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Catherine A Shoupe

Biographic Data

ID698158
NAMECatherine A Shoupe
GIVEN NAMESCatherine A
FAMILY NAMEShoupe
SIGNATURESHOUPE C A
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS1
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR1978
LATEST PUBLICATION YEAR2001
H-INDEX1
  • Scottish Social Dancing and the Formation of Community

    Open Access•Catherine A Shoupe•ARTICLE•Western Folklore•2001•Cited by: 1•References: 4

    We parked car and eagerly approached door of Largoward Hall on a light, midsummer Saturday night in June, 1997. It had been ten months since we left Scotland after spending a year there, and I wondered who we would see and if we would still be able to do we had learned. We were a little late, and music had already begun. We could see swirl of dancing couples through crack between doors, and we waited until music stopped before entering to pay our…

  • Cultural History and Material Culture: Everyday Life, Landscapes, Museums

    Catherine A Shoupe, Thomas J Schlereth•ARTICLE•Journal of American Folklore•1994

    Review of: Cultural History and Material Culture: Everyday Life, Landscapes, Museums. Schlereth, Thomas J

  • Music and Song Traditions in Scotland: Springthyme Records

    Catherine A Shoupe•ARTICLE•Journal of American Folklore•1991

    Recordings from British and Irish have regularly been mentioned in these pages in the past, but the focus has normally been on new material from the larger companies such as Topic, Flying Fish, or Green Linnet. Here I wish to take a somewhat different approach with a review of a small company, Springthyme Records (Springthyme Music, Balmalcolm House, Kingskettle, Fife), whose director, Peter Shepheard, has been producing recordings for nearly twe…

  • The Folklore of Orkney and Shetland

    Catherine A Shoupe, Ernest W Marwick et al.•ARTICLE•Journal of American Folklore•1978

  • Scottish Social Dancing and the Formation of Community

    Open Access•Catherine A Shoupe•ARTICLE•Western Folklore•2001•Cited by: 1•References: 4

    We parked car and eagerly approached door of Largoward Hall on a light, midsummer Saturday night in June, 1997. It had been ten months since we left Scotland after spending a year there, and I wondered who we would see and if we would still be able to do we had learned. We were a little late, and music had already begun. We could see swirl of dancing couples through crack between doors, and we waited until music stopped before entering to pay our…

  • The Folklore of Orkney and Shetland

    Catherine A Shoupe, Ernest W Marwick et al.•ARTICLE•Journal of American Folklore•1978

  • Music and Song Traditions in Scotland: Springthyme Records

    Catherine A Shoupe•ARTICLE•Journal of American Folklore•1991

    Recordings from British and Irish have regularly been mentioned in these pages in the past, but the focus has normally been on new material from the larger companies such as Topic, Flying Fish, or Green Linnet. Here I wish to take a somewhat different approach with a review of a small company, Springthyme Records (Springthyme Music, Balmalcolm House, Kingskettle, Fife), whose director, Peter Shepheard, has been producing recordings for nearly twe…

  • Cultural History and Material Culture: Everyday Life, Landscapes, Museums

    Catherine A Shoupe, Thomas J Schlereth•ARTICLE•Journal of American Folklore•1994

    Review of: Cultural History and Material Culture: Everyday Life, Landscapes, Museums. Schlereth, Thomas J

  • Scottish Social Dancing and the Formation of Community

    Open Access•Catherine A Shoupe•ARTICLE•Western Folklore•2001•Cited by: 1•References: 4

    We parked car and eagerly approached door of Largoward Hall on a light, midsummer Saturday night in June, 1997. It had been ten months since we left Scotland after spending a year there, and I wondered who we would see and if we would still be able to do we had learned. We were a little late, and music had already begun. We could see swirl of dancing couples through crack between doors, and we waited until music stopped before entering to pay our…

History (4 works) · Art (2 works) · Folklore, Mythology, and Literature Studies (2 works) · Sociology (2 works) · Aesthetics (1 works) · Anthropology (1 works) · Archaeology (1 works) · Archaeology and ancient environmental studies (1 works) · Cultural Heritage Management and Preservation (1 works) · Diversity and Impact of Dance (1 works)

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