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Marilyn E Heldman

Biographic Data

ID699781
NAMEMarilyn E Heldman
GIVEN NAMESMarilyn E
FAMILY NAMEHeldman
SIGNATUREHELDMAN M E
AFFILIATIONS1St. Louis, Missouri
VERIFIEDNo
TOTAL WORKS14
TOTAL CITATIONS10
AUTHOR COUNT14
EDITOR COUNT0
FIRST PUBLICATION YEAR1985
LATEST PUBLICATION YEAR2013
H-INDEX1
  • Creating Religious Art

    Open Access•Marilyn E Heldman•ARTICLE•Aethiopica•2013•Cited by: 1

    Research article

  • Steh auf und geh nach Süden / Arise and go toward the South

    Open Access•Marilyn E Heldman•ARTICLE•Aethiopica•2012

    Review

  • Diana Spencer

    Open Access•Marilyn E Heldman•ARTICLE•Aethiopica•2012

    Review

  • Creating Sacred Space

    Marilyn E Heldman•ARTICLE•Diaspora A Journal of Transnational…•2006

    This essay examines the creation of places of worship by Ethiopian Orthodox congregations in North America, focusing primarily on the District of Columbia and adjacent areas in the states of Maryland and Virginia. Following a discussion of the historical background and development of church architecture in Ethiopia, the essay demonstrates that the shaping of the interior space of Ethiopian Orthodox churches in North America follows a modern model…

  • Frē Seyon

    Marilyn E Heldman•ARTICLE•African Arts•1998

    L'A. retrace la vie et l'oeuvre de Frē Seyon, moine et peintre du 15 eme siecle dans les Hautes-Terres chretiennes d'Ethiopie (Abyssinie) : analyse de son style personnel ; importance du culte marial a la cour de l'empereur Zar'a Yā'eqob et innovations introduites par l'artiste dans les icones representant la Vierge Marie ; influence sur l'oeuvre de Frē Seyon de la peinture italienne

  • Ethiopian Manuscripts

    Marilyn E Heldman, David Appleyard•ARTICLE•African Arts•1997

  • The Marian Icons of the Painter Fre Seyon

    Annegret Marx, Marilyn E Heldman•ARTICLE•The International Journal of…•1997

  • The Marian Icons of the Painter Fre Seyon

    Annabel Jane Wharton, Annabel Wharton et al.•ARTICLE•African Arts•1996

  • Legends of Lālibalā

    Open Access•Marilyn E Heldman•ARTICLE•Res: Anthropology and Aesthetics•1995•Cited by: 1

  • The Sacred Art of Ethiopia

    Open Access•Marilyn E Heldman•ARTICLE•Historian•1994

  • African Zion

    Open Access•Marilyn E Heldman, MARILYN HELDMAN•ARTICLE•The Art Book•1994

  • Architectural Symbolism, Sacred Geography and the Ethiopian Church

    Marilyn E Heldman•ARTICLE•Journal of Religion in Africa•1992•Cited by: 8

    ARCHITECTURAL SYMBOLISM, SACRED GEOGRAPHY AND THE ETHIOPIAN CHURCH* BY MARILYN E. HELDMAN (St. Louis, Missouri) The Ethiopian Church considers the consecrated altar to be a symbol of the Old Testament Ark of the Covenant.' While Ethio- pian beliefs concerning the Ark of the Covenant have been noted by non-Ethiopian observers since the thirteenth century, until now, no one has attempted to place these beliefs within a context of architectural symb…

  • A chalice from Venice for Emperor Dāwit of Ethiopia

    Open Access•Marilyn E Heldman•ARTICLE•Bulletin of the School of…•1990•References: 2

    The various documents concerning Emperor Dāwit's embassy to the Republic of Venice in 1402 have been brought together in Carlo Conti Rossini's article of 1927 on European influence upon Ethiopian art before the coming of Jesuit missionaries in the mid sixteenth century. The purpose of this brief paper is to expand the story of Dāwit's embassy with a short document, which sheds some light upon the motives for this and subsequent Ethiopian embassie…

  • Major Themes in Ethiopian Painting

    Marilyn E Heldman, Stanislaw Chojnacki•ARTICLE•The International Journal of…•1985

  • Architectural Symbolism, Sacred Geography and the Ethiopian Church

    Marilyn E Heldman•ARTICLE•Journal of Religion in Africa•1992•Cited by: 8

    ARCHITECTURAL SYMBOLISM, SACRED GEOGRAPHY AND THE ETHIOPIAN CHURCH* BY MARILYN E. HELDMAN (St. Louis, Missouri) The Ethiopian Church considers the consecrated altar to be a symbol of the Old Testament Ark of the Covenant.' While Ethio- pian beliefs concerning the Ark of the Covenant have been noted by non-Ethiopian observers since the thirteenth century, until now, no one has attempted to place these beliefs within a context of architectural symb…

  • Creating Religious Art

    Open Access•Marilyn E Heldman•ARTICLE•Aethiopica•2013•Cited by: 1

    Research article

  • Legends of Lālibalā

    Open Access•Marilyn E Heldman•ARTICLE•Res: Anthropology and Aesthetics•1995•Cited by: 1

  • Major Themes in Ethiopian Painting

    Marilyn E Heldman, Stanislaw Chojnacki•ARTICLE•The International Journal of…•1985

  • A chalice from Venice for Emperor Dāwit of Ethiopia

    Open Access•Marilyn E Heldman•ARTICLE•Bulletin of the School of…•1990•References: 2

    The various documents concerning Emperor Dāwit's embassy to the Republic of Venice in 1402 have been brought together in Carlo Conti Rossini's article of 1927 on European influence upon Ethiopian art before the coming of Jesuit missionaries in the mid sixteenth century. The purpose of this brief paper is to expand the story of Dāwit's embassy with a short document, which sheds some light upon the motives for this and subsequent Ethiopian embassie…

  • Architectural Symbolism, Sacred Geography and the Ethiopian Church

    Marilyn E Heldman•ARTICLE•Journal of Religion in Africa•1992•Cited by: 8

    ARCHITECTURAL SYMBOLISM, SACRED GEOGRAPHY AND THE ETHIOPIAN CHURCH* BY MARILYN E. HELDMAN (St. Louis, Missouri) The Ethiopian Church considers the consecrated altar to be a symbol of the Old Testament Ark of the Covenant.' While Ethio- pian beliefs concerning the Ark of the Covenant have been noted by non-Ethiopian observers since the thirteenth century, until now, no one has attempted to place these beliefs within a context of architectural symb…

  • The Sacred Art of Ethiopia

    Open Access•Marilyn E Heldman•ARTICLE•Historian•1994

  • African Zion

    Open Access•Marilyn E Heldman, MARILYN HELDMAN•ARTICLE•The Art Book•1994

  • Legends of Lālibalā

    Open Access•Marilyn E Heldman•ARTICLE•Res: Anthropology and Aesthetics•1995•Cited by: 1

  • The Marian Icons of the Painter Fre Seyon

    Annabel Jane Wharton, Annabel Wharton et al.•ARTICLE•African Arts•1996

  • Ethiopian Manuscripts

    Marilyn E Heldman, David Appleyard•ARTICLE•African Arts•1997

  • The Marian Icons of the Painter Fre Seyon

    Annegret Marx, Marilyn E Heldman•ARTICLE•The International Journal of…•1997

  • Frē Seyon

    Marilyn E Heldman•ARTICLE•African Arts•1998

    L'A. retrace la vie et l'oeuvre de Frē Seyon, moine et peintre du 15 eme siecle dans les Hautes-Terres chretiennes d'Ethiopie (Abyssinie) : analyse de son style personnel ; importance du culte marial a la cour de l'empereur Zar'a Yā'eqob et innovations introduites par l'artiste dans les icones representant la Vierge Marie ; influence sur l'oeuvre de Frē Seyon de la peinture italienne

  • Creating Sacred Space

    Marilyn E Heldman•ARTICLE•Diaspora A Journal of Transnational…•2006

    This essay examines the creation of places of worship by Ethiopian Orthodox congregations in North America, focusing primarily on the District of Columbia and adjacent areas in the states of Maryland and Virginia. Following a discussion of the historical background and development of church architecture in Ethiopia, the essay demonstrates that the shaping of the interior space of Ethiopian Orthodox churches in North America follows a modern model…

  • Steh auf und geh nach Süden / Arise and go toward the South

    Open Access•Marilyn E Heldman•ARTICLE•Aethiopica•2012

    Review

  • Diana Spencer

    Open Access•Marilyn E Heldman•ARTICLE•Aethiopica•2012

    Review

  • Creating Religious Art

    Open Access•Marilyn E Heldman•ARTICLE•Aethiopica•2013•Cited by: 1

    Research article

African history and culture analysis (11 works) · Art (11 works) · History (11 works) · Art history (6 works) · Aesthetics (4 works) · Ancient history (4 works) · Geography (4 works) · Painting (4 works) · Archaeology (3 works) · Classics (3 works)

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