Roald Maliangkay
Biographic Data
| ID | 708532 |
|---|---|
| NAME | Roald Maliangkay |
| GIVEN NAMES | Roald |
| FAMILY NAME | Maliangkay |
| SIGNATURE | MALIANGKAY R |
| ORCID | 0000-0002-3600-4631 |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 15 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
The Cambridge Companion to K-Pop
How did Korea with a relatively small-scale music industry come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence…
Pop Empires: Transnational and Diasporic Flows of India and Korea
Broken Voices: Postcolonial Entanglements and the Preservation of Korea’s Central Folksong Traditions
'Broken Voices' is the first English-language book on Korea’s rich folksong heritage, and the first major study of the effects of Japanese colonialism on the intangible heritage of its former colony. In 2009, many Koreans reacted with dismay when China officially recognized the folksong 'Arirang', commonly regarded as the national folksong in North and South Korea, as part of its national intangible cultural heritage. They were vindicated when ve…
Broken Voices: Postcolonial Entanglements and the Preservation of Korea's Central Folksong Traditions
Broken Voices is the first English-language book on Korea’s rich folksong traditions, and the first study of the effects of Japanese colonialism on the intangible heritage of its former colony. Maliangkay demonstrates that South Korea’s cultural preservation system, one of the world’s most elaborate, is deeply rooted in the period of Japanese colonial rule. He describes how the three largest folksong traditions, which have all been passed on in a…
The Popularity of Individualism: The Seo Taiji Phenomenon in the 1990s
K-pop - The International Rise of the Korean Music Industry
Japan had engaged Asian pop culture in the 1990s, including Hong Kong films and pop stars. One of the most popular female singers in the early 1990s, Kang Suji, had a relatively long-term career in Japan as a tarento during her residency in Japan from 1995 to 2000. Hallyu came to Japan in the wake of the spectacularly popular television drama Winter Sonata, first aired in Japan in 2003. Tohoshinki achieved huge success within the Japanese male id…
There Is No Amen in Shaman: Traditional Music Preservation and Christianity in South Korea
1962년 문화재보호법을 제정한 이후, 한국 정부는 국내 문화유산을 보존하기 위해서 상당한 노력을 해 왔다. 전통음악 공연 및 교육도 그 동안 정부가 지원한 여러 분야 중 하나이다. 그 동안은 특정 전통이나 전통 보유자를 선정하는 제도에 대해서 주로 많은 비판이 있어 왔으나, 최근 십여년 들어 새로운 도전에 직면하고 있다. 아직은 그 수가 적기는 하지만, 일부 기독교인들이 특정 전통음악을 미신으로 취급하여 문제삼기 시작했다. 처음에는 대부분이 전통음악계 외부의 사람들이었지만 최근 몇 년 사이에 많은 원로 국악인들 또한 자기 분야 전통음악의 미신적 요소에 대한 부정적 견해를 보이기 시작했다. 이 논문은 한국 전통음악 관련 편협한 시각과 전통성 주장이 갖는 잠재적 함의를 논하고자 한다
The Popularity of Individualism: The Seo Taiji Phenomenon in the 1990s
Supporting Our Boys: American Military Entertainment and Korean Pop Music in the 1950s and Early-1960s
Pop for Progress: Censorship and South Korea’s Propaganda Songs
The Revival of Folksongs in South Korea: "The Case of "Tondollari
Since the 1960s, activities on the South Korean traditional music scene have been increasingly geared to reaching the same objectives. While singing folksongs has generally become an unpopular form of entertainment, those now actively performing them take their art very seriously. They all hope to increase the status and recognition of their art, and many, particularly the male performers, wish to ensure a proper income. The success of some indiv…
K-pop - The International Rise of the Korean Music Industry
Japan had engaged Asian pop culture in the 1990s, including Hong Kong films and pop stars. One of the most popular female singers in the early 1990s, Kang Suji, had a relatively long-term career in Japan as a tarento during her residency in Japan from 1995 to 2000. Hallyu came to Japan in the wake of the spectacularly popular television drama Winter Sonata, first aired in Japan in 2003. Tohoshinki achieved huge success within the Japanese male id…
The Revival of Folksongs in South Korea: "The Case of "Tondollari
Since the 1960s, activities on the South Korean traditional music scene have been increasingly geared to reaching the same objectives. While singing folksongs has generally become an unpopular form of entertainment, those now actively performing them take their art very seriously. They all hope to increase the status and recognition of their art, and many, particularly the male performers, wish to ensure a proper income. The success of some indiv…
Supporting Our Boys: American Military Entertainment and Korean Pop Music in the 1950s and Early-1960s
Pop for Progress: Censorship and South Korea’s Propaganda Songs
The Popularity of Individualism: The Seo Taiji Phenomenon in the 1990s
The Popularity of Individualism: The Seo Taiji Phenomenon in the 1990s
K-pop - The International Rise of the Korean Music Industry
Japan had engaged Asian pop culture in the 1990s, including Hong Kong films and pop stars. One of the most popular female singers in the early 1990s, Kang Suji, had a relatively long-term career in Japan as a tarento during her residency in Japan from 1995 to 2000. Hallyu came to Japan in the wake of the spectacularly popular television drama Winter Sonata, first aired in Japan in 2003. Tohoshinki achieved huge success within the Japanese male id…
There Is No Amen in Shaman: Traditional Music Preservation and Christianity in South Korea
1962년 문화재보호법을 제정한 이후, 한국 정부는 국내 문화유산을 보존하기 위해서 상당한 노력을 해 왔다. 전통음악 공연 및 교육도 그 동안 정부가 지원한 여러 분야 중 하나이다. 그 동안은 특정 전통이나 전통 보유자를 선정하는 제도에 대해서 주로 많은 비판이 있어 왔으나, 최근 십여년 들어 새로운 도전에 직면하고 있다. 아직은 그 수가 적기는 하지만, 일부 기독교인들이 특정 전통음악을 미신으로 취급하여 문제삼기 시작했다. 처음에는 대부분이 전통음악계 외부의 사람들이었지만 최근 몇 년 사이에 많은 원로 국악인들 또한 자기 분야 전통음악의 미신적 요소에 대한 부정적 견해를 보이기 시작했다. 이 논문은 한국 전통음악 관련 편협한 시각과 전통성 주장이 갖는 잠재적 함의를 논하고자 한다
Broken Voices: Postcolonial Entanglements and the Preservation of Korea's Central Folksong Traditions
Broken Voices is the first English-language book on Korea’s rich folksong traditions, and the first study of the effects of Japanese colonialism on the intangible heritage of its former colony. Maliangkay demonstrates that South Korea’s cultural preservation system, one of the world’s most elaborate, is deeply rooted in the period of Japanese colonial rule. He describes how the three largest folksong traditions, which have all been passed on in a…
Pop Empires: Transnational and Diasporic Flows of India and Korea
Broken Voices: Postcolonial Entanglements and the Preservation of Korea’s Central Folksong Traditions
'Broken Voices' is the first English-language book on Korea’s rich folksong heritage, and the first major study of the effects of Japanese colonialism on the intangible heritage of its former colony. In 2009, many Koreans reacted with dismay when China officially recognized the folksong 'Arirang', commonly regarded as the national folksong in North and South Korea, as part of its national intangible cultural heritage. They were vindicated when ve…
The Cambridge Companion to K-Pop
How did Korea with a relatively small-scale music industry come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence…
Asian Culture and Media Studies (10 works) · History (7 works) · Law (6 works) · Political science (6 works) · Japanese History and Culture (5 works) · Sociology (5 works) · Art (4 works) · Business (3 works) · Geography (3 works) · History and criticism (3 works)