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Ana C Cara

Biographic Data

ID701381
NAMEAna C Cara
GIVEN NAMESAna C
FAMILY NAMECara
SIGNATURECARA A C
AFFILIATIONSOberlin College
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS13
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2023
H-INDEX2
  • On the High Art of Folk Poetry: What Jorge Luis Borges and Bob Dylan Have in Common

    Open Access•Ana C Cara•ARTICLE•Journal of Transnational American…•2023•References: 1

    Extended and translated for JTAS 's Reprise section. Ana C. Cara, “¿Qué tienen en común Jorge Luis Borges y Bob Dylan? Sobre el elevado arte de la poesía popular,” originally published in Palabras Enlazadas: Estudios en Homenaje al Profesor Lászió Scholz , 2018

  • “Aquí me pongo a cantar …”: El arte payadoresco de Argentina y Uruguay

    Ana C Cara•ARTICLE•Journal of American Folklore•2020

  • Entangled Tangos: Passionate Displays, Intimate Dialogues

    Ana C Cara•ARTICLE•Journal of American Folklore•2009•Cited by: 4

    While tango is known internationally, it is not a universal dance. The home tango and export tango exemplify the coexistence of distinct but entangled tango traditions. Together these practices have been central in giving Argentines a cultural and political voice, as well as economic agency, both at home and globally

  • The Poetics of Creole Talk: Toward an Aesthetic of Argentine Verbal Art

    Ana C Cara•ARTICLE•Journal of American Folklore•2003•Cited by: 2

    Creole talk in Argentina offers a key to creole poetics, defies noncreole authority, and provides a model for creole power strategies. Such talk, not exclusive to creole languages or to oral transmission, makes deliberate use of artifice to mask and reveal native (creole) truths. Whether playful, subversive, or combative, these Argentine examples share characteristics with the folk and literary artistic discourse of other creole cultures, suggest…

  • Introduction: Creolization and Folklore--Cultural Creativity in Process

    Robert Baron, Robert B Baron et al.•ARTICLE•Journal of American Folklore•2003•Cited by: 7

    CREOLIZATION IS CULTURAL CREATIVITY in process. When cultures come into contact, expressive forms and performances emerge from their encounter, embodying the sources that shape them, yet constituting new and different entities. Fluid in their adaptation to changing circumstances and open to multiple meanings, creole forms are expressions of culture in transition and transformation. Traditionally associated with the new New World cultures of Carib…

  • Introduction: Creolization and Folklore: Cultural Creativity in Process

    Robert Baron, Robert A Baron et al.•ARTICLE•Journal of American Folklore•2003

    Introduction| January 01 2003 Introduction: Creolization and Folklore: Cultural Creativity in Process Robert Baron; Robert Baron Search for other works by this author on: This Site Google Ana C. Cara Ana C. Cara Search for other works by this author on: This Site Google Journal of American Folklore (2003) 116 (459): 4–8. https://doi.org/10.2307/4137938 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citati…

  • Introduction: Creolization and Folklore--Cultural Creativity in Process

    Robert Baron, Robert B Baron et al.•ARTICLE•Journal of American Folklore•2003•Cited by: 7

    CREOLIZATION IS CULTURAL CREATIVITY in process. When cultures come into contact, expressive forms and performances emerge from their encounter, embodying the sources that shape them, yet constituting new and different entities. Fluid in their adaptation to changing circumstances and open to multiple meanings, creole forms are expressions of culture in transition and transformation. Traditionally associated with the new New World cultures of Carib…

  • Entangled Tangos: Passionate Displays, Intimate Dialogues

    Ana C Cara•ARTICLE•Journal of American Folklore•2009•Cited by: 4

    While tango is known internationally, it is not a universal dance. The home tango and export tango exemplify the coexistence of distinct but entangled tango traditions. Together these practices have been central in giving Argentines a cultural and political voice, as well as economic agency, both at home and globally

  • The Poetics of Creole Talk: Toward an Aesthetic of Argentine Verbal Art

    Ana C Cara•ARTICLE•Journal of American Folklore•2003•Cited by: 2

    Creole talk in Argentina offers a key to creole poetics, defies noncreole authority, and provides a model for creole power strategies. Such talk, not exclusive to creole languages or to oral transmission, makes deliberate use of artifice to mask and reveal native (creole) truths. Whether playful, subversive, or combative, these Argentine examples share characteristics with the folk and literary artistic discourse of other creole cultures, suggest…

  • The Poetics of Creole Talk: Toward an Aesthetic of Argentine Verbal Art

    Ana C Cara•ARTICLE•Journal of American Folklore•2003•Cited by: 2

    Creole talk in Argentina offers a key to creole poetics, defies noncreole authority, and provides a model for creole power strategies. Such talk, not exclusive to creole languages or to oral transmission, makes deliberate use of artifice to mask and reveal native (creole) truths. Whether playful, subversive, or combative, these Argentine examples share characteristics with the folk and literary artistic discourse of other creole cultures, suggest…

  • Introduction: Creolization and Folklore--Cultural Creativity in Process

    Robert Baron, Robert B Baron et al.•ARTICLE•Journal of American Folklore•2003•Cited by: 7

    CREOLIZATION IS CULTURAL CREATIVITY in process. When cultures come into contact, expressive forms and performances emerge from their encounter, embodying the sources that shape them, yet constituting new and different entities. Fluid in their adaptation to changing circumstances and open to multiple meanings, creole forms are expressions of culture in transition and transformation. Traditionally associated with the new New World cultures of Carib…

  • Introduction: Creolization and Folklore: Cultural Creativity in Process

    Robert Baron, Robert A Baron et al.•ARTICLE•Journal of American Folklore•2003

    Introduction| January 01 2003 Introduction: Creolization and Folklore: Cultural Creativity in Process Robert Baron; Robert Baron Search for other works by this author on: This Site Google Ana C. Cara Ana C. Cara Search for other works by this author on: This Site Google Journal of American Folklore (2003) 116 (459): 4–8. https://doi.org/10.2307/4137938 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citati…

  • Entangled Tangos: Passionate Displays, Intimate Dialogues

    Ana C Cara•ARTICLE•Journal of American Folklore•2009•Cited by: 4

    While tango is known internationally, it is not a universal dance. The home tango and export tango exemplify the coexistence of distinct but entangled tango traditions. Together these practices have been central in giving Argentines a cultural and political voice, as well as economic agency, both at home and globally

  • “Aquí me pongo a cantar …”: El arte payadoresco de Argentina y Uruguay

    Ana C Cara•ARTICLE•Journal of American Folklore•2020

  • On the High Art of Folk Poetry: What Jorge Luis Borges and Bob Dylan Have in Common

    Open Access•Ana C Cara•ARTICLE•Journal of Transnational American…•2023•References: 1

    Extended and translated for JTAS 's Reprise section. Ana C. Cara, “¿Qué tienen en común Jorge Luis Borges y Bob Dylan? Sobre el elevado arte de la poesía popular,” originally published in Palabras Enlazadas: Estudios en Homenaje al Profesor Lászió Scholz , 2018

Art (5 works) · Aesthetics (3 works) · Computer Science (3 works) · History (3 works) · Literature (3 works) · Philosophy (3 works) · Sociology (3 works) · Anthropology (2 works) · Creole language (2 works) · Creolization (2 works)

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