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William Dolby

Biographic Data

ID699112
NAMEWilliam Dolby
GIVEN NAMESWilliam
FAMILY NAMEDolby
SIGNATUREDOLBY W
AFFILIATIONSUniversity of Edinburgh
VERIFIEDNo
TOTAL WORKS14
TOTAL CITATIONS6
WORKS AS AUTHOR14
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR1997
H-INDEX1
  • Tea-trading Ship' and the Tale of Shuang Chien and Su Little Lady

    Open Access•William Dolby•ARTICLE•Bulletin of the School of…•1997

    One of the great 'lost' stories of Chinese tradition concerned a magistrate, a courtesan, and a tea-smuggler. It was probably based on real-life events, and was one of the most popular tales during the Southern Sung (1127-1279) and Yüan (1280-1368) dynasties. Yet the piecing together of its outline has entailed much effort, much painstaking sifting and mooting. A tentative reconstruction of it runs as follows

  • Song-Poems from Xanadu

    William Dolby, J I Crump•ARTICLE•Asian Theatre Journal•1995

  • Some Mysteries and Mootings about the Yuan Variety Play

    William Dolby•ARTICLE•Asian Theatre Journal•1994

  • Actors' Miseries and the Subversive Stage

    William Dolby•ARTICLE•Asian Theatre Journal•1994

    To understand how the Chinese theatre fared in old times, and to remain alert to its eternal condition, we can gain a great deal of insight from its contemporary detractors and opponents. There is a breadth and tolerance about much of Confucianism that has kept moralistic fire and brimstone at bay over the centuries, so it is surprising to discover how much puritanical condemnation occurred of a type akin to Jeremy Collier's, Thomas Dekker's, Joh…

  • Listening to Theatre

    William Dolby, Elizabeth Wichmann•ARTICLE•Asian Theatre Journal•1992

  • "Gazing Homewards"

    William Dolby•ARTICLE•Asian Theatre Journal•1990

    Su Wu was kept captive by the Huns, but never let himself be dishonored: In snowy lands and in icy weather, He bore hardships nineteen years, When thirsty, drank snow, When hungry, swallowed felt, Tending sheep on the North Sea shore. He kept in heart and mind the Chinese state altars of grain and millet, His yaktail banner fell, yet still he did not return. Going through tribulation after tribulation, His will stayed firm as iron, But at nights …

  • How I First Learned to Act

    Gai Jiaotian, William Dolby•ARTICLE•Asian Theatre Journal•1989

    Gai Jiaotiana (1888-1970) was a celebrated Beijing opera (jingjub) actor, principally known as a performer of warrior parts. GaiJiaotian, his professional name, means Surpassing the Skylark, appropriate for a performer in a form that gives such prominence to singing. As a child he had been given the professional name Jindouzic, meaning Swift Fighter or Somersaulter, but in 1900 he changed it to Surpassing the Skylark. The famous actor Tan Xinpeid…

  • Actors Are Madmen

    William Dolby, A C Scott•ARTICLE•Asian Theatre Journal•1984

  • Chinese Theater

    William Dolby, Adolf Eduard Zucker et al.•BOOK•Chinese Theater•1983•Cited by: 5

    This volume is the first concise introduction to the splendid variety of the Chinese theatrical tradition. It presents a rounded perspective on the development of Chinese theater by considering all of its major aspects—history and social context, performance, costume, makeup, actors, playwrights, and theaters—and by discussing all the major forms of Chinese theater, including the Beijing opera, which arose in the eighteenth century, and the spoke…

  • Eight Chinese Plays from the Thirteenth Century to the Present

    Robert E Hegel, William Dolby•ARTICLE•World Literature Today•1979

  • Stephen H. West

    Open Access•William Dolby•ARTICLE•Bulletin of the School of…•1979

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Eight Chinese Plays

    Daniel S P Yang, Daniel S Yang et al.•ARTICLE•Theatre Journal•1979

  • The origins of chinese puppetry

    Open Access•William Dolby•ARTICLE•Bulletin of the School of…•1978•Cited by: 1

    Puppetry in China has a long history. The modern remnants of a rich tradition testify to the wealth that was, and the art is being revived in various ways, and given new forms. Although there is more early literature and specific comment in ancient books on ancient Chinese puppets than there is for any other kind of puppetry in its early days, it is not absolutely clear when they originated. The words nearly always used to refer to puppets are mu…

  • Sima Qian

    David R Knechtges, William Dolby et al.•ARTICLE•Journal of the American Oriental…•1977

  • Chinese Theater

    William Dolby, Adolf Eduard Zucker et al.•BOOK•Chinese Theater•1983•Cited by: 5

    This volume is the first concise introduction to the splendid variety of the Chinese theatrical tradition. It presents a rounded perspective on the development of Chinese theater by considering all of its major aspects—history and social context, performance, costume, makeup, actors, playwrights, and theaters—and by discussing all the major forms of Chinese theater, including the Beijing opera, which arose in the eighteenth century, and the spoke…

  • The origins of chinese puppetry

    Open Access•William Dolby•ARTICLE•Bulletin of the School of…•1978•Cited by: 1

    Puppetry in China has a long history. The modern remnants of a rich tradition testify to the wealth that was, and the art is being revived in various ways, and given new forms. Although there is more early literature and specific comment in ancient books on ancient Chinese puppets than there is for any other kind of puppetry in its early days, it is not absolutely clear when they originated. The words nearly always used to refer to puppets are mu…

  • Sima Qian

    David R Knechtges, William Dolby et al.•ARTICLE•Journal of the American Oriental…•1977

  • The origins of chinese puppetry

    Open Access•William Dolby•ARTICLE•Bulletin of the School of…•1978•Cited by: 1

    Puppetry in China has a long history. The modern remnants of a rich tradition testify to the wealth that was, and the art is being revived in various ways, and given new forms. Although there is more early literature and specific comment in ancient books on ancient Chinese puppets than there is for any other kind of puppetry in its early days, it is not absolutely clear when they originated. The words nearly always used to refer to puppets are mu…

  • Eight Chinese Plays from the Thirteenth Century to the Present

    Robert E Hegel, William Dolby•ARTICLE•World Literature Today•1979

  • Stephen H. West

    Open Access•William Dolby•ARTICLE•Bulletin of the School of…•1979

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Eight Chinese Plays

    Daniel S P Yang, Daniel S Yang et al.•ARTICLE•Theatre Journal•1979

  • Chinese Theater

    William Dolby, Adolf Eduard Zucker et al.•BOOK•Chinese Theater•1983•Cited by: 5

    This volume is the first concise introduction to the splendid variety of the Chinese theatrical tradition. It presents a rounded perspective on the development of Chinese theater by considering all of its major aspects—history and social context, performance, costume, makeup, actors, playwrights, and theaters—and by discussing all the major forms of Chinese theater, including the Beijing opera, which arose in the eighteenth century, and the spoke…

  • Actors Are Madmen

    William Dolby, A C Scott•ARTICLE•Asian Theatre Journal•1984

  • How I First Learned to Act

    Gai Jiaotian, William Dolby•ARTICLE•Asian Theatre Journal•1989

    Gai Jiaotiana (1888-1970) was a celebrated Beijing opera (jingjub) actor, principally known as a performer of warrior parts. GaiJiaotian, his professional name, means Surpassing the Skylark, appropriate for a performer in a form that gives such prominence to singing. As a child he had been given the professional name Jindouzic, meaning Swift Fighter or Somersaulter, but in 1900 he changed it to Surpassing the Skylark. The famous actor Tan Xinpeid…

  • "Gazing Homewards"

    William Dolby•ARTICLE•Asian Theatre Journal•1990

    Su Wu was kept captive by the Huns, but never let himself be dishonored: In snowy lands and in icy weather, He bore hardships nineteen years, When thirsty, drank snow, When hungry, swallowed felt, Tending sheep on the North Sea shore. He kept in heart and mind the Chinese state altars of grain and millet, His yaktail banner fell, yet still he did not return. Going through tribulation after tribulation, His will stayed firm as iron, But at nights …

  • Listening to Theatre

    William Dolby, Elizabeth Wichmann•ARTICLE•Asian Theatre Journal•1992

  • Some Mysteries and Mootings about the Yuan Variety Play

    William Dolby•ARTICLE•Asian Theatre Journal•1994

  • Actors' Miseries and the Subversive Stage

    William Dolby•ARTICLE•Asian Theatre Journal•1994

    To understand how the Chinese theatre fared in old times, and to remain alert to its eternal condition, we can gain a great deal of insight from its contemporary detractors and opponents. There is a breadth and tolerance about much of Confucianism that has kept moralistic fire and brimstone at bay over the centuries, so it is surprising to discover how much puritanical condemnation occurred of a type akin to Jeremy Collier's, Thomas Dekker's, Joh…

  • Song-Poems from Xanadu

    William Dolby, J I Crump•ARTICLE•Asian Theatre Journal•1995

  • Tea-trading Ship' and the Tale of Shuang Chien and Su Little Lady

    Open Access•William Dolby•ARTICLE•Bulletin of the School of…•1997

    One of the great 'lost' stories of Chinese tradition concerned a magistrate, a courtesan, and a tea-smuggler. It was probably based on real-life events, and was one of the most popular tales during the Southern Sung (1127-1279) and Yüan (1280-1368) dynasties. Yet the piecing together of its outline has entailed much effort, much painstaking sifting and mooting. A tentative reconstruction of it runs as follows

History (13 works) · Art (10 works) · Chinese history and philosophy (10 works) · Asian Culture and Media Studies (5 works) · Literature (5 works) · Ancient history (3 works) · Archaeology (3 works) · Hong Kong and Taiwan Politics (3 works) · Paleontology (3 works) · Psychology (3 works)

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