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Felicia Faye Mcmahon

Biographic Data

ID705908
NAMEFelicia Faye Mcmahon
GIVEN NAMESFelicia Faye
FAMILY NAMEMcmahon
SIGNATUREMCMAHON F F
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS0
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR1991
LATEST PUBLICATION YEAR2005
H-INDEX0
  • Repeat Performance

    Felicia Faye Mcmahon•ARTICLE•Journal of American Folklore•2005

    In folklore studies, there is a dearth of information about the transnational processes by which diasporic communities actively negotiate their identities. In this article, I examine the variables that affect the cultural performances of the DiDinga, an understudied group of southern Sudanese refugees, known in the United States by the moniker "The Lost Boys." In today's world of globalization and transnationalism, documentation and interpretatio…

  • Sitting up with the Dead

    Felicia Faye Mcmahon•ARTICLE•Journal of American Folklore•2004

    Book Review| April 01 2004 Sitting up with the Dead: A Storied Journey through the American South Sitting up with the Dead: A Storied Journey through the American South, Pamela Petro. Felicia Faye McMahon Felicia Faye McMahon Search for other works by this author on: This Site Google Journal of American Folklore (2004) 117 (464): 205–206. https://doi.org/10.2307/4137830 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions …

  • The Vampire

    Felicia Faye Mcmahon•ARTICLE•Journal of American Folklore•2002

  • The Aesthetics of Play in Reunified Germany's Carnival

    Felicia Faye Mcmahon•ARTICLE•Journal of American Folklore•2000•References: 2

    On 11 November, two days after the fall of the Berlin Wall, carnival enthusiasts in Chemnitz celebrated by dressing in nightgowns and running through the streets as they openly mocked the old regime. In play forms such as carnival, both sense and nonsense exist side by side, but not infrequently the latter disintegrates into disorder, with no reference to any context outside of itself. Such a condition is possible because of the paradoxical natur…

  • Die Geschichte vom Rotkappchen

    Felicia Faye Mcmahon, Hans Ritz•ARTICLE•Journal of American Folklore•1997

  • Pennsylvania Mining Families

    Felicia Faye Mcmahon, Barry P Michrina•ARTICLE•Journal of American Folklore•1995

  • "Forging "The Adirondacker

    Felicia Faye Mcmahon•ARTICLE•Western Folklore•1991

No prominent works on this page.

  • "Forging "The Adirondacker

    Felicia Faye Mcmahon•ARTICLE•Western Folklore•1991

  • Pennsylvania Mining Families

    Felicia Faye Mcmahon, Barry P Michrina•ARTICLE•Journal of American Folklore•1995

  • Die Geschichte vom Rotkappchen

    Felicia Faye Mcmahon, Hans Ritz•ARTICLE•Journal of American Folklore•1997

  • The Aesthetics of Play in Reunified Germany's Carnival

    Felicia Faye Mcmahon•ARTICLE•Journal of American Folklore•2000•References: 2

    On 11 November, two days after the fall of the Berlin Wall, carnival enthusiasts in Chemnitz celebrated by dressing in nightgowns and running through the streets as they openly mocked the old regime. In play forms such as carnival, both sense and nonsense exist side by side, but not infrequently the latter disintegrates into disorder, with no reference to any context outside of itself. Such a condition is possible because of the paradoxical natur…

  • The Vampire

    Felicia Faye Mcmahon•ARTICLE•Journal of American Folklore•2002

  • Sitting up with the Dead

    Felicia Faye Mcmahon•ARTICLE•Journal of American Folklore•2004

    Book Review| April 01 2004 Sitting up with the Dead: A Storied Journey through the American South Sitting up with the Dead: A Storied Journey through the American South, Pamela Petro. Felicia Faye McMahon Felicia Faye McMahon Search for other works by this author on: This Site Google Journal of American Folklore (2004) 117 (464): 205–206. https://doi.org/10.2307/4137830 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions …

  • Repeat Performance

    Felicia Faye Mcmahon•ARTICLE•Journal of American Folklore•2005

    In folklore studies, there is a dearth of information about the transnational processes by which diasporic communities actively negotiate their identities. In this article, I examine the variables that affect the cultural performances of the DiDinga, an understudied group of southern Sudanese refugees, known in the United States by the moniker "The Lost Boys." In today's world of globalization and transnationalism, documentation and interpretatio…

Art (6 works) · Political science (5 works) · History (4 works) · Law (4 works) · Literature (3 works) · Aesthetics (2 works) · Context (archaeology) (2 works) · Folklore (2 works) · Politics (2 works) · Sociology (2 works)

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