Heather A Diamond
Biographic Data
| ID | 709295 |
|---|---|
| NAME | Heather A Diamond |
| GIVEN NAMES | Heather A |
| FAMILY NAME | Diamond |
| SIGNATURE | DIAMOND H A |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2008 |
| LATEST PUBLICATION YEAR | 2008 |
| H-INDEX | 1 |
American Aloha: Cultural Tourism and the Negotiation of Tradition
At the 1989 Smithsonian Folklife Festival (SFF), throngs of visitors gathered on the National Mall to celebrate Hawaiʻi's multicultural heritage through its traditional arts. The “edu-tainment” spectacle revealed a richly complex Hawaiʻi that few tourists ever see and one never before or since replicated in a national space. The program was restaged a year later in Honolulu for a local audience and subsequently inspired several spin-offs in Hawai…
Introduction: Interdisciplinary Perspectives on the Smithsonian Folklife Festival
Introduction:Interdisciplinary Perspectives on the Smithsonian Folklife Festival Heather A. Diamond, lecturer (bio) and Ricardo D. Trimillos, Professor of Ethnomusicology and Chair of Asian Studies (bio) This special issue brings perspectives from a variety of academic disciplines—cultural studies, literary theory, museum studies, Asian studies, performance theory—to bear on the Smithsonian Folklife Festival (SFF) around the general theme of folk…
A Sense of Place: Mapping Hawai'I on the National Mall
Site design is an essential but overlooked underpinning to the festival-making process at the Smithsonian Folklife Festival. Through effective layout, structures, and captioning, spatial strategies undergird a program concept and crystallize the interpretive frame for performance. This article traces the 1989 Hawai'i program's site design from the initial concept to the preperformance stage. It examines the tension between hegemonic festival para…
A Sense of Place: Mapping Hawai'I on the National Mall
Site design is an essential but overlooked underpinning to the festival-making process at the Smithsonian Folklife Festival. Through effective layout, structures, and captioning, spatial strategies undergird a program concept and crystallize the interpretive frame for performance. This article traces the 1989 Hawai'i program's site design from the initial concept to the preperformance stage. It examines the tension between hegemonic festival para…
Introduction: Interdisciplinary Perspectives on the Smithsonian Folklife Festival
Introduction:Interdisciplinary Perspectives on the Smithsonian Folklife Festival Heather A. Diamond, lecturer (bio) and Ricardo D. Trimillos, Professor of Ethnomusicology and Chair of Asian Studies (bio) This special issue brings perspectives from a variety of academic disciplines—cultural studies, literary theory, museum studies, Asian studies, performance theory—to bear on the Smithsonian Folklife Festival (SFF) around the general theme of folk…
American Aloha: Cultural Tourism and the Negotiation of Tradition
At the 1989 Smithsonian Folklife Festival (SFF), throngs of visitors gathered on the National Mall to celebrate Hawaiʻi's multicultural heritage through its traditional arts. The “edu-tainment” spectacle revealed a richly complex Hawaiʻi that few tourists ever see and one never before or since replicated in a national space. The program was restaged a year later in Honolulu for a local audience and subsequently inspired several spin-offs in Hawai…
Introduction: Interdisciplinary Perspectives on the Smithsonian Folklife Festival
Introduction:Interdisciplinary Perspectives on the Smithsonian Folklife Festival Heather A. Diamond, lecturer (bio) and Ricardo D. Trimillos, Professor of Ethnomusicology and Chair of Asian Studies (bio) This special issue brings perspectives from a variety of academic disciplines—cultural studies, literary theory, museum studies, Asian studies, performance theory—to bear on the Smithsonian Folklife Festival (SFF) around the general theme of folk…
A Sense of Place: Mapping Hawai'I on the National Mall
Site design is an essential but overlooked underpinning to the festival-making process at the Smithsonian Folklife Festival. Through effective layout, structures, and captioning, spatial strategies undergird a program concept and crystallize the interpretive frame for performance. This article traces the 1989 Hawai'i program's site design from the initial concept to the preperformance stage. It examines the tension between hegemonic festival para…
Anthropology (3 works) · History (3 works) · Media studies (3 works) · Sociology (3 works) · Art (2 works) · Asian American and Pacific Histories (2 works) · Asian Culture and Media Studies (2 works) · Folklife (2 works) · Law (2 works) · Literature (2 works)