M Catherine Daly
Biographic Data
| ID | 702712 |
|---|---|
| NAME | M Catherine Daly |
| GIVEN NAMES | M Catherine |
| FAMILY NAME | Daly |
| SIGNATURE | DALY M C |
| AFFILIATIONS | Catherine Daly is faculty in the Department of Textiles, Clothing and Design and a research associate in the Center for Afghanistan Studies at the University of Nebraska. In 1998 she was a Fulbright Scholar at the National College of Art-Lahore, Pakistan. She is currently researching textile and apparel practices of Muslim women from Central and South Asia. |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1986 |
| LATEST PUBLICATION YEAR | 2002 |
| H-INDEX | 1 |
Undressing Religion: Commitment and Conversion from a Cross-Cultural Perspective
From Islam to Confucianism to Voodoo, dress plays a pivotal role in religious expression. This book investigates how dress symbolically evidences both religious and social systems across a wide range of cultures - from Africa and South America to Asia, Indonesia, Malaysia and the Caribbean. In some of these cultures, dress is part of a system of social control. Gender issues feature prominently since the control of female sexuality is often of gr…
The ‘Paarda’ Expression of Hejaab Among Afghan Women in a Non-Muslim Community
Ah, A Real Kalabari Woman!”: Reflexivity and the Conceptualization of Appearance
"Androcentrism in "Foreheads of the Dead
The Fragmentation of American Folklife Studies
Iria Bo Appearance at Kalabari Funerals
In the riverine area of the Niger Delta, the Kalabari emphasize the importance of a prescribed appearance for those participating in the various events that constitute a traditional funeral. Throughout this period, mourners wear dress that communicates respect for the deceased as well as for his or her immediate family and lineage. In this issue, Joanne Eicher and Tonye Erekosima establish and analyze the chronology and range of the general funer…
Male and Female Artistry in Kalabari Dress
The distinctive aesthetic of the Kalabari people derives from the geographic, historical, and social conditions of the Niger delta, where they have held a strategic position in trade since the 1400s (Jones 1963). Situated near the coast of southeastern Nigeria, the Kalabari acted as intermediaries between hinterland communities and the larger world. East-west routes that were well established prior to the influx of Europeans in the sixteenth cent…
Male and Female Artistry in Kalabari Dress
The distinctive aesthetic of the Kalabari people derives from the geographic, historical, and social conditions of the Niger delta, where they have held a strategic position in trade since the 1400s (Jones 1963). Situated near the coast of southeastern Nigeria, the Kalabari acted as intermediaries between hinterland communities and the larger world. East-west routes that were well established prior to the influx of Europeans in the sixteenth cent…
Iria Bo Appearance at Kalabari Funerals
In the riverine area of the Niger Delta, the Kalabari emphasize the importance of a prescribed appearance for those participating in the various events that constitute a traditional funeral. Throughout this period, mourners wear dress that communicates respect for the deceased as well as for his or her immediate family and lineage. In this issue, Joanne Eicher and Tonye Erekosima establish and analyze the chronology and range of the general funer…
Male and Female Artistry in Kalabari Dress
The distinctive aesthetic of the Kalabari people derives from the geographic, historical, and social conditions of the Niger delta, where they have held a strategic position in trade since the 1400s (Jones 1963). Situated near the coast of southeastern Nigeria, the Kalabari acted as intermediaries between hinterland communities and the larger world. East-west routes that were well established prior to the influx of Europeans in the sixteenth cent…
Iria Bo Appearance at Kalabari Funerals
In the riverine area of the Niger Delta, the Kalabari emphasize the importance of a prescribed appearance for those participating in the various events that constitute a traditional funeral. Throughout this period, mourners wear dress that communicates respect for the deceased as well as for his or her immediate family and lineage. In this issue, Joanne Eicher and Tonye Erekosima establish and analyze the chronology and range of the general funer…
"Androcentrism in "Foreheads of the Dead
The Fragmentation of American Folklife Studies
The ‘Paarda’ Expression of Hejaab Among Afghan Women in a Non-Muslim Community
Ah, A Real Kalabari Woman!”: Reflexivity and the Conceptualization of Appearance
Undressing Religion: Commitment and Conversion from a Cross-Cultural Perspective
From Islam to Confucianism to Voodoo, dress plays a pivotal role in religious expression. This book investigates how dress symbolically evidences both religious and social systems across a wide range of cultures - from Africa and South America to Asia, Indonesia, Malaysia and the Caribbean. In some of these cultures, dress is part of a system of social control. Gender issues feature prominently since the control of female sexuality is often of gr…
Art (5 works) · Computer Science (3 works) · Psychology (3 works) · Sociology (3 works) · Aesthetics (2 works) · Expression (computer science) (2 works) · Fashion and Cultural Textiles (2 works) · Gender Studies (2 works) · Geography (2 works) · Global Maritime and Colonial Histories (2 works)