore agli intrecci diacronici e un’abilità senza…

  • Open Works

    Clodagh Brook, Florian Mussgnug et al.•ARTICLE•Italian Studies•2019

  • Species at War? The Animal and the Anthropocene

    Open Access•Florian Mussgnug•ARTICLE•Paragraph•2019•Cited by: 1•References: 3

    Environmental politics has become inextricably entwined with planetary deep time. This article calls for a reconceptualization of the relation between humans and nonhuman nature. It rejects the ontological singularity of the human, either as a biological species (Homo) or as a planetary super-agent (Anthropos) and argues for a perspective centred on companionship and shared vulnerability. Animal philosophy serves here to counter a growing tendenc…

  • Italian Studies

    Clodagh Brook, Florian Mussgnug et al.•ARTICLE•Italian Studies•2017

    Our article maps the increasing prominence of interartistic and intermedial methodologies in modern and contemporary Italy, and advocates the advantages of an interdisciplinary approach for Italian Studies. We map some current trends in cultural, visual and comparative studies and explore the influence of these fields on the development of Italian Studies. We suggest that the future of our discipline is best understood in terms of an ‘interdiscip…

  • Naturalizing Apocalypse

    Open Access•Florian Mussgnug•ARTICLE•Comparative Critical Studies•2012•References: 3

    Expectations of a dystopian or apocalyptic future are central to twentieth and twenty-first century culture, and constitute a pervasive influence on popular culture, religious identity, and political ideology. Political scientists, philosophers and literary critics have emphasized the Manichean worldview that underlies present-day concerns with the future: a desire to cast historical events in terms of a struggle between light and darkness, good …

  • Giorgio Manganelli's Early Clarity

    Florian Mussgnug•ARTICLE•Italian Studies•2008

  • The New Avant-Garde in Italy

    Florian Mussgnug•ARTICLE•Italian Studies•2008

    The New Avant-Garde in Italy: Theoretical Debate and Poetic Practices." Italian Studies, 63(2), pp. 335–336

  • Writing Like Music

    Open Access•Florian Mussgnug•ARTICLE•Comparative Critical Studies•2008•Cited by: 1•References: 2

    Die Dichtung des Lyrikers kann nichts aussagen, was nicht in der ungeheuersten Allgemeinheit und Allgültigkeit bereits in der Musik lag, die ihn zur Bilderrede nötigte. Der Weltsymbolik der Musik ist eben deshalb mit der Sprache auf keine Weise erschöpfend beizukommen. (The poems of the lyrist can express nothing that did not already lie hidden in that vast universality and absoluteness of the music that compelled him to figurative speech. Langua…

  • An Interview with Remo Ceserani

    Florian Mussgnug•ARTICLE•Italian Studies•2007

    Remo Ceserani (Soresina, Cremona, 1933 –) is one of Italy's most internationally renowned scholars and a leading figure in the field of Comparative Literature. After his graduation from the Scuola Normale Superiore, Pisa, he taught at the Universities of Genoa and Pisa, and, until recently, at the University of Bologna where he was Professor of Comparative Literature. His longstanding and close professional relations with North America date back …

  • Opposing Fascism

    Martin Conway, Diego Zancani et al.•ARTICLE•Italian Studies•2000

  • Opposing Fascism

    Martin Conway, Diego Zancani et al.•ARTICLE•Italian Studies•2000

  • Anti-Apocalyptic Optimism

    Florian Mussgnug•ARTICLE•Italica•2024•Cited by: 1•References: 15

    This article discusses Carla Benedetti's influential critique of eschatological climate fatalism, which is centered on two religious concepts, "apocalypse" and "prophecy." These concepts are described by Benedetti as contrasting cognitive and affective orientations. I compare Benedetti's approach with the work of philosopher Déborah Danowski and anthropologist Eduardo Viveiros de Castro, and with the ideas of theologians Catherine Keller, Judith …

  • Species at War? The Animal and the Anthropocene

    Open Access•Florian Mussgnug•ARTICLE•Paragraph•2019•Cited by: 1•References: 3

    Environmental politics has become inextricably entwined with planetary deep time. This article calls for a reconceptualization of the relation between humans and nonhuman nature. It rejects the ontological singularity of the human, either as a biological species (Homo) or as a planetary super-agent (Anthropos) and argues for a perspective centred on companionship and shared vulnerability. Animal philosophy serves here to counter a growing tendenc…

  • Writing Like Music

    Open Access•Florian Mussgnug•ARTICLE•Comparative Critical Studies•2008•Cited by: 1•References: 2

    Die Dichtung des Lyrikers kann nichts aussagen, was nicht in der ungeheuersten Allgemeinheit und Allgültigkeit bereits in der Musik lag, die ihn zur Bilderrede nötigte. Der Weltsymbolik der Musik ist eben deshalb mit der Sprache auf keine Weise erschöpfend beizukommen. (The poems of the lyrist can express nothing that did not already lie hidden in that vast universality and absoluteness of the music that compelled him to figurative speech. Langua…

  • Opposing Fascism

    Martin Conway, Diego Zancani et al.•ARTICLE•Italian Studies•2000

  • Opposing Fascism

    Martin Conway, Diego Zancani et al.•ARTICLE•Italian Studies•2000

  • An Interview with Remo Ceserani

    Florian Mussgnug•ARTICLE•Italian Studies•2007

    Remo Ceserani (Soresina, Cremona, 1933 –) is one of Italy's most internationally renowned scholars and a leading figure in the field of Comparative Literature. After his graduation from the Scuola Normale Superiore, Pisa, he taught at the Universities of Genoa and Pisa, and, until recently, at the University of Bologna where he was Professor of Comparative Literature. His longstanding and close professional relations with North America date back …

  • Giorgio Manganelli's Early Clarity

    Florian Mussgnug•ARTICLE•Italian Studies•2008

  • The New Avant-Garde in Italy

    Florian Mussgnug•ARTICLE•Italian Studies•2008

    The New Avant-Garde in Italy: Theoretical Debate and Poetic Practices." Italian Studies, 63(2), pp. 335–336

  • Writing Like Music

    Open Access•Florian Mussgnug•ARTICLE•Comparative Critical Studies•2008•Cited by: 1•References: 2

    Die Dichtung des Lyrikers kann nichts aussagen, was nicht in der ungeheuersten Allgemeinheit und Allgültigkeit bereits in der Musik lag, die ihn zur Bilderrede nötigte. Der Weltsymbolik der Musik ist eben deshalb mit der Sprache auf keine Weise erschöpfend beizukommen. (The poems of the lyrist can express nothing that did not already lie hidden in that vast universality and absoluteness of the music that compelled him to figurative speech. Langua…

  • Naturalizing Apocalypse

    Open Access•Florian Mussgnug•ARTICLE•Comparative Critical Studies•2012•References: 3

    Expectations of a dystopian or apocalyptic future are central to twentieth and twenty-first century culture, and constitute a pervasive influence on popular culture, religious identity, and political ideology. Political scientists, philosophers and literary critics have emphasized the Manichean worldview that underlies present-day concerns with the future: a desire to cast historical events in terms of a struggle between light and darkness, good …

  • Italian Studies

    Clodagh Brook, Florian Mussgnug et al.•ARTICLE•Italian Studies•2017

    Our article maps the increasing prominence of interartistic and intermedial methodologies in modern and contemporary Italy, and advocates the advantages of an interdisciplinary approach for Italian Studies. We map some current trends in cultural, visual and comparative studies and explore the influence of these fields on the development of Italian Studies. We suggest that the future of our discipline is best understood in terms of an ‘interdiscip…

  • Open Works

    Clodagh Brook, Florian Mussgnug et al.•ARTICLE•Italian Studies•2019

  • Species at War? The Animal and the Anthropocene

    Open Access•Florian Mussgnug•ARTICLE•Paragraph•2019•Cited by: 1•References: 3

    Environmental politics has become inextricably entwined with planetary deep time. This article calls for a reconceptualization of the relation between humans and nonhuman nature. It rejects the ontological singularity of the human, either as a biological species (Homo) or as a planetary super-agent (Anthropos) and argues for a perspective centred on companionship and shared vulnerability. Animal philosophy serves here to counter a growing tendenc…

  • Speculazioni ecologiche

    Open Access•Florian Mussgnug•ARTICLE•Narrativa•2021

    Il contributo indaga due filoni della letteratura apocalittica italiana. Il primo, che ha origine negli anni Settanta, esplora il corpo non umano o post-umano come luogo di violenza estrema (creaturely life). Il secondo, più recente, si nutre di ricordi idilliaci e nostalgici di un passato pre-industriale (retrotopia). L’efficacia politica di entrambe le tradizioni comporta un’attenzione sempre maggiore agli intrecci diacronici e un’abilità senza…

  • Anti-Apocalyptic Optimism

    Florian Mussgnug•ARTICLE•Italica•2024•Cited by: 1•References: 15

    This article discusses Carla Benedetti's influential critique of eschatological climate fatalism, which is centered on two religious concepts, "apocalypse" and "prophecy." These concepts are described by Benedetti as contrasting cognitive and affective orientations. I compare Benedetti's approach with the work of philosopher Déborah Danowski and anthropologist Eduardo Viveiros de Castro, and with the ideas of theologians Catherine Keller, Judith …

  • From Post-War to Early Anthropocene

    Open Access•Florian Mussgnug•ARTICLE•Italian Studies•2025

Art (12 works) · History (8 works) · History (7 works) · Literature (7 works) · Italian Fascism and Post-war Society (6 works) · Philosophy (6 works) · Sociology (6 works) · Italian Literature and Culture (5 works) · Visual arts (5 works) · Aesthetics (4 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae