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C Andrew Gerstle

Biographic Data

ID704353
NAMEC Andrew Gerstle
GIVEN NAMESC Andrew
FAMILY NAMEGerstle
SIGNATUREGERSTLE C A
AFFILIATIONSAustralian National University
VERIFIEDNo
TOTAL WORKS24
TOTAL CITATIONS4
AUTHOR COUNT24
EDITOR COUNT0
FIRST PUBLICATION YEAR1981
LATEST PUBLICATION YEAR2012
H-INDEX1
  • Th Century Japan: Culture and Society

    C Andrew Gerstle•BOOK•18th Century Japan•2012

    The period of Japanese history before the advent of industrialisation and modernism is of tremendous interest. The essays in this collection show a fascination with the social context behind the development of aesthetics, drama, language, art and philosophy, whether it be the world of the pleasure quarters or the Shogun's court

  • The Culture of Play: Kabuki and the Production of Texts

    Open Access•C Andrew Gerstle•ARTICLE•Oral tradition•2005

    In this essay, I will make a case that performance in Japan has been a catalyst for the artistic production of physical objects, both visual and literary texts. Furthermore, I shall argue that it is more useful to consider such physical texts not simply as representations of performance. They, of course, may have been created directly in response to a performance (or in anticipation of a performance), but as physical objects they became something…

  • The culture of play: Kabuki and the Production of Texts

    Open Access•C Andrew Gerstle•ARTICLE•Bulletin of the School of…•2003

    This article examines the role of performance (defined in its broadest sense) in Japanese literary culture, specifically the relationship between performance and the production of physical texts, both script and illustration. It postulates the thesis that performance has been an essential part of artistic creation even among highly literate artists/writers in the genres of poetry (waka, renga, haikai, kyōka), Nō and kabuki drama. A case is made t…

  • The AHRB Centre for Asian and African Literatures

    Open Access•C Andrew Gerstle•ARTICLE•Bulletin of the School of…•2003

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Th Century Japan: Culture and Society

    C Andrew Gerstle•BOOK•18th Century Japan•2000

  • Heroic Honor: Chikamatsu and The Samurai Ideal

    C Andrew Gerstle•ARTICLE•Harvard Journal of Asiatic Studies•1997•Cited by: 1

    Une analyse detaillee des dernieres oeuvres du dramaturge japonais Chikamatsu Monzaemon (1653-1725) montre que, bien que travaillant pour un art populaire loin des centres du pouvoir, il suivait egalement la tendance du discours en cours sur la raison d'etre du gouvernement Bakufu et de la classe des samourais. Une etude recente montre que les pieces du dramaturge et leurs sources historiques avaient pour principal objet le systeme politique en c…

  • Hero as Murderer in Chikamatsu

    C Andrew Gerstle•ARTICLE•Monumenta Nipponica•1996

  • Theater as Music: The Bunraku Play "Mt. Imo and Mt. Se: An Exemplary Tale of Womanly Virtue"

    Hugh De Ferranti, C Andrew Gerstle et al.•ARTICLE•Yearbook for Traditional Music•1994

  • Theater as Music: The Bunraku Puppet Play "Mt. Imo and Mt. Se: An Exemplary Tale of Womanly Virtue"

    Samuel L Leiter, C Andrew Gerstle et al.•ARTICLE•Asian Theatre Journal•1992

  • Theater as Music: "The Bunraku Play "Mt. Imo and Mt. Se: An Exemplary Tale of Womanly Virtue

    Susan Matisoff, C Andrew Gerstle et al.•ARTICLE•Journal of Japanese Studies•1992

  • Theater as Music: The Bunraku Play 'Mt. Imo and Mt. Se: An Exemplary Tale of Womanly Virtue

    A Kimi Coaldrake, C Andrew Gerstle et al.•ARTICLE•Monumenta Nipponica•1991•Cited by: 1

  • Modern Japanese fiction

    C Andrew Gerstle•ARTICLE•Asian Studies Association of…•1990

    Edward Fowler. The Rhetoric of Confession: “Shishōsetsu” in Early Twentieth–Century Japanese Fiction. Berkeley: University of California Press, 1988. Pp. 333. US$32.50

  • Th Century Japan: Culture and Society

    Paul Gordon Schalow, Paul Schalow et al.•ARTICLE•Monumenta Nipponica•1990•Cited by: 1

  • Japanese epistemology

    C Andrew Gerstle•ARTICLE•Asian Studies Association of…•1988

    Tetsuo Najita, Visions of Virtue in Tokugawa Japan, University of Chicago Press, Chicago and London, 1987.x, 334pp. Paper: US$14.95; Cloth: US$37.50

  • Circles of Fantasy: Convention in The Plays of Chikamatsu

    Janine Beichman, C Andrew Gerstle•ARTICLE•Harvard Journal of Asiatic Studies•1988

  • Circles of Fantasy: Convention in the Plays of Chikamatsu

    James R Brandon, C Andrew Gerstle•ARTICLE•Journal of Japanese Studies•1988

    The vibrant merchant culture of Tokugawa Japan gave rise to many new forms of art, none more fascinating than the puppet theater, Jōruri, created chiefly by Chikamatsu Monzaemon, the foremost playwright of popular Japanese drama. In this analysis of Chikamatsu's artistry, Dr. Gerstle focuses on features hitherto neglected by Western scholars the musical structure of Jōruri, integral to the form, mood, and movement of the drama. For extensive tran…

  • Flowers of Edo: Eighteenth-Century Kabuki and Its Patrons

    C Andrew Gerstle•ARTICLE•Asian Theatre Journal•1987

    At Tokyo's National Theatre, kabuki plays conceived and premiered during the eighteenth and nineteenth centuries are performed today, yet the audience's experience is radically different from that of the period before 1868. Patrons of kabuki in Edo (Tokyo) in 1770 would not have felt comfortable at all in having their theatre so close to the seat of government (in view of the Diet and Imperial Palace and next to the Supreme Court) nor would they …

  • Conferences on Europe and the orient

    C Andrew Gerstle•ARTICLE•Japanese Studies•1987

  • Europe and the orient

    C Andrew Gerstle, A C Milner et al.•ARTICLE•Asian Studies Association of…•1987

  • Circles of Fantasy: Convention in the Plays of Chikamatsu

    Stanleigh H Jones, C Andrew Gerstle•ARTICLE•Monumenta Nipponica•1987•Cited by: 1

  • Circles of Fantasy: Convention in the Plays of Chikamatsu

    Amy Vladeck Heinrich, C Andrew Gerstle•ARTICLE•Journal of the American Oriental…•1987

  • Briefly noted

    Theresa F Munford, Theresa Munford et al.•ARTICLE•Asian Studies Association of…•1985

    Barry B. Blakeley, Annoted Genealogies of Spring and Autumn Period Clans: Volume 1: Seven Ruling Clans, Chinese Material Centre, San Francisco, 1983. xxxiii, 385 pp. Preliminary considerations, introduction, index, charts. Cloth: US$15.50. Diane Dunlop, comp., An Introduction to Japanese Theatre, Asia Teachers Association, Sydney, 1983. 48pp. Introduction, glossary, bibliography. Paper: $4. Robert H. Taylor, An Undeveloped State: The Study of Mod…

  • A conspiracy of ignorance about Japan

    C Andrew Gerstle•ARTICLE•Asian Studies Association of…•1985

  • An integral part of humanities education

    C Andrew Gerstle•ARTICLE•Asian Studies Association of…•1981

  • Heroic Honor: Chikamatsu and The Samurai Ideal

    C Andrew Gerstle•ARTICLE•Harvard Journal of Asiatic Studies•1997•Cited by: 1

    Une analyse detaillee des dernieres oeuvres du dramaturge japonais Chikamatsu Monzaemon (1653-1725) montre que, bien que travaillant pour un art populaire loin des centres du pouvoir, il suivait egalement la tendance du discours en cours sur la raison d'etre du gouvernement Bakufu et de la classe des samourais. Une etude recente montre que les pieces du dramaturge et leurs sources historiques avaient pour principal objet le systeme politique en c…

  • Theater as Music: The Bunraku Play 'Mt. Imo and Mt. Se: An Exemplary Tale of Womanly Virtue

    A Kimi Coaldrake, C Andrew Gerstle et al.•ARTICLE•Monumenta Nipponica•1991•Cited by: 1

  • Th Century Japan: Culture and Society

    Paul Gordon Schalow, Paul Schalow et al.•ARTICLE•Monumenta Nipponica•1990•Cited by: 1

  • Circles of Fantasy: Convention in the Plays of Chikamatsu

    Stanleigh H Jones, C Andrew Gerstle•ARTICLE•Monumenta Nipponica•1987•Cited by: 1

  • An integral part of humanities education

    C Andrew Gerstle•ARTICLE•Asian Studies Association of…•1981

  • Briefly noted

    Theresa F Munford, Theresa Munford et al.•ARTICLE•Asian Studies Association of…•1985

    Barry B. Blakeley, Annoted Genealogies of Spring and Autumn Period Clans: Volume 1: Seven Ruling Clans, Chinese Material Centre, San Francisco, 1983. xxxiii, 385 pp. Preliminary considerations, introduction, index, charts. Cloth: US$15.50. Diane Dunlop, comp., An Introduction to Japanese Theatre, Asia Teachers Association, Sydney, 1983. 48pp. Introduction, glossary, bibliography. Paper: $4. Robert H. Taylor, An Undeveloped State: The Study of Mod…

  • A conspiracy of ignorance about Japan

    C Andrew Gerstle•ARTICLE•Asian Studies Association of…•1985

  • Flowers of Edo: Eighteenth-Century Kabuki and Its Patrons

    C Andrew Gerstle•ARTICLE•Asian Theatre Journal•1987

    At Tokyo's National Theatre, kabuki plays conceived and premiered during the eighteenth and nineteenth centuries are performed today, yet the audience's experience is radically different from that of the period before 1868. Patrons of kabuki in Edo (Tokyo) in 1770 would not have felt comfortable at all in having their theatre so close to the seat of government (in view of the Diet and Imperial Palace and next to the Supreme Court) nor would they …

  • Conferences on Europe and the orient

    C Andrew Gerstle•ARTICLE•Japanese Studies•1987

  • Europe and the orient

    C Andrew Gerstle, A C Milner et al.•ARTICLE•Asian Studies Association of…•1987

  • Circles of Fantasy: Convention in the Plays of Chikamatsu

    Stanleigh H Jones, C Andrew Gerstle•ARTICLE•Monumenta Nipponica•1987•Cited by: 1

  • Circles of Fantasy: Convention in the Plays of Chikamatsu

    Amy Vladeck Heinrich, C Andrew Gerstle•ARTICLE•Journal of the American Oriental…•1987

  • Japanese epistemology

    C Andrew Gerstle•ARTICLE•Asian Studies Association of…•1988

    Tetsuo Najita, Visions of Virtue in Tokugawa Japan, University of Chicago Press, Chicago and London, 1987.x, 334pp. Paper: US$14.95; Cloth: US$37.50

  • Circles of Fantasy: Convention in The Plays of Chikamatsu

    Janine Beichman, C Andrew Gerstle•ARTICLE•Harvard Journal of Asiatic Studies•1988

  • Circles of Fantasy: Convention in the Plays of Chikamatsu

    James R Brandon, C Andrew Gerstle•ARTICLE•Journal of Japanese Studies•1988

    The vibrant merchant culture of Tokugawa Japan gave rise to many new forms of art, none more fascinating than the puppet theater, Jōruri, created chiefly by Chikamatsu Monzaemon, the foremost playwright of popular Japanese drama. In this analysis of Chikamatsu's artistry, Dr. Gerstle focuses on features hitherto neglected by Western scholars the musical structure of Jōruri, integral to the form, mood, and movement of the drama. For extensive tran…

  • Modern Japanese fiction

    C Andrew Gerstle•ARTICLE•Asian Studies Association of…•1990

    Edward Fowler. The Rhetoric of Confession: “Shishōsetsu” in Early Twentieth–Century Japanese Fiction. Berkeley: University of California Press, 1988. Pp. 333. US$32.50

  • Th Century Japan: Culture and Society

    Paul Gordon Schalow, Paul Schalow et al.•ARTICLE•Monumenta Nipponica•1990•Cited by: 1

  • Theater as Music: The Bunraku Play 'Mt. Imo and Mt. Se: An Exemplary Tale of Womanly Virtue

    A Kimi Coaldrake, C Andrew Gerstle et al.•ARTICLE•Monumenta Nipponica•1991•Cited by: 1

  • Theater as Music: The Bunraku Puppet Play "Mt. Imo and Mt. Se: An Exemplary Tale of Womanly Virtue"

    Samuel L Leiter, C Andrew Gerstle et al.•ARTICLE•Asian Theatre Journal•1992

  • Theater as Music: "The Bunraku Play "Mt. Imo and Mt. Se: An Exemplary Tale of Womanly Virtue

    Susan Matisoff, C Andrew Gerstle et al.•ARTICLE•Journal of Japanese Studies•1992

  • Theater as Music: The Bunraku Play "Mt. Imo and Mt. Se: An Exemplary Tale of Womanly Virtue"

    Hugh De Ferranti, C Andrew Gerstle et al.•ARTICLE•Yearbook for Traditional Music•1994

  • Hero as Murderer in Chikamatsu

    C Andrew Gerstle•ARTICLE•Monumenta Nipponica•1996

  • Heroic Honor: Chikamatsu and The Samurai Ideal

    C Andrew Gerstle•ARTICLE•Harvard Journal of Asiatic Studies•1997•Cited by: 1

    Une analyse detaillee des dernieres oeuvres du dramaturge japonais Chikamatsu Monzaemon (1653-1725) montre que, bien que travaillant pour un art populaire loin des centres du pouvoir, il suivait egalement la tendance du discours en cours sur la raison d'etre du gouvernement Bakufu et de la classe des samourais. Une etude recente montre que les pieces du dramaturge et leurs sources historiques avaient pour principal objet le systeme politique en c…

  • Th Century Japan: Culture and Society

    C Andrew Gerstle•BOOK•18th Century Japan•2000

  • The culture of play: Kabuki and the Production of Texts

    Open Access•C Andrew Gerstle•ARTICLE•Bulletin of the School of…•2003

    This article examines the role of performance (defined in its broadest sense) in Japanese literary culture, specifically the relationship between performance and the production of physical texts, both script and illustration. It postulates the thesis that performance has been an essential part of artistic creation even among highly literate artists/writers in the genres of poetry (waka, renga, haikai, kyōka), Nō and kabuki drama. A case is made t…

  • The AHRB Centre for Asian and African Literatures

    Open Access•C Andrew Gerstle•ARTICLE•Bulletin of the School of…•2003

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Culture of Play: Kabuki and the Production of Texts

    Open Access•C Andrew Gerstle•ARTICLE•Oral tradition•2005

    In this essay, I will make a case that performance in Japan has been a catalyst for the artistic production of physical objects, both visual and literary texts. Furthermore, I shall argue that it is more useful to consider such physical texts not simply as representations of performance. They, of course, may have been created directly in response to a performance (or in anticipation of a performance), but as physical objects they became something…

  • Th Century Japan: Culture and Society

    C Andrew Gerstle•BOOK•18th Century Japan•2012

    The period of Japanese history before the advent of industrialisation and modernism is of tremendous interest. The essays in this collection show a fascination with the social context behind the development of aesthetics, drama, language, art and philosophy, whether it be the world of the pleasure quarters or the Shogun's court

Art (16 works) · Japanese History and Culture (13 works) · Literature (13 works) · History (12 works) · Asian Culture and Media Studies (10 works) · Political science (10 works) · Philosophy (9 works) · History (7 works) · Law (7 works) · Philosophy (6 works)

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