Linda Mizejewski
Biographic Data
| ID | 703222 |
|---|---|
| NAME | Linda Mizejewski |
| GIVEN NAMES | Linda |
| FAMILY NAME | Mizejewski |
| SIGNATURE | MIZEJEWSKI L |
| AFFILIATIONS | The Ohio State University |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1984 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 0 |
Women and Comedy
Minstrelsy and Wartime Buddies
The only classic holiday film to link the meaning of Christmas to national history, White Christmas (1954) demonstrates the convergence of postwar sexual and racial anxieties, producing nostalgia for a verboten past represented by the homoerotic buddy film and blackface minstrelsy, entertainment forms that the film both reproduces and disavows
Hardboiled and High Heeled
Chapter One: Watching the Women Detectives Chapter Two: Grafton and Cornwell: Picturing the Best-seller List Chapter Three: Jiggle, Camp, and Couples: 1960s-1980s Prime-Time Woman Investigators Chapter Four: Under Suspicion: Women and Mystery in 1990s Television Chapter Five: Woman Detectives on Film: First Take . Chapter Six: Action Bodies :Women Detective Movies, 1995-2000 Chapter Seven: Clarice and her Fans: The Silence of the Lambs and Hannib…
The Isherwood Century
Called the best English prose writer of this century by Gore Vidal, Christopher Isherwood is best known for Goodbye to Berlin the inspiration for the musical Cabaret but is also the author of plays, novels, and diaries. The Isherwood Century gathers twenty-four essays and interviews offering a fresh, in-depth view of Isherwood, his literary legacy, and his continuing influence as both a literary and a gay pioneer
Illusive Evidence
Linda Mizejewski, Illusive Evidence: Patricia Cornwell and the Body Double, South Central Review, Vol. 18, No. 3/4, Whose Body: Recognizing Feminist Mystery and Detective Fiction (Autumn - Winter, 2001), pp. 6-20
From Mae to Madonna
Journal Article From Mae to Madonna: Women Entertainers in Twentieth-Century America. By June Sochen. (Lexington, Rank Ladies: Gender and Cultural Hierarchy in American Vaudeville. By M. Alison Kibler. (Chapel Hill and Ziegfeld Girl: Image and Icon in Culture and Cinema. By Linda Mizejewski. (Durham Get access Marybeth Hamilton Marybeth Hamilton Birkbeck College, University of London, London, United Kingdom Search for other works by this author o…
Divine Decadence
Journal Article Divine Decadence: Fascism, Female Spectacle, and the Makings of Sally Bowles. By Linda Mizejewski. (Princeton: Princeton University Press, 1992. xii, 261 pp. Cloth, $39.50, ISBN 0-691-07896-3. Paper, $14.95, ISBN 0-691-02346-8.) Get access Lane Fenrich Lane Fenrich University of Chicago, Chicago, Illinois Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 81, Issue 1, June …
Will Rogers at the Ziegfeld Follies
Divine Decadence
As femme fatale, cabaret siren, and icon of Camp, the Christopher Isherwood character Sally Bowles has become this century's darling of "divine decadence"--a measure of how much we are attracted by the fiction of the "shocking" British/American vamp in Weimar Berlin. Originally a character in a short story by Isherwood, published in 1939, "Sally" has appeared over the years in John Van Druten's stage play I Am a Camera, Henry Cornelius's film of …
Gertrude Stein
Keeping My Name
No prominent works on this page.
Keeping My Name
Gertrude Stein
Divine Decadence
As femme fatale, cabaret siren, and icon of Camp, the Christopher Isherwood character Sally Bowles has become this century's darling of "divine decadence"--a measure of how much we are attracted by the fiction of the "shocking" British/American vamp in Weimar Berlin. Originally a character in a short story by Isherwood, published in 1939, "Sally" has appeared over the years in John Van Druten's stage play I Am a Camera, Henry Cornelius's film of …
Will Rogers at the Ziegfeld Follies
Divine Decadence
Journal Article Divine Decadence: Fascism, Female Spectacle, and the Makings of Sally Bowles. By Linda Mizejewski. (Princeton: Princeton University Press, 1992. xii, 261 pp. Cloth, $39.50, ISBN 0-691-07896-3. Paper, $14.95, ISBN 0-691-02346-8.) Get access Lane Fenrich Lane Fenrich University of Chicago, Chicago, Illinois Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 81, Issue 1, June …
From Mae to Madonna
Journal Article From Mae to Madonna: Women Entertainers in Twentieth-Century America. By June Sochen. (Lexington, Rank Ladies: Gender and Cultural Hierarchy in American Vaudeville. By M. Alison Kibler. (Chapel Hill and Ziegfeld Girl: Image and Icon in Culture and Cinema. By Linda Mizejewski. (Durham Get access Marybeth Hamilton Marybeth Hamilton Birkbeck College, University of London, London, United Kingdom Search for other works by this author o…
The Isherwood Century
Called the best English prose writer of this century by Gore Vidal, Christopher Isherwood is best known for Goodbye to Berlin the inspiration for the musical Cabaret but is also the author of plays, novels, and diaries. The Isherwood Century gathers twenty-four essays and interviews offering a fresh, in-depth view of Isherwood, his literary legacy, and his continuing influence as both a literary and a gay pioneer
Illusive Evidence
Linda Mizejewski, Illusive Evidence: Patricia Cornwell and the Body Double, South Central Review, Vol. 18, No. 3/4, Whose Body: Recognizing Feminist Mystery and Detective Fiction (Autumn - Winter, 2001), pp. 6-20
Hardboiled and High Heeled
Chapter One: Watching the Women Detectives Chapter Two: Grafton and Cornwell: Picturing the Best-seller List Chapter Three: Jiggle, Camp, and Couples: 1960s-1980s Prime-Time Woman Investigators Chapter Four: Under Suspicion: Women and Mystery in 1990s Television Chapter Five: Woman Detectives on Film: First Take . Chapter Six: Action Bodies :Women Detective Movies, 1995-2000 Chapter Seven: Clarice and her Fans: The Silence of the Lambs and Hannib…
Minstrelsy and Wartime Buddies
The only classic holiday film to link the meaning of Christmas to national history, White Christmas (1954) demonstrates the convergence of postwar sexual and racial anxieties, producing nostalgia for a verboten past represented by the homoerotic buddy film and blackface minstrelsy, entertainment forms that the film both reproduces and disavows
Women and Comedy
Art (8 works) · History (5 works) · History (5 works) · Literature (4 works) · Art history (3 works) · Psychology (3 works) · Sociology (3 works) · Cinema and Media Studies (2 works) · Crime and Detective Fiction Studies (2 works) · Decadence (2 works)