Jeanne Cortiel
Biographic Data
| ID | 701274 |
|---|---|
| NAME | Jeanne Cortiel |
| GIVEN NAMES | Jeanne |
| FAMILY NAME | Cortiel |
| SIGNATURE | CORTIEL J |
| AFFILIATIONS | University of Bayreuth |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Joanna Russ . Modern Masters of Science Fiction
Joanna Russ. Modern Masters of Science Fiction Joanna Russ. Modern Masters of Science Fiction. By Gwyneth Jones. U of Illinois P Print, 2019. $22.00 paperback. Jeanne Cortiel Jeanne Cortiel Universität Bayreuth, Germany [email protected] Search for other works by this author on: Oxford Academic Google Scholar Contemporary Women's Writing, Volume 15, Issue 1, March 2021, Pages 126–127, https://doi.org/10.1093/cww/vpaa030 Published: 20…
Risk and Feminist Utopia
Risk has taken over the world as the major way of conceptualizing the future as bleak, if one follows Ulrich Beck's claim in World at Risk (2007). However, there is also a distinctly utopian strand in American risk discourse, one that has, from the outset, been linked to feminist perspectives. Indeed, when risk entered American culture in the 19th century, immediately women's rights philosophy began to draw on futures shaped by risk, establishing…
The Dark Knight’s Dystopian Vision
This essay argues that Frank Miller’s Batman: The Dark Knight Returns (1986) and Batman: The Dark Knight Strikes Again (2001-02) are grounded in a specific type of anticipatory consciousness that we read as risk consciousness. With their sustained and systematic confrontation of risk discourses, the two graphic narratives can be seen as key examples of what we call risk fiction, that is fictional engagements with and expressions of global risks t…
The Dark Knight’s Dystopian Vision
This essay argues that Frank Miller’s Batman: The Dark Knight Returns (1986) and Batman: The Dark Knight Strikes Again (2001-02) are grounded in a specific type of anticipatory consciousness that we read as risk consciousness. With their sustained and systematic confrontation of risk discourses, the two graphic narratives can be seen as key examples of what we call risk fiction, that is fictional engagements with and expressions of global risks t…
The Dark Knight’s Dystopian Vision
This essay argues that Frank Miller’s Batman: The Dark Knight Returns (1986) and Batman: The Dark Knight Strikes Again (2001-02) are grounded in a specific type of anticipatory consciousness that we read as risk consciousness. With their sustained and systematic confrontation of risk discourses, the two graphic narratives can be seen as key examples of what we call risk fiction, that is fictional engagements with and expressions of global risks t…
Risk and Feminist Utopia
Risk has taken over the world as the major way of conceptualizing the future as bleak, if one follows Ulrich Beck's claim in World at Risk (2007). However, there is also a distinctly utopian strand in American risk discourse, one that has, from the outset, been linked to feminist perspectives. Indeed, when risk entered American culture in the 19th century, immediately women's rights philosophy began to draw on futures shaped by risk, establishing…
Joanna Russ . Modern Masters of Science Fiction
Joanna Russ. Modern Masters of Science Fiction Joanna Russ. Modern Masters of Science Fiction. By Gwyneth Jones. U of Illinois P Print, 2019. $22.00 paperback. Jeanne Cortiel Jeanne Cortiel Universität Bayreuth, Germany [email protected] Search for other works by this author on: Oxford Academic Google Scholar Contemporary Women's Writing, Volume 15, Issue 1, March 2021, Pages 126–127, https://doi.org/10.1093/cww/vpaa030 Published: 20…
Art (3 works) · Aesthetics (2 works) · Anthropology (2 works) · Art history (2 works) · History (2 works) · Law (2 works) · Literature (2 works) · Narrative (2 works) · Philosophy (2 works) · Political science (2 works)