R S Bray
Biographic Data
| ID | 7015692 |
|---|---|
| NAME | R S Bray |
| GIVEN NAMES | R S |
| FAMILY NAME | Bray |
| SIGNATURE | BRAY R S |
| AFFILIATIONS | The University of Sydney |
| ORCID | 0000-0003-2407-9182 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2009 |
| H-INDEX | 0 |
Crime Scenes
Crime has long kept law and its public enthralled, and the heartland of crime in contemporary culture is the crime scene. This is a place where the coordinates are continually mapped and, whether a minor or lead character in our social topographies, the crime scene inevitably, repeatedly, steals our attention. Representations pepper our television screens in police and forensic procedurals; Luc Sante’s (1992) collection of New York crime scene ph…
Eva Frapiccini and ‘Muri di piombo’ - Interview by Rebecca Scott Bray
This interview with Italian photographer Eva Frapiccini explores her research and practice for the work Muri di piombo (Walls of lead) between 2003-2006. During this time she researched homicides committed during the anni di piombo (years of lead) in Italy 1976-1982. Frapiccini photographed crime scenes in the same month and at the same time of day as the original violence, exhibiting the resulting images with press reports about the crime
Armies of Pestilence
No prominent works on this page.
Armies of Pestilence
Crime Scenes
Crime has long kept law and its public enthralled, and the heartland of crime in contemporary culture is the crime scene. This is a place where the coordinates are continually mapped and, whether a minor or lead character in our social topographies, the crime scene inevitably, repeatedly, steals our attention. Representations pepper our television screens in police and forensic procedurals; Luc Sante’s (1992) collection of New York crime scene ph…
Eva Frapiccini and ‘Muri di piombo’ - Interview by Rebecca Scott Bray
This interview with Italian photographer Eva Frapiccini explores her research and practice for the work Muri di piombo (Walls of lead) between 2003-2006. During this time she researched homicides committed during the anni di piombo (years of lead) in Italy 1976-1982. Frapiccini photographed crime scenes in the same month and at the same time of day as the original violence, exhibiting the resulting images with press reports about the crime
Psychology (2 works) · Art (1 work) · Artificial Intelligence (1 work) · Communicable diseases (1 work) · Communism, Protests, Social Movements (1 work) · Computer Science (1 work) · Crime and Detective Fiction Studies (1 work) · Crime Patterns and Interventions (1 work) · Crime, Illicit Activities, and Governance (1 work) · Criminology (1 work)