Herbert Lindenberger
Biographic Data
| ID | 697134 |
|---|---|
| NAME | Herbert Lindenberger |
| GIVEN NAMES | Herbert |
| FAMILY NAME | Lindenberger |
| SIGNATURE | LINDENBERGER H |
| AFFILIATIONS | University of California, Riverside |
| VERIFIED | No |
| TOTAL WORKS | 26 |
| TOTAL CITATIONS | 7 |
| AUTHOR COUNT | 26 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1955 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 1 |
One Family's Shoah: Victimization, Resistance, Survival in Nazi Europe
Deploying concepts of interpretation, liberation, and survival, esteemed literary critic Herbert Lindenberger reflects on the diverse fates of his family during the Holocaust. Combining public, family
Lyric Subjectivity and the Feel-Good Poem
Frederick Luis Aldama and Partrick Colm Hogan turn to advances in the brain sciences to pick up the age-old question and discussion: what constitutes the self? Their conversation begins with a discussion of the neurochemical makeup of the brain and addresses the more global recursive activities that involve all parts of the brain as it is exists in a body that is grown within a social context shaped by time and place. Such a materialist based und…
Towards a Characterization of Modern Opera
Herbert Lindenberger regards the modern canon as “not quite opera” in its resistance to the theatricality of traditional opera, its forays into popular musical forms, and its use of imitation and parody to quote opera of the past. In his view, modern opera divides itself into two kinds: the “hard” and the “soft.” Lindenberger goes on to consider the question of postmodern opera, but he is less persuaded now than he was previously that this is a u…
Essays on Literature and Music (1967–2004)
Book Review| January 01 2007 Essays on Literature and Music (1967–2004) Essays on Literature and Music (1967–2004)Scher, Steven Paul; Bernhart, Walter; Wolf, Werner Herbert Lindenberger Herbert Lindenberger Search for other works by this author on: This Site Google Comparative Literature Studies (2007) 44 (3): 387–389. https://doi.org/10.2307/25659605 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Herbert Lindenberger; E…
Opera in History: From Monteverdi to Cage
Leo Spitzer, Representative Essays
Representative Essays
Arnold Schoenberg's Der Biblische Weg and Moses Und Aron: On the Transactions of Aesthetics and Politics
Journal Article ARNOLD SCHOENBERG'S DER BIBLISCHE WEG AND MOSES UND ARON: ON THE TRANSACTIONS OF AESTHETICS AND POLITICS Get access Herbert Lindenberger Herbert Lindenberger STANFORD UNIVERSITY Search for other works by this author on: Oxford Academic Google Scholar Modern Judaism - A Journal of Jewish Ideas and Experience, Volume 9, Issue 1, February 1989, Pages 55–70, https://doi.org/10.1093/mj/9.1.55 Published: 01 February 1989
The discussion about proposals to change the Western Culture program at Stanford University
After sAUL'S fall: An Interview with the Author
Opera, Italian and Otherwise, in Some Recent Publications
Of Things, Selves, and Singers: New Studies in the Theory of Theater
The Taming of Romanticism: European Literature and the Age of Biedermeier
Opera: The Extravagant Art
The Institution of Criticism
Threshold of a Nation: A Study in English and Irish Drama
List of plates Preface 1. Introduction: the King's threshold Part I. Shakespeare's England: 2. A superfluous sort of men: the rise and fall of the professional theatre 3. Astraea and Chrisoganus 4. Nation and empire 5. The hidden King: Shakespeare's history plays 6. Ben Jonson 7. The royal pretenders: Ford's Perkin Warbeck and Massinger's Believe As You List Part II. Yeats's Ireland: 8. Our Irish theatre 9. A play-house in the waste: George Moore…
Postlogue, Postlude, Postscript
The key terms that run through this issue reveal the shape of the Kuhnian paradigm that emerged and stabilized within American criticism in the course of the 1970s. Those seeking to describe its contours can turn to obsessive terms such as Influence (McFarland, Needler), Authority (Needler), Deconstruction (Nevo), Interpretation (Wright, Will), the Reader (Eagleton), Game (Wright), Modernism (Perloff). One also notes the relative absence from the…
Re-Viewing the Reviews of "Historical Drama"
Historical Drama: The Relation of Literature and Reality
The Criticism of Sigurd Burckhardt
Georg Buchner
Georg Trakl
Erinnerung an Georg Trakl: Zeugnisse und Briefe
Erinnerung an Georg Trakl: Zeugnisse und Briefe." The Germanic Review: Literature, Culture, Theory, 36(1), pp. 65–66
The Play of Opposites in Georg Trakl's Poetry
The Early Poems of Georg Trakl
Threshold of a Nation: A Study in English and Irish Drama
List of plates Preface 1. Introduction: the King's threshold Part I. Shakespeare's England: 2. A superfluous sort of men: the rise and fall of the professional theatre 3. Astraea and Chrisoganus 4. Nation and empire 5. The hidden King: Shakespeare's history plays 6. Ben Jonson 7. The royal pretenders: Ford's Perkin Warbeck and Massinger's Believe As You List Part II. Yeats's Ireland: 8. Our Irish theatre 9. A play-house in the waste: George Moore…
Arnold Schoenberg's Der Biblische Weg and Moses Und Aron: On the Transactions of Aesthetics and Politics
Journal Article ARNOLD SCHOENBERG'S DER BIBLISCHE WEG AND MOSES UND ARON: ON THE TRANSACTIONS OF AESTHETICS AND POLITICS Get access Herbert Lindenberger Herbert Lindenberger STANFORD UNIVERSITY Search for other works by this author on: Oxford Academic Google Scholar Modern Judaism - A Journal of Jewish Ideas and Experience, Volume 9, Issue 1, February 1989, Pages 55–70, https://doi.org/10.1093/mj/9.1.55 Published: 01 February 1989
Goethe's Pandora: An Interpretation
The Early Poems of Georg Trakl
The Play of Opposites in Georg Trakl's Poetry
Erinnerung an Georg Trakl: Zeugnisse und Briefe
Erinnerung an Georg Trakl: Zeugnisse und Briefe." The Germanic Review: Literature, Culture, Theory, 36(1), pp. 65–66
Georg Trakl
Georg Buchner
The Criticism of Sigurd Burckhardt
Historical Drama: The Relation of Literature and Reality
Re-Viewing the Reviews of "Historical Drama"
Threshold of a Nation: A Study in English and Irish Drama
List of plates Preface 1. Introduction: the King's threshold Part I. Shakespeare's England: 2. A superfluous sort of men: the rise and fall of the professional theatre 3. Astraea and Chrisoganus 4. Nation and empire 5. The hidden King: Shakespeare's history plays 6. Ben Jonson 7. The royal pretenders: Ford's Perkin Warbeck and Massinger's Believe As You List Part II. Yeats's Ireland: 8. Our Irish theatre 9. A play-house in the waste: George Moore…
Postlogue, Postlude, Postscript
The key terms that run through this issue reveal the shape of the Kuhnian paradigm that emerged and stabilized within American criticism in the course of the 1970s. Those seeking to describe its contours can turn to obsessive terms such as Influence (McFarland, Needler), Authority (Needler), Deconstruction (Nevo), Interpretation (Wright, Will), the Reader (Eagleton), Game (Wright), Modernism (Perloff). One also notes the relative absence from the…
The Institution of Criticism
Opera: The Extravagant Art
The Taming of Romanticism: European Literature and the Age of Biedermeier
Opera, Italian and Otherwise, in Some Recent Publications
Of Things, Selves, and Singers: New Studies in the Theory of Theater
Arnold Schoenberg's Der Biblische Weg and Moses Und Aron: On the Transactions of Aesthetics and Politics
Journal Article ARNOLD SCHOENBERG'S DER BIBLISCHE WEG AND MOSES UND ARON: ON THE TRANSACTIONS OF AESTHETICS AND POLITICS Get access Herbert Lindenberger Herbert Lindenberger STANFORD UNIVERSITY Search for other works by this author on: Oxford Academic Google Scholar Modern Judaism - A Journal of Jewish Ideas and Experience, Volume 9, Issue 1, February 1989, Pages 55–70, https://doi.org/10.1093/mj/9.1.55 Published: 01 February 1989
The discussion about proposals to change the Western Culture program at Stanford University
After sAUL'S fall: An Interview with the Author
Representative Essays
Leo Spitzer, Representative Essays
Opera in History: From Monteverdi to Cage
Towards a Characterization of Modern Opera
Herbert Lindenberger regards the modern canon as “not quite opera” in its resistance to the theatricality of traditional opera, its forays into popular musical forms, and its use of imitation and parody to quote opera of the past. In his view, modern opera divides itself into two kinds: the “hard” and the “soft.” Lindenberger goes on to consider the question of postmodern opera, but he is less persuaded now than he was previously that this is a u…
Essays on Literature and Music (1967–2004)
Book Review| January 01 2007 Essays on Literature and Music (1967–2004) Essays on Literature and Music (1967–2004)Scher, Steven Paul; Bernhart, Walter; Wolf, Werner Herbert Lindenberger Herbert Lindenberger Search for other works by this author on: This Site Google Comparative Literature Studies (2007) 44 (3): 387–389. https://doi.org/10.2307/25659605 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Herbert Lindenberger; E…
Lyric Subjectivity and the Feel-Good Poem
Frederick Luis Aldama and Partrick Colm Hogan turn to advances in the brain sciences to pick up the age-old question and discussion: what constitutes the self? Their conversation begins with a discussion of the neurochemical makeup of the brain and addresses the more global recursive activities that involve all parts of the brain as it is exists in a body that is grown within a social context shaped by time and place. Such a materialist based und…
Art (20 works) · History (10 works) · Philosophy (10 works) · Literature (9 works) · Art history (7 works) · Sociology (7 works) · Musicology and Musical Analysis (6 works) · Philosophy (6 works) · Computer Science (5 works) · History (5 works)