Verina R Jones
Biographic Data
| ID | 697045 |
|---|---|
| NAME | Verina R Jones |
| GIVEN NAMES | Verina R |
| FAMILY NAME | Jones |
| SIGNATURE | JONES V R |
| AFFILIATIONS | University of Reading |
| VERIFIED | No |
| TOTAL WORKS | 16 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 16 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1986 |
| LATEST PUBLICATION YEAR | 2009 |
| H-INDEX | 0 |
Writing on the edge: An interview with Marina Jarre (17 February 2008)
Le "dark ladies" manzoniane e altri saggi sui Promessi sposi
Dante the popular cantastorie: Porta's dialect translation of the Comedy
Dante the popularcantastorie: Porta's dialect translation of theComedy
(2000). Dante the popular cantastorie: Porta's dialect translation of the Comedy. The Italianist: Vol. 20, No. 1, pp. 44-57
Genoa and the Genoese 958–1528
Counter‐reformation and popular culture in I promessi sposi: A case of historical censorship
Intertextual Patterns: I Promessi Sposi in La Chimera
Intertextual Patterns: I Promessi Sposi in La Chimera
comandò che nel mezzo di quel luogo, dove sì abominevole congresso si faceva, eretta fosse una gran Croce, la qual'egli con solenne cerimonia benedisse, benedicendo insieme quel terreno, quell'aria [...] e disse, Quà non verranno più le streghe (Francesco Rivola, Vita di Federico Borromeo, libro III, cap. XVII)
Dialect Literature and Popular Literature
The years 1804–07 saw the publication in Milan of a lengthy composition entitled La Divina Commedia di Dante Travestita in Lingua Milanese dal Cittadino Carlo Porta, a partial translation of the Comedy into Milanese dialect. In the first canto of the Inferno, when Virgil appears and defines himself as a poet, the famous ‘Poeta fui’ is rendered by Porta as ‘hoo faa el bosin’. ‘El bosin’ stands for the plebeian Lombard poet, the author or performer…
Moving in Measure: Essays in honour of Brian Moloney
Dialect Literature and Popular Literature
The years 1804–07 saw the publication in Milan of a lengthy composition entitled La Divina Commedia di Dante Travestita in Lingua Milanese dal Cittadino Carlo Porta, a partial translation of the Comedy into Milanese dialect. In the first canto of the Inferno, when Virgil appears and defines himself as a poet, the famous 'Poeta fui' is rendered by Porta as 'hoo faa el bosin'. 'El bosin' stands for the plebeian Lombard poet, the author or performer…
Moving in Measure: Essays in honour of Brian Moloney
(1990). Moving in Measure: Essays in honour of Brian Moloney. Italian Studies: Vol. 45, No. 1, pp. 118-157
The World's Major Languages
The World's Major Languages
Towards a reconstruction of Manzoni's Lucias
(1987). Towards a reconstruction of Manzoni's Lucias. The Italianist: Vol. 7, No. 1, pp. 36-44
L'Antimonio' and its sources: Malraux, Orwell, and Sciascia
No prominent works on this page.
L'Antimonio' and its sources: Malraux, Orwell, and Sciascia
Towards a reconstruction of Manzoni's Lucias
(1987). Towards a reconstruction of Manzoni's Lucias. The Italianist: Vol. 7, No. 1, pp. 36-44
The World's Major Languages
The World's Major Languages
Dialect Literature and Popular Literature
The years 1804–07 saw the publication in Milan of a lengthy composition entitled La Divina Commedia di Dante Travestita in Lingua Milanese dal Cittadino Carlo Porta, a partial translation of the Comedy into Milanese dialect. In the first canto of the Inferno, when Virgil appears and defines himself as a poet, the famous ‘Poeta fui’ is rendered by Porta as ‘hoo faa el bosin’. ‘El bosin’ stands for the plebeian Lombard poet, the author or performer…
Moving in Measure: Essays in honour of Brian Moloney
Dialect Literature and Popular Literature
The years 1804–07 saw the publication in Milan of a lengthy composition entitled La Divina Commedia di Dante Travestita in Lingua Milanese dal Cittadino Carlo Porta, a partial translation of the Comedy into Milanese dialect. In the first canto of the Inferno, when Virgil appears and defines himself as a poet, the famous 'Poeta fui' is rendered by Porta as 'hoo faa el bosin'. 'El bosin' stands for the plebeian Lombard poet, the author or performer…
Moving in Measure: Essays in honour of Brian Moloney
(1990). Moving in Measure: Essays in honour of Brian Moloney. Italian Studies: Vol. 45, No. 1, pp. 118-157
Intertextual Patterns: I Promessi Sposi in La Chimera
Intertextual Patterns: I Promessi Sposi in La Chimera
comandò che nel mezzo di quel luogo, dove sì abominevole congresso si faceva, eretta fosse una gran Croce, la qual'egli con solenne cerimonia benedisse, benedicendo insieme quel terreno, quell'aria [...] e disse, Quà non verranno più le streghe (Francesco Rivola, Vita di Federico Borromeo, libro III, cap. XVII)
Counter‐reformation and popular culture in I promessi sposi: A case of historical censorship
Genoa and the Genoese 958–1528
Le "dark ladies" manzoniane e altri saggi sui Promessi sposi
Dante the popular cantastorie: Porta's dialect translation of the Comedy
Dante the popularcantastorie: Porta's dialect translation of theComedy
(2000). Dante the popular cantastorie: Porta's dialect translation of the Comedy. The Italianist: Vol. 20, No. 1, pp. 44-57
Writing on the edge: An interview with Marina Jarre (17 February 2008)
Art (13 works) · History (7 works) · History (7 works) · Computer Science (6 works) · Philosophy (6 works) · Philosophy (6 works) · Linguistic Studies and Language Acquisition (5 works) · Linguistics (4 works) · Literature (4 works) · Renaissance and Early Modern Studies (4 works)