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Jareer Abu-Haidar

Biographic Data

ID699528
NAMEJareer Abu-Haidar
GIVEN NAMESJareer
FAMILY NAMEAbu-Haidar
SIGNATUREABU-HAIDAR J
AFFILIATIONS1School of Oriental and African Studies
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS3
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR1974
LATEST PUBLICATION YEAR1993
H-INDEX1
  • The Arabic origins of the muwashshaḥāt

    Open Access•Jareer Abu-Haidar, J A Abu-Haidar•ARTICLE•Bulletin of the School of…•1993•Cited by: 1

    In a recent study entitled 'The muwashshaḣāt: are they a mystery?', I described the muwashshaḣāt as the product of the simple and natural attempt by the Arab literati to extend the proliferation or permutations of rhyme in Arabic prose to Arabic poetry. I pointed out also that in order to accommodate this proliferation of rhyme or to make it possible in poetry, Arabic verse forms had to undergo two notable and quite pervasive developments

  • Qifā Nabki: The Dual Form of Address in Arabic Poetry in a New Light

    Jareer Abu-Haidar, J A Abu-Haidar•ARTICLE•Journal of Arabic Literature•1988

  • A document of cultural symbiosis: Arabic MS. 1623 of Escorial Library

    Open Access•Jareer Abu-Haidar, J A Abu-Haidar•ARTICLE•Journal of the Royal Asiatic…•1987•Cited by: 1

    Hartwig Derenbourg in his Notes critiques sur les manuscrits arabes de la Bibliothèque Nationale de Madrid , (1904), described MS. no. DXCIII of the catalogue of these manuscripts compiled by F. Guillén Robles in the following terms: Le seul ouvrage Chrétien en pur arabe (DXCIII), est un unicum de première importance, les Canons de l'Eglise chrétienne hispanique à la fin du VII e siècle de notre ère, dans un exemplaire du milieu du XI e

  • Awlad Haratina By Najib Mahfuz: An Event in the Arab World

    Jareer Abu-Haidar, J A Abu-Haidar•ARTICLE•Journal of Arabic Literature•1985

  • The Kharja of the Muwashshah in a New Light

    Jareer Abu-Haidar, J A Abu-Haidar•ARTICLE•Journal of Arabic Literature•1978•Cited by: 1

  • Maqāmāt Literature and the Picaresque Novel

    Jareer Abu-Haidar, J A Abu-Haidar•ARTICLE•Journal of Arabic Literature•1974

  • The Arabic origins of the muwashshaḥāt

    Open Access•Jareer Abu-Haidar, J A Abu-Haidar•ARTICLE•Bulletin of the School of…•1993•Cited by: 1

    In a recent study entitled 'The muwashshaḣāt: are they a mystery?', I described the muwashshaḣāt as the product of the simple and natural attempt by the Arab literati to extend the proliferation or permutations of rhyme in Arabic prose to Arabic poetry. I pointed out also that in order to accommodate this proliferation of rhyme or to make it possible in poetry, Arabic verse forms had to undergo two notable and quite pervasive developments

  • A document of cultural symbiosis: Arabic MS. 1623 of Escorial Library

    Open Access•Jareer Abu-Haidar, J A Abu-Haidar•ARTICLE•Journal of the Royal Asiatic…•1987•Cited by: 1

    Hartwig Derenbourg in his Notes critiques sur les manuscrits arabes de la Bibliothèque Nationale de Madrid , (1904), described MS. no. DXCIII of the catalogue of these manuscripts compiled by F. Guillén Robles in the following terms: Le seul ouvrage Chrétien en pur arabe (DXCIII), est un unicum de première importance, les Canons de l'Eglise chrétienne hispanique à la fin du VII e siècle de notre ère, dans un exemplaire du milieu du XI e

  • The Kharja of the Muwashshah in a New Light

    Jareer Abu-Haidar, J A Abu-Haidar•ARTICLE•Journal of Arabic Literature•1978•Cited by: 1

  • Maqāmāt Literature and the Picaresque Novel

    Jareer Abu-Haidar, J A Abu-Haidar•ARTICLE•Journal of Arabic Literature•1974

  • The Kharja of the Muwashshah in a New Light

    Jareer Abu-Haidar, J A Abu-Haidar•ARTICLE•Journal of Arabic Literature•1978•Cited by: 1

  • Awlad Haratina By Najib Mahfuz: An Event in the Arab World

    Jareer Abu-Haidar, J A Abu-Haidar•ARTICLE•Journal of Arabic Literature•1985

  • A document of cultural symbiosis: Arabic MS. 1623 of Escorial Library

    Open Access•Jareer Abu-Haidar, J A Abu-Haidar•ARTICLE•Journal of the Royal Asiatic…•1987•Cited by: 1

    Hartwig Derenbourg in his Notes critiques sur les manuscrits arabes de la Bibliothèque Nationale de Madrid , (1904), described MS. no. DXCIII of the catalogue of these manuscripts compiled by F. Guillén Robles in the following terms: Le seul ouvrage Chrétien en pur arabe (DXCIII), est un unicum de première importance, les Canons de l'Eglise chrétienne hispanique à la fin du VII e siècle de notre ère, dans un exemplaire du milieu du XI e

  • Qifā Nabki: The Dual Form of Address in Arabic Poetry in a New Light

    Jareer Abu-Haidar, J A Abu-Haidar•ARTICLE•Journal of Arabic Literature•1988

  • The Arabic origins of the muwashshaḥāt

    Open Access•Jareer Abu-Haidar, J A Abu-Haidar•ARTICLE•Bulletin of the School of…•1993•Cited by: 1

    In a recent study entitled 'The muwashshaḣāt: are they a mystery?', I described the muwashshaḣāt as the product of the simple and natural attempt by the Arab literati to extend the proliferation or permutations of rhyme in Arabic prose to Arabic poetry. I pointed out also that in order to accommodate this proliferation of rhyme or to make it possible in poetry, Arabic verse forms had to undergo two notable and quite pervasive developments

History (5 works) · Islamic Studies and History (5 works) · Art (4 works) · History (4 works) · Arabic (3 works) · Education and Islamic Studies (3 works) · Historical and Linguistic Studies (3 works) · Linguistics (3 works) · Literature (3 works) · Philosophy (3 works)

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