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Flemming G Andersen

Biographic Data

ID707520
NAMEFlemming G Andersen
GIVEN NAMESFlemming G
FAMILY NAMEAndersen
SIGNATUREANDERSEN F G
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS12
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1979
LATEST PUBLICATION YEAR2003
H-INDEX2
  • The Flowering Thorn. International Ballad Studies

    Flemming G Andersen, Thomas Mckean et al.•ARTICLE•Lied und populäre Kultur / Song…•2003

    The flowering thorn expresses the dual nature of the ballad: at once a distinctive expression of European tradition, but also somewhat tricky to approach from a scholarly perspective, requiring a range of disciplines to illuminate its rich composition. Most of this latter quality has to do with the very features that characterize ballads...or narrative songs. These include an appearance of fragmentation; a wide range of cultural and social refere…

  • Introduction Pragmatics

    Open Access•Leo Francis Hoye, Leo Hoye et al.•ARTICLE•Journal of Pragmatics•1999

  • The languages of business. An international perspective

    Open Access•Flemming G Andersen•ARTICLE•Journal of Pragmatics•1998•Cited by: 6•References: 4

  • A cross-cultural view of repetitions and formulaic diction in spoken discourse

    Flemming G Andersen•ARTICLE•Multilingua•1993•References: 1

    Taking its empirical point of departure in videorecordings of negociation simulations conducted in Danish and English, this pilot study examines the ways in which verbal repetition and formulaic diction are employed in the two linguistic contexts. It is argued that intertextual repetitions function as explicit evasion of potentially threatening acts, as a vehicle for non-commitment by evocation of common linguistic ground, whereas the instances o…

  • A Book of Scottish Ballads

    Open Access•Roger Dev Renwick, David Buchan et al.•ARTICLE•Western Folklore•1987

  • Commonplace and Creativity

    Open Access•Roger Dev Renwick, Flemming G Andersen•ARTICLE•Western Folklore•1987•Cited by: 3

  • The Ballad as Narrative

    Eleanor R Long, Flemming G Andersen et al.•ARTICLE•Western Folklore•1984•Cited by: 1

  • The Ballad as Narrative

    Christine A Cartwright, Flemming G Andersen et al.•ARTICLE•Journal of American Folklore•1984

  • Mrs. Brown of Falkland

    Flemming G Andersen, Thomas Pettitt•ARTICLE•Journal of American Folklore•1979•Cited by: 2

    AS ENGLISH LITERATURE'S MOST ORAL GENRE, it was inevitable that the traditional ballad should sooner or later invite study on the basis of the evolved by Milman H. Parry and Albert Bates Lord from their study of the Yugoslav guslars 1 and since applied with startling and controversial effect to a range of genres, including the Homeric and Germanic epics, the chansons de gestes, medieval romances, and other verse traditions.2 As a matter of contem…

  • The languages of business. An international perspective

    Open Access•Flemming G Andersen•ARTICLE•Journal of Pragmatics•1998•Cited by: 6•References: 4

  • Commonplace and Creativity

    Open Access•Roger Dev Renwick, Flemming G Andersen•ARTICLE•Western Folklore•1987•Cited by: 3

  • Mrs. Brown of Falkland

    Flemming G Andersen, Thomas Pettitt•ARTICLE•Journal of American Folklore•1979•Cited by: 2

    AS ENGLISH LITERATURE'S MOST ORAL GENRE, it was inevitable that the traditional ballad should sooner or later invite study on the basis of the evolved by Milman H. Parry and Albert Bates Lord from their study of the Yugoslav guslars 1 and since applied with startling and controversial effect to a range of genres, including the Homeric and Germanic epics, the chansons de gestes, medieval romances, and other verse traditions.2 As a matter of contem…

  • The Ballad as Narrative

    Eleanor R Long, Flemming G Andersen et al.•ARTICLE•Western Folklore•1984•Cited by: 1

  • Mrs. Brown of Falkland

    Flemming G Andersen, Thomas Pettitt•ARTICLE•Journal of American Folklore•1979•Cited by: 2

    AS ENGLISH LITERATURE'S MOST ORAL GENRE, it was inevitable that the traditional ballad should sooner or later invite study on the basis of the evolved by Milman H. Parry and Albert Bates Lord from their study of the Yugoslav guslars 1 and since applied with startling and controversial effect to a range of genres, including the Homeric and Germanic epics, the chansons de gestes, medieval romances, and other verse traditions.2 As a matter of contem…

  • The Ballad as Narrative

    Eleanor R Long, Flemming G Andersen et al.•ARTICLE•Western Folklore•1984•Cited by: 1

  • The Ballad as Narrative

    Christine A Cartwright, Flemming G Andersen et al.•ARTICLE•Journal of American Folklore•1984

  • A Book of Scottish Ballads

    Open Access•Roger Dev Renwick, David Buchan et al.•ARTICLE•Western Folklore•1987

  • Commonplace and Creativity

    Open Access•Roger Dev Renwick, Flemming G Andersen•ARTICLE•Western Folklore•1987•Cited by: 3

  • A cross-cultural view of repetitions and formulaic diction in spoken discourse

    Flemming G Andersen•ARTICLE•Multilingua•1993•References: 1

    Taking its empirical point of departure in videorecordings of negociation simulations conducted in Danish and English, this pilot study examines the ways in which verbal repetition and formulaic diction are employed in the two linguistic contexts. It is argued that intertextual repetitions function as explicit evasion of potentially threatening acts, as a vehicle for non-commitment by evocation of common linguistic ground, whereas the instances o…

  • The languages of business. An international perspective

    Open Access•Flemming G Andersen•ARTICLE•Journal of Pragmatics•1998•Cited by: 6•References: 4

  • Introduction Pragmatics

    Open Access•Leo Francis Hoye, Leo Hoye et al.•ARTICLE•Journal of Pragmatics•1999

  • The Flowering Thorn. International Ballad Studies

    Flemming G Andersen, Thomas Mckean et al.•ARTICLE•Lied und populäre Kultur / Song…•2003

    The flowering thorn expresses the dual nature of the ballad: at once a distinctive expression of European tradition, but also somewhat tricky to approach from a scholarly perspective, requiring a range of disciplines to illuminate its rich composition. Most of this latter quality has to do with the very features that characterize ballads...or narrative songs. These include an appearance of fragmentation; a wide range of cultural and social refere…

Art (7 works) · Literature (7 works) · Philosophy (6 works) · Philosophy (6 works) · Ballad (5 works) · History (5 works) · Linguistics (5 works) · Poetry (5 works) · Folklore, Mythology, and Literature Studies (4 works) · History (4 works)

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