Thomas M Greene
Biographic Data
| ID | 696768 |
|---|---|
| NAME | Thomas M Greene |
| GIVEN NAMES | Thomas M |
| FAMILY NAME | Greene |
| SIGNATURE | GREENE T M |
| AFFILIATIONS | Yale University |
| VERIFIED | No |
| TOTAL WORKS | 19 |
| TOTAL CITATIONS | 10 |
| WORKS AS AUTHOR | 19 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1968 |
| LATEST PUBLICATION YEAR | 2001 |
| H-INDEX | 2 |
Labyrinth Dances in the French and English Renaissance
Some descriptions of ballets performed at the late Valois court in France draw upon accounts of choreographic and equestrian maze-like performances extending back into early antiquity. Common elements include a convoluted complexity in the dancers’ movements, repeated reversals, and a series of patterns variously reformed after regular interruptions. The practice of medieval dances at Easter upon the labyrinth designs of one or more French cathed…
Poetry and Permeability
New Literary History - Volume 30, Number 1, Winter 1999
The King's One Body in the Balet Comique de la Royne
Thomas M. Greene, The King's One Body in the Balet Comique de la Royne, Yale French Studies, No. 86, Corps Mystique, Corps Sacre: Textual Transfigurations of the Body From the Middle Ages to the Seventeenth Century (1994), pp. 75-93
Poetry as Invocation
Analyse des scenarios de conversion des elements magiques dans les structures d'invocation du langage poetique - notamment a travers les poemes lyriques de Blake et Shelley
Magic and Festivity at the Renaissance Court
The relationship between hermetic beliefs and Renaissance court festivity is by no means a novel object of study. Both literary and intellectual historians have been aware of its interest for many years, and this awareness shows no signs of declining. Although in practice the presence of occult beliefs in the intentions of a court impresario is not always easy to demonstrate, what we know of the court productions and what we know of the culture t…
The Light in Troy
"The End of Discourse in Machiavelli's "Prince
Dangerous Parleys-Essais I
The Antitheatrical Prejudice
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Il Cortegiano and the Choice of a Game
The narrative of the Libro del Cortegiano involves at once subdued drama and slightly risky play. It begins with a game whose purpose is to propose a second game which will occupy the company at Urbino for the rest of the evening. This elaborately two-tiered pastime suggests immediately the centrality and formality of play for this group, and throws the dramatic focus on the question of a given proposal's suitability. The reader doesn't know what…
Boccaccio's Two Venuses
Maurice Scève, Poet of Love
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
La Poésie française et le maniérisme 1546-1610 (?)
La Poésie française et le manierisme 1546-1610 (?). Textes choisis et présentés par Marcel Raymond. Notes et index bibliographique par A. J. Steele. Geneva: Librairie Droz, 1971. 272 pp. 28 Fr.S. - Volume 26 Issue 4
Styles of Experience in Sceve's Delie
The Poetry of Marriage. The Epithalamium in Europe and its Development in England
Virginia Tufte. The Poetry of Marriage. The Epithalamium in Europe and its Development in England. University of Southern California Studies in Comparative Literature, Vol. 11. University of California Press, 1970. 341 pp. $8.50. - Volume 24 Issue 2
An Anatomy of Boccaccio's Style
Rabelais; a Study in Comic Courage
This little volume, which owes much to the best recent criticism of Rabelais, never pre- sents unwarranted **tresaultz sacremens et mystères horrificques."The author goes beyond intelligent synthesis to present new points of view and solid insights.The result is a
Roger Ascham
Forms of Accommodation in the Decameron
"The End of Discourse in Machiavelli's "Prince
Labyrinth Dances in the French and English Renaissance
Some descriptions of ballets performed at the late Valois court in France draw upon accounts of choreographic and equestrian maze-like performances extending back into early antiquity. Common elements include a convoluted complexity in the dancers’ movements, repeated reversals, and a series of patterns variously reformed after regular interruptions. The practice of medieval dances at Easter upon the labyrinth designs of one or more French cathed…
Il Cortegiano and the Choice of a Game
The narrative of the Libro del Cortegiano involves at once subdued drama and slightly risky play. It begins with a game whose purpose is to propose a second game which will occupy the company at Urbino for the rest of the evening. This elaborately two-tiered pastime suggests immediately the centrality and formality of play for this group, and throws the dramatic focus on the question of a given proposal's suitability. The reader doesn't know what…
Dangerous Parleys-Essais I
Forms of Accommodation in the Decameron
Forms of Accommodation in the Decameron
Rabelais; a Study in Comic Courage
This little volume, which owes much to the best recent criticism of Rabelais, never pre- sents unwarranted **tresaultz sacremens et mystères horrificques."The author goes beyond intelligent synthesis to present new points of view and solid insights.The result is a
Roger Ascham
An Anatomy of Boccaccio's Style
The Poetry of Marriage. The Epithalamium in Europe and its Development in England
Virginia Tufte. The Poetry of Marriage. The Epithalamium in Europe and its Development in England. University of Southern California Studies in Comparative Literature, Vol. 11. University of California Press, 1970. 341 pp. $8.50. - Volume 24 Issue 2
Styles of Experience in Sceve's Delie
La Poésie française et le maniérisme 1546-1610 (?)
La Poésie française et le manierisme 1546-1610 (?). Textes choisis et présentés par Marcel Raymond. Notes et index bibliographique par A. J. Steele. Geneva: Librairie Droz, 1971. 272 pp. 28 Fr.S. - Volume 26 Issue 4
Maurice Scève, Poet of Love
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Il Cortegiano and the Choice of a Game
The narrative of the Libro del Cortegiano involves at once subdued drama and slightly risky play. It begins with a game whose purpose is to propose a second game which will occupy the company at Urbino for the rest of the evening. This elaborately two-tiered pastime suggests immediately the centrality and formality of play for this group, and throws the dramatic focus on the question of a given proposal's suitability. The reader doesn't know what…
Boccaccio's Two Venuses
The Antitheatrical Prejudice
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Dangerous Parleys-Essais I
"The End of Discourse in Machiavelli's "Prince
The Light in Troy
Magic and Festivity at the Renaissance Court
The relationship between hermetic beliefs and Renaissance court festivity is by no means a novel object of study. Both literary and intellectual historians have been aware of its interest for many years, and this awareness shows no signs of declining. Although in practice the presence of occult beliefs in the intentions of a court impresario is not always easy to demonstrate, what we know of the court productions and what we know of the culture t…
Poetry as Invocation
Analyse des scenarios de conversion des elements magiques dans les structures d'invocation du langage poetique - notamment a travers les poemes lyriques de Blake et Shelley
The King's One Body in the Balet Comique de la Royne
Thomas M. Greene, The King's One Body in the Balet Comique de la Royne, Yale French Studies, No. 86, Corps Mystique, Corps Sacre: Textual Transfigurations of the Body From the Middle Ages to the Seventeenth Century (1994), pp. 75-93
Poetry and Permeability
New Literary History - Volume 30, Number 1, Winter 1999
Labyrinth Dances in the French and English Renaissance
Some descriptions of ballets performed at the late Valois court in France draw upon accounts of choreographic and equestrian maze-like performances extending back into early antiquity. Common elements include a convoluted complexity in the dancers’ movements, repeated reversals, and a series of patterns variously reformed after regular interruptions. The practice of medieval dances at Easter upon the labyrinth designs of one or more French cathed…
Art (15 works) · Literature (9 works) · History (6 works) · Philosophy (6 works) · History (5 works) · Philosophy (5 works) · Art history (4 works) · Law (4 works) · Law (4 works) · Political science (4 works)