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Géza Fehérvári

Biographic Data

ID697707
NAMEGéza Fehérvári
GIVEN NAMESGéza
FAMILY NAMEFehérvári
SIGNATUREFEHÉRVÁRI G
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS9
AUTHOR COUNT12
EDITOR COUNT0
FIRST PUBLICATION YEAR1969
LATEST PUBLICATION YEAR1984
H-INDEX1
  • James W. Allan: Islamic Metahoork: the Nuhad Es-Said Collection. 128pp. London: Sotheby Parke Bernet Publications: Totowa, N.J.: Biblio Distribution Center, 1982. £56

    Open Access•Géza Fehérvári•ARTICLE•Bulletin of the School of…•1984

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • A major study on Ottoman architecture in Hungary

    Open Access•Géza Fehérvári•ARTICLE•Bulletin of the School of…•1982

    Recent years have witnessed an increasing interest in Turkish art and architecture, an interest that embraces not only the monuments in Turkey proper but also those which were erected in south-eastern Europe during the Ottoman occupation. Thus a few years ago, when in conjunction with the World of Islam Festival a symposium was held in Edinburgh dedicated to Islam in the Balkans, the participants dealt with Islamic monuments in Bulgaria, Rumania,…

  • Excavations at El-Medeinah, Ancient Surt Third Season, 1979

    Open Access•Masoud Shaghlouf, Géza Fehérvári et al.•ARTICLE•Libyan Studies•1979•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Working in metal: Mutual influences between the Islamic world and the medieval West

    Open Access•Géza Fehérvári•ARTICLE•Journal of the Royal Asiatic…•1977•References: 3

    The enamelled Islamic dish which is in the Ferdinandeum at Innsbruck is well known to scholars of Islamic art. It is a unique and outstanding piece of work, yet, surprisingly, so far no monograph has been devoted to it. One of the earliest references to this object was made by Max van Berchem and J. Strzygowski. In 1910 it was on show at the famous Islamic exhibition in Munich. Then the dish was included in Alois Riegel's publication, which came …

  • A Bronze Bowl Excavated at Ghubayrā

    Open Access•Géza Fehérvári•ARTICLE•Bulletin of the School of…•1976•References: 2

    During the first season of excavations in 1971 at the Islamic site of Ghubayrā, in Kirmān province, a complete and richly decorated bronze bowl came to light. It was found on the Citadel Central Mound in a room designated room 1A. Because of the finds recovered from here such as Saljūq white pottery, a small lustre-painted bowl, a minā'ī sherd, and some glass vessels-this room was commonly called by the excavators the 'Seljūq room'. The excavatio…

  • Survey of Excavations in Iran: 1973-74

    Wolfram Kleiss, Pinhas Delougaz et al.•ARTICLE•Iran•1975

    Wolfram Kleiss, P. P. Delougaz, Helene J. Kantor, G. Dollfus, Philip E. L. Smith, A. D. H. Bivar, , Massoud Azarnoush, Robert H. Dyson, Jr., Vincent C. Pigott, Maurizio Tosi, William M. Sumner, David Whitehouse, David Stronach, Rudolf Naumann, Peder Mortensen, T. C. Young, Jr., A. Zagarell, Survey of Excavations in Iran: 1973-74, Iran, Vol. 13 (1975), pp. 172-193

  • Excavations at Ghubayrā, 1971: First Interim Report

    Open Access•A D H Bivar, Géza Fehérvári•ARTICLE•Journal of the Royal Asiatic…•1974•References: 4

    The first season of excavations at the medieval Islamic site of Ghubayrā in Kirmān Province took place between late March and the end of May 1971. The excavations were made possible by the kind permission of the Ministry of Art and Culture, and the Iranian Archaeological and Folkloric Services. The excavators record their sincere gratitude to H.E. Mr. Mehrdad Pahlbod, Minister of Art and Culture, and to Mr. A. Pourmand, Director-General of the Ir…

  • From Byzantium to Sasanian Iran and the Islamic world: Three modes of artistic influence. By Richard Ettinghausen. (L. A. Mayer Memorial Studies in Islamic Art and Archaeology, VII).pp. viii, 69, 21 i…

    Open Access•Géza Fehérvári•ARTICLE•Journal of the Royal Asiatic…•1974

    From Byzantium to Sasanian Iran and the Islamic world: Three modes of artistic influence. By Richard Ettinghausen. (L. A. Mayer Memorial Studies in Islamic Art and Archaeology, VII).pp. viii, 69, 21 ill., 27 pl. Leiden, E. J. Brill, 1972. Fl. 40. - Volume 106 Issue 2

  • An eighth/fourteenth-century quadrant of the astrolabist al-Mizzī

    Open Access•Géza Fehérvári•ARTICLE•Bulletin of the School of…•1973

    A few years ago the author's attention was drawn to a signed and dated quadrant which is in a private collection in California. Since the writer cannot claim to know much (let alone to understand the working) of astronomical instruments, it seemed logical to look around and offer its publication to an expert. Unfortunately, no one has so far expressed any enthusiasm or interest. But the quadrant bears the signature of a well-known astrolabist and…

  • Survey of Excavations in Iran during 1970-71

    Philip E L Smith, A D H Bivar et al.•ARTICLE•Iran•1972•Cited by: 8

    Philip E. L. Smith, A. D. H. Bivar, , Charles Burney, R. Ghirshman, Harvey Weiss, Jhon Hansman, David Stronach, Maurizio Tosi, W. M. Sumner, Erica Reiner, Andrew Williamson, Jean Deshayes, Louis D. Levine, Jean Perrot, Geneviève Dollfus, T. Cuyler Young, Jr., Survey of Excavations in Iran during 1970-71, Iran, Vol. 10 (1972), pp. 165-186

  • An early eighteenth-century Persian blue and white

    Open Access•Géza Fehérvári•ARTICLE•Journal of the Royal Asiatic…•1970

    It has now generally been accepted that blue and white originated in the Near and Middle East, and that it was these Near Eastern wares that gave the impetus to the development of such wares in porcelain in China. Yet our knowledge of the underglaze-painted blue and white wares of the Near East that may have influenced the Chinese potters is almost non-existent. One could perhaps consider as prototypes the black, blue, and green underglaze-painte…

  • A seventeenth-century Persian lacquer door and some problems of Ṣafavid lacquer-painted doors

    Open Access•Géza Fehérvári•ARTICLE•Bulletin of the School of…•1969

    A few years ago the author was invited to inspect a Persian door which at that time was on a firm in Oxfordshire. It was found to be a fine decorated lacquer-painted door, and the Department of Eastern Art at the Ashmolean Museum in Oxford sought and obtained the permission of the owner, Martyn Skinner, Esq., to exhibit the door on loan at the Museum, where it remained on display for nearly two years between 1962 and 1964. It is now back in the o…

  • Survey of Excavations in Iran during 1970-71

    Philip E L Smith, A D H Bivar et al.•ARTICLE•Iran•1972•Cited by: 8

    Philip E. L. Smith, A. D. H. Bivar, , Charles Burney, R. Ghirshman, Harvey Weiss, Jhon Hansman, David Stronach, Maurizio Tosi, W. M. Sumner, Erica Reiner, Andrew Williamson, Jean Deshayes, Louis D. Levine, Jean Perrot, Geneviève Dollfus, T. Cuyler Young, Jr., Survey of Excavations in Iran during 1970-71, Iran, Vol. 10 (1972), pp. 165-186

  • Excavations at El-Medeinah, Ancient Surt Third Season, 1979

    Open Access•Masoud Shaghlouf, Géza Fehérvári et al.•ARTICLE•Libyan Studies•1979•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • A seventeenth-century Persian lacquer door and some problems of Ṣafavid lacquer-painted doors

    Open Access•Géza Fehérvári•ARTICLE•Bulletin of the School of…•1969

    A few years ago the author was invited to inspect a Persian door which at that time was on a firm in Oxfordshire. It was found to be a fine decorated lacquer-painted door, and the Department of Eastern Art at the Ashmolean Museum in Oxford sought and obtained the permission of the owner, Martyn Skinner, Esq., to exhibit the door on loan at the Museum, where it remained on display for nearly two years between 1962 and 1964. It is now back in the o…

  • An early eighteenth-century Persian blue and white

    Open Access•Géza Fehérvári•ARTICLE•Journal of the Royal Asiatic…•1970

    It has now generally been accepted that blue and white originated in the Near and Middle East, and that it was these Near Eastern wares that gave the impetus to the development of such wares in porcelain in China. Yet our knowledge of the underglaze-painted blue and white wares of the Near East that may have influenced the Chinese potters is almost non-existent. One could perhaps consider as prototypes the black, blue, and green underglaze-painte…

  • Survey of Excavations in Iran during 1970-71

    Philip E L Smith, A D H Bivar et al.•ARTICLE•Iran•1972•Cited by: 8

    Philip E. L. Smith, A. D. H. Bivar, , Charles Burney, R. Ghirshman, Harvey Weiss, Jhon Hansman, David Stronach, Maurizio Tosi, W. M. Sumner, Erica Reiner, Andrew Williamson, Jean Deshayes, Louis D. Levine, Jean Perrot, Geneviève Dollfus, T. Cuyler Young, Jr., Survey of Excavations in Iran during 1970-71, Iran, Vol. 10 (1972), pp. 165-186

  • An eighth/fourteenth-century quadrant of the astrolabist al-Mizzī

    Open Access•Géza Fehérvári•ARTICLE•Bulletin of the School of…•1973

    A few years ago the author's attention was drawn to a signed and dated quadrant which is in a private collection in California. Since the writer cannot claim to know much (let alone to understand the working) of astronomical instruments, it seemed logical to look around and offer its publication to an expert. Unfortunately, no one has so far expressed any enthusiasm or interest. But the quadrant bears the signature of a well-known astrolabist and…

  • Excavations at Ghubayrā, 1971: First Interim Report

    Open Access•A D H Bivar, Géza Fehérvári•ARTICLE•Journal of the Royal Asiatic…•1974•References: 4

    The first season of excavations at the medieval Islamic site of Ghubayrā in Kirmān Province took place between late March and the end of May 1971. The excavations were made possible by the kind permission of the Ministry of Art and Culture, and the Iranian Archaeological and Folkloric Services. The excavators record their sincere gratitude to H.E. Mr. Mehrdad Pahlbod, Minister of Art and Culture, and to Mr. A. Pourmand, Director-General of the Ir…

  • From Byzantium to Sasanian Iran and the Islamic world: Three modes of artistic influence. By Richard Ettinghausen. (L. A. Mayer Memorial Studies in Islamic Art and Archaeology, VII).pp. viii, 69, 21 i…

    Open Access•Géza Fehérvári•ARTICLE•Journal of the Royal Asiatic…•1974

    From Byzantium to Sasanian Iran and the Islamic world: Three modes of artistic influence. By Richard Ettinghausen. (L. A. Mayer Memorial Studies in Islamic Art and Archaeology, VII).pp. viii, 69, 21 ill., 27 pl. Leiden, E. J. Brill, 1972. Fl. 40. - Volume 106 Issue 2

  • Survey of Excavations in Iran: 1973-74

    Wolfram Kleiss, Pinhas Delougaz et al.•ARTICLE•Iran•1975

    Wolfram Kleiss, P. P. Delougaz, Helene J. Kantor, G. Dollfus, Philip E. L. Smith, A. D. H. Bivar, , Massoud Azarnoush, Robert H. Dyson, Jr., Vincent C. Pigott, Maurizio Tosi, William M. Sumner, David Whitehouse, David Stronach, Rudolf Naumann, Peder Mortensen, T. C. Young, Jr., A. Zagarell, Survey of Excavations in Iran: 1973-74, Iran, Vol. 13 (1975), pp. 172-193

  • A Bronze Bowl Excavated at Ghubayrā

    Open Access•Géza Fehérvári•ARTICLE•Bulletin of the School of…•1976•References: 2

    During the first season of excavations in 1971 at the Islamic site of Ghubayrā, in Kirmān province, a complete and richly decorated bronze bowl came to light. It was found on the Citadel Central Mound in a room designated room 1A. Because of the finds recovered from here such as Saljūq white pottery, a small lustre-painted bowl, a minā'ī sherd, and some glass vessels-this room was commonly called by the excavators the 'Seljūq room'. The excavatio…

  • Working in metal: Mutual influences between the Islamic world and the medieval West

    Open Access•Géza Fehérvári•ARTICLE•Journal of the Royal Asiatic…•1977•References: 3

    The enamelled Islamic dish which is in the Ferdinandeum at Innsbruck is well known to scholars of Islamic art. It is a unique and outstanding piece of work, yet, surprisingly, so far no monograph has been devoted to it. One of the earliest references to this object was made by Max van Berchem and J. Strzygowski. In 1910 it was on show at the famous Islamic exhibition in Munich. Then the dish was included in Alois Riegel's publication, which came …

  • Excavations at El-Medeinah, Ancient Surt Third Season, 1979

    Open Access•Masoud Shaghlouf, Géza Fehérvári et al.•ARTICLE•Libyan Studies•1979•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • A major study on Ottoman architecture in Hungary

    Open Access•Géza Fehérvári•ARTICLE•Bulletin of the School of…•1982

    Recent years have witnessed an increasing interest in Turkish art and architecture, an interest that embraces not only the monuments in Turkey proper but also those which were erected in south-eastern Europe during the Ottoman occupation. Thus a few years ago, when in conjunction with the World of Islam Festival a symposium was held in Edinburgh dedicated to Islam in the Balkans, the participants dealt with Islamic monuments in Bulgaria, Rumania,…

  • James W. Allan: Islamic Metahoork: the Nuhad Es-Said Collection. 128pp. London: Sotheby Parke Bernet Publications: Totowa, N.J.: Biblio Distribution Center, 1982. £56

    Open Access•Géza Fehérvári•ARTICLE•Bulletin of the School of…•1984

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

History (11 works) · Archaeology (10 works) · Art (9 works) · Ancient history (7 works) · Archaeology and Historical Studies (6 works) · Excavation (5 works) · Philosophy (5 works) · Ancient Mediterranean Archaeology and History (4 works) · Eurasian Exchange Networks (4 works) · Geography (4 works)

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