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Marcia Gaudet

Biographic Data

ID703878
NAMEMarcia Gaudet
GIVEN NAMESMarcia
FAMILY NAMEGaudet
SIGNATUREGAUDET M
AFFILIATIONSUniversity of Louisiana at Lafayette Emerita
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS5
AUTHOR COUNT10
EDITOR COUNT0
FIRST PUBLICATION YEAR1988
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Frank de Caro (1943-2020)

    Marcia Gaudet•ARTICLE•Journal of American Folklore•2021•References: 1

  • Ribbon Pulls in Wedding Cakes

    Marcia Gaudet•ARTICLE•Folklore•2006•References: 4

    The ritual of cutting the wedding cake at weddings in the New Orleans area is preceded by another ritual tradition: unmarried female friends of the bride each “pull a ribbon,” to which a silver charm or “favour” is attached, from the cake. Charms can include a ring, a heart, a thimble, a button, a horseshoe, and a clover, each with a traditional meaning. An exploration of the possible derivations and routes of diffusion of this custom reveal that…

  • Mardi Gras, Chic-a-la-Pie

    Marcia Gaudet, Marcia G Gaudet•ARTICLE•Journal of American Folklore•2001•Cited by: 2•References: 1

    Mardi Gras, in the predominantly Creole and African American 12th Street area of Lafayette, Louisiana, reflects both the cultural diversity of Creoles of color and the dynamics of asserting Creole identity in a region more widely known as Cajun Country. The festive play of this Mardi Gras incorporates Afro-Caribbean performance styles as well as French Louisiana Mardi Gras chants and rituals. Creole identity is reflected, challenged, and celebrat…

  • The World Downside Up

    Marcia Gaudet•ARTICLE•Journal of American Folklore•1998•Cited by: 1

    To act carnivalesque is to be allowed to be abnormal for a while. Paradoxically, to celebrate Mardi Gras, like other masquerade holidays, is normative - it is not only allowable but even expected that one will participate in the seasonal customs. Thus, for people who are already stigmatized as abnormal in society, the masks and the occasion allow an opportunity to engage in normative behavior, to act normal. In this article, I focus upon the Mard…

  • Porch Talk with Ernest Gaines

    Mary Ellen Doyle, Marcia Gaudet et al.•ARTICLE•MELUS Multi-Ethnic Literature of…•1994

    Mary Ellen Doyle, SCN; Porch Talk with Ernest Gaines: Conversations on the Writer’s Craft. Eds. Marcia Gaudet and Carl Wooton. Baton Rouge: Louisiana State

  • Miss Jane and Personal Experience Narrative

    Marcia Gaudet•ARTICLE•Western Folklore•1992

  • Bouki, the Hyena, in Louisiana and African Tales

    Marcia Gaudet•ARTICLE•Journal of American Folklore•1992•Cited by: 1

    Bouki and Lapin tales, the Louisiana equivalent of the Br'er Rabbit stories, are among the most widely collected folktales in French Louisiana. Alcee Fortier, a folklorist and linguist, heard such narratives as a child and later collected and published them. Because of his training as a linguist, he paid particular attention to the linguistic elements in the tales. The first scholarly collector of these tales in Louisiana, Fortier identified the …

  • Telling It Slant

    Marcia Gaudet•ARTICLE•Western Folklore•1990•Cited by: 1•References: 3

    For most people, the truth's superb surprise of having someone say to them I have is more reality than they can accept or fathom. Many people are not aware that Hansen's disease, the preferred name for still exists in the United States or that there is even a possibility that former leprosy patients might be sitting next to them. In fact, it is so unreal to most people, that references to leprosy are almost always regarded as a joke. The possibil…

  • The Image of the Cajun in Literature

    Open Access•Marcia Gaudet•ARTICLE•The Journal of Popular Culture•1989

  • Talking With Ernest J. Gaines

    Marcia Gaudet, Carl Wooton•ARTICLE•Callaloo•1988

    years old. Of course, I had not read any books here in Louisiana. If there were books there in the libraries, I would not have been allowed to go there, but I doubt that there were books by blacks at that time in the libraries around New Roads. When I went to California, I went to a small town. I went to Vallejo instead of San Francisco, but even there there were not too many books by black writers. All of my reading-even if I wanted to read abou…

  • Mardi Gras, Chic-a-la-Pie

    Marcia Gaudet, Marcia G Gaudet•ARTICLE•Journal of American Folklore•2001•Cited by: 2•References: 1

    Mardi Gras, in the predominantly Creole and African American 12th Street area of Lafayette, Louisiana, reflects both the cultural diversity of Creoles of color and the dynamics of asserting Creole identity in a region more widely known as Cajun Country. The festive play of this Mardi Gras incorporates Afro-Caribbean performance styles as well as French Louisiana Mardi Gras chants and rituals. Creole identity is reflected, challenged, and celebrat…

  • The World Downside Up

    Marcia Gaudet•ARTICLE•Journal of American Folklore•1998•Cited by: 1

    To act carnivalesque is to be allowed to be abnormal for a while. Paradoxically, to celebrate Mardi Gras, like other masquerade holidays, is normative - it is not only allowable but even expected that one will participate in the seasonal customs. Thus, for people who are already stigmatized as abnormal in society, the masks and the occasion allow an opportunity to engage in normative behavior, to act normal. In this article, I focus upon the Mard…

  • Bouki, the Hyena, in Louisiana and African Tales

    Marcia Gaudet•ARTICLE•Journal of American Folklore•1992•Cited by: 1

    Bouki and Lapin tales, the Louisiana equivalent of the Br'er Rabbit stories, are among the most widely collected folktales in French Louisiana. Alcee Fortier, a folklorist and linguist, heard such narratives as a child and later collected and published them. Because of his training as a linguist, he paid particular attention to the linguistic elements in the tales. The first scholarly collector of these tales in Louisiana, Fortier identified the …

  • Telling It Slant

    Marcia Gaudet•ARTICLE•Western Folklore•1990•Cited by: 1•References: 3

    For most people, the truth's superb surprise of having someone say to them I have is more reality than they can accept or fathom. Many people are not aware that Hansen's disease, the preferred name for still exists in the United States or that there is even a possibility that former leprosy patients might be sitting next to them. In fact, it is so unreal to most people, that references to leprosy are almost always regarded as a joke. The possibil…

  • Talking With Ernest J. Gaines

    Marcia Gaudet, Carl Wooton•ARTICLE•Callaloo•1988

    years old. Of course, I had not read any books here in Louisiana. If there were books there in the libraries, I would not have been allowed to go there, but I doubt that there were books by blacks at that time in the libraries around New Roads. When I went to California, I went to a small town. I went to Vallejo instead of San Francisco, but even there there were not too many books by black writers. All of my reading-even if I wanted to read abou…

  • The Image of the Cajun in Literature

    Open Access•Marcia Gaudet•ARTICLE•The Journal of Popular Culture•1989

  • Telling It Slant

    Marcia Gaudet•ARTICLE•Western Folklore•1990•Cited by: 1•References: 3

    For most people, the truth's superb surprise of having someone say to them I have is more reality than they can accept or fathom. Many people are not aware that Hansen's disease, the preferred name for still exists in the United States or that there is even a possibility that former leprosy patients might be sitting next to them. In fact, it is so unreal to most people, that references to leprosy are almost always regarded as a joke. The possibil…

  • Miss Jane and Personal Experience Narrative

    Marcia Gaudet•ARTICLE•Western Folklore•1992

  • Bouki, the Hyena, in Louisiana and African Tales

    Marcia Gaudet•ARTICLE•Journal of American Folklore•1992•Cited by: 1

    Bouki and Lapin tales, the Louisiana equivalent of the Br'er Rabbit stories, are among the most widely collected folktales in French Louisiana. Alcee Fortier, a folklorist and linguist, heard such narratives as a child and later collected and published them. Because of his training as a linguist, he paid particular attention to the linguistic elements in the tales. The first scholarly collector of these tales in Louisiana, Fortier identified the …

  • Porch Talk with Ernest Gaines

    Mary Ellen Doyle, Marcia Gaudet et al.•ARTICLE•MELUS Multi-Ethnic Literature of…•1994

    Mary Ellen Doyle, SCN; Porch Talk with Ernest Gaines: Conversations on the Writer’s Craft. Eds. Marcia Gaudet and Carl Wooton. Baton Rouge: Louisiana State

  • The World Downside Up

    Marcia Gaudet•ARTICLE•Journal of American Folklore•1998•Cited by: 1

    To act carnivalesque is to be allowed to be abnormal for a while. Paradoxically, to celebrate Mardi Gras, like other masquerade holidays, is normative - it is not only allowable but even expected that one will participate in the seasonal customs. Thus, for people who are already stigmatized as abnormal in society, the masks and the occasion allow an opportunity to engage in normative behavior, to act normal. In this article, I focus upon the Mard…

  • Mardi Gras, Chic-a-la-Pie

    Marcia Gaudet, Marcia G Gaudet•ARTICLE•Journal of American Folklore•2001•Cited by: 2•References: 1

    Mardi Gras, in the predominantly Creole and African American 12th Street area of Lafayette, Louisiana, reflects both the cultural diversity of Creoles of color and the dynamics of asserting Creole identity in a region more widely known as Cajun Country. The festive play of this Mardi Gras incorporates Afro-Caribbean performance styles as well as French Louisiana Mardi Gras chants and rituals. Creole identity is reflected, challenged, and celebrat…

  • Ribbon Pulls in Wedding Cakes

    Marcia Gaudet•ARTICLE•Folklore•2006•References: 4

    The ritual of cutting the wedding cake at weddings in the New Orleans area is preceded by another ritual tradition: unmarried female friends of the bride each “pull a ribbon,” to which a silver charm or “favour” is attached, from the cake. Charms can include a ring, a heart, a thimble, a button, a horseshoe, and a clover, each with a traditional meaning. An exploration of the possible derivations and routes of diffusion of this custom reveal that…

  • Frank de Caro (1943-2020)

    Marcia Gaudet•ARTICLE•Journal of American Folklore•2021•References: 1

Art (8 works) · History (6 works) · Art history (4 works) · History (3 works) · Literature (3 works) · Philosophy (3 works) · Aesthetics (2 works) · Computer Science (2 works) · Narrative (2 works) · Philosophy (2 works)

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