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Peter Chelkowski

Biographic Data

ID711285
NAMEPeter Chelkowski
GIVEN NAMESPeter
FAMILY NAMEChelkowski
SIGNATURECHELKOWSKI P
AFFILIATIONSNew York University
VERIFIEDNo
TOTAL WORKS23
TOTAL CITATIONS38
AUTHOR COUNT23
EDITOR COUNT0
FIRST PUBLICATION YEAR1974
LATEST PUBLICATION YEAR2009
H-INDEX2
  • In Memoriam Professor Ann K. S. Lambton (8 February 1912–19 July 2008)

    Open Access•Peter Chelkowski•ARTICLE•Iranian Studies•2009

    An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button

  • Warring Souls: Youth, Media, and Martyrdom in Post-Revolution Iran

    Peter Chelkowski•ARTICLE•Comparative Studies of South Asia…•2009

    Book Review| August 01 2009 Warring Souls: Youth, Media, and Martyrdom in Post-Revolution Iran Warring Souls: Youth, Media, and Martyrdom in Post-revolution Iran Roxanne Varzi Durham, NC: Duke University Press, 2006 290 pp., $79.95 (cloth), $22.95 (paper) Peter Chelkowski Peter Chelkowski Search for other works by this author on: This Site Google Comparative Studies of South Asia, Africa and the Middle East (2009) 29 (2): 343–345. https://doi.org…

  • Mohammad B. Ghaffari: Taziyeh Director

    Peter Chelkowski, Peter J Chelkowski•ARTICLE•TDR/The Drama Review•2005

    December 01 2005 Mohammad B. Ghaffari: Taziyeh Director Peter J. Chelkowski Peter J. Chelkowski Professor of Middle Eastern and Islamic Studies at New York University Search for other works by this author on: This Site Google Scholar Author and Article Information Peter J. Chelkowski Professor of Middle Eastern and Islamic Studies at New York University Online ISSN: 1531-4715 Print ISSN: 1054-2043 © 2005 Massachusetts Institute of Technology2005 …

  • From the Sun-Scorched Desert of Iran to the Beaches of Trinidad: Taziyeh's Journey from Asia to the Caribbean

    Peter Chelkowski, Peter J Chelkowski•ARTICLE•TDR/The Drama Review•2005

    December 01 2005 From the Sun-Scorched Desert of Iran to the Beaches of Trinidad: Taziyeh's Journey from Asia to the Caribbean Peter J. Chelkowski Peter J. Chelkowski Professor of Middle Eastern and Islamic Studies at New York Uni-versity Search for other works by this author on: This Site Google Scholar Author and Article Information Peter J. Chelkowski Professor of Middle Eastern and Islamic Studies at New York Uni-versity Online Issn: 1531-471…

  • Presenting Taziyeh at Lincoln Center

    Nigel Redden, Mohammad B Ghaffariari et al.•ARTICLE•TDR/The Drama Review•2005

    December 01 2005 Presenting Taziyeh at Lincoln Center Nigel Redden, Nigel Redden Search for other works by this author on: This Site Google Scholar Mohammad B. Ghaffariari, Mohammad B. Ghaffariari Director at Ellen Stewart's La MaMa E.T.C. Search for other works by this author on: This Site Google Scholar Peter J. Chelkowski Peter J. Chelkowski Professor of Middle Eastern and Islamic Studies at New York Uni-versity Search for other works by this …

  • Taziyeh in Parma

    Anna Vanzan, Peter Chelkowski et al.•ARTICLE•TDR/The Drama Review•2005

    December 01 2005 Taziyeh in Parma Anna Vanzan, Anna Vanzan PhD from New York University Search for other works by this author on: This Site Google Scholar Peter J. Chelkowski Peter J. Chelkowski Professor of Middle Eastern and Islamic Studies at New York University. Search for other works by this author on: This Site Google Scholar Author and Article Information Anna Vanzan PhD from New York University Peter J. Chelkowski Professor of Middle East…

  • Time Out of Memory: Taziyeh, the Total Drama

    Peter Chelkowski, Peter J Chelkowski•ARTICLE•TDR/The Drama Review•2005

    December 01 2005 Time Out of Memory: Taziyeh, the Total Drama Peter J. Chelkowski Peter J. Chelkowski Search for other works by this author on: This Site Google Scholar Author and Article Information Peter J. Chelkowski Online Issn: 1531-4715 Print Issn: 1054-2043 © 2005 Massachusetts Institute of Technology2005 TDR/The Drama Review (2005) 49 (4 (188)): 15–27. https://doi.org/10.1162/105420405774763050 Cite Icon Cite Permissions Share Icon Share …

  • From Karbala to New York City: Taziyeh on the Move

    Peter Chelkowski, Peter J Chelkowski•ARTICLE•TDR/The Drama Review•2005

    This collection of articles traces Taziyeh from its origins in Karbala in Iraq through its development as a serious dramatic form in Iran; its adaptation in Lebanon, India, and the Caribbean; and its debut on Western stages, culminating in a 2002 performance at Lincoln Center in New York City and a historic symposium at the Asia Society, where this issue got its start. Karbala and the relationship between Shiite and Sunnite Muslims, the origins o…

  • Community Process and the Performance of Muharram Observances in Trinidad

    Frank J Korom, Peter Chelkowski et al.•ARTICLE•TDR/The Drama Review•1994

    The famed Trinidadian writer quoted above speaks to us as a liminar from the margins. Being of East Indian origin, he is squarely on the inside of the community of worshippers he witnesses, but being a Hindu, he is on the outside looking in. He simultaneously lacks and shares something with those he observes, not fully cognizant of the experiential directness that he so acutely points out. The writer's epistemological dilemma or lack of understan…

  • Popular Entertainment, Media and Social Change in Twentieth-Century Iran

    Open Access•Peter Chelkowski•CHAPTER•The Cambridge history of Iran.•1991

    The 20th century has witnessed a dramatic change in the kind and form of entertainment in Iran. This is particularly true of the period since World War II. Some traditional entertainments have disappeared, others have undergone radical transformation, some are dying. New foreign forms have appeared and become popular. The crucial point, however, is that for the majority of the population, especially those living in towns, their major entertainmen…

  • The Cambridge History of Iran

    Open Access•C P Melville, Stanley I Grossman et al.•BOOK•The Cambridge history of Iran.•1991

    This final volume of The Cambridge History of Iran covers the period from 1722 to 1979. Part I sets out the political framework. Beginning in the reign of Nadir Shah, it traces the establishment of the Qajar dynasty and the rise and fall of the Pahlavi autocracy. Part II discusses relations with the Ottoman Empire, Russia, European countries, Britain and British India. Part III covers economic and social developments, including systems of land te…

  • Narrative Painting and Painting Recitation in Qajar Iran

    Peter Chelkowski•ARTICLE•Muqarnas Online•1989

  • Narrative Painting and Painting Recitation in Qajar Iran

    Peter Chelkowski•ARTICLE•Muqarnas Online•1988

  • Ideology and Power in the Middle East: Essays in Honor of George Lenczowski

    John C Campbell, Peter Chelkowski et al.•ARTICLE•Foreign Affairs•1988

  • Edward G. Browne's Turkish Connexion

    Open Access•Peter Chelkowski•ARTICLE•Bulletin of the School of…•1986•References: 2

    The famous British orientalist E. G. Browne, a physician by training, was interested in Turkish language and literataure long before he became Professor of Arabic at Cambridge. It was at Cambridge that he wrote most of the works in the field of Persian studies, which were to bring him recognition as an outstanding Iranologist. But Browne's sense of affinity with the Turks endured from the time of the Russian-Turkish war of 1877-78, when he was on…

  • Shia Muslim Processional Performances

    Peter Chelkowski•ARTICLE•The Drama Review TDR•1985•Cited by: 5

  • Islam in Modern Drama and Theatre

    Peter Chelkowski•ARTICLE•Die Welt des Islams•1984

  • Mysticism and Dissent: Socioreligious Thought in Qajar Iran

    Peter Chelkowski, Mangol Bayat•ARTICLE•The American Historical Review•1983

    This history examines the complex origins of religious dissent in 19th-century Qajar Iran (known to Westerners as Persia), and how it provided a mood and attitude which led to far-reaching political dissent, culminating in the establishment of a new government in 1906.

  • Bibliography of the Theatrical Movement of Western Asia and North Africa

    Open Access•Peter Chelkowski, Peter J Chelkowski•ARTICLE•Middle East Studies Association…•1982•References: 1

    This bibliographical survey covers the enormous area of North Africa, Western Asia, the Caucasus, and Central Asia. Populated mainly by Arabs, Iranians, and Turkic peoples, the region also includes numerous ethnic and religious minorities. Despite the diversity of these peoples, Islam is the common unifying element of culture and society. In addition, the region includes the three distinctive ethnic islands of Georgia, Armenia, and Israel

  • Taziyeh: Ritual and Drama in Iran

    Jalal Asgar, Peter Chelkowski et al.•ARTICLE•Theatre Journal•1981•Cited by: 33

  • Ta'ziyeh: Indigenous Avant-Garde Theatre of Iran

    Peter Chelkowski, Peter J Chelkowski•ARTICLE•Performing Arts Journal•1977

  • News of the Members

    Open Access•Ayad Al, Richard W Bulliet et al.•ARTICLE•Middle East Studies Association…•1976

    An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button

  • Literature in Pre-Safavid Isfahan

    Open Access•Peter Chelkowski•ARTICLE•Iranian Studies•1974

    The most common classification of Persian literature is the classification according to geographical divisions. The literary style sabk carries the name of the geographical area in which it reached its climax. The boundaries of these divisions, however, are very flexible. The three main literary styles which follow each other consecutively are known as: Khurasani, c Iraqi, and Hindi. The time spans of each style are equally flexible. Within these…

  • Taziyeh: Ritual and Drama in Iran

    Jalal Asgar, Peter Chelkowski et al.•ARTICLE•Theatre Journal•1981•Cited by: 33

  • Shia Muslim Processional Performances

    Peter Chelkowski•ARTICLE•The Drama Review TDR•1985•Cited by: 5

  • Literature in Pre-Safavid Isfahan

    Open Access•Peter Chelkowski•ARTICLE•Iranian Studies•1974

    The most common classification of Persian literature is the classification according to geographical divisions. The literary style sabk carries the name of the geographical area in which it reached its climax. The boundaries of these divisions, however, are very flexible. The three main literary styles which follow each other consecutively are known as: Khurasani, c Iraqi, and Hindi. The time spans of each style are equally flexible. Within these…

  • News of the Members

    Open Access•Ayad Al, Richard W Bulliet et al.•ARTICLE•Middle East Studies Association…•1976

    An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button

  • Ta'ziyeh: Indigenous Avant-Garde Theatre of Iran

    Peter Chelkowski, Peter J Chelkowski•ARTICLE•Performing Arts Journal•1977

  • Taziyeh: Ritual and Drama in Iran

    Jalal Asgar, Peter Chelkowski et al.•ARTICLE•Theatre Journal•1981•Cited by: 33

  • Bibliography of the Theatrical Movement of Western Asia and North Africa

    Open Access•Peter Chelkowski, Peter J Chelkowski•ARTICLE•Middle East Studies Association…•1982•References: 1

    This bibliographical survey covers the enormous area of North Africa, Western Asia, the Caucasus, and Central Asia. Populated mainly by Arabs, Iranians, and Turkic peoples, the region also includes numerous ethnic and religious minorities. Despite the diversity of these peoples, Islam is the common unifying element of culture and society. In addition, the region includes the three distinctive ethnic islands of Georgia, Armenia, and Israel

  • Mysticism and Dissent: Socioreligious Thought in Qajar Iran

    Peter Chelkowski, Mangol Bayat•ARTICLE•The American Historical Review•1983

    This history examines the complex origins of religious dissent in 19th-century Qajar Iran (known to Westerners as Persia), and how it provided a mood and attitude which led to far-reaching political dissent, culminating in the establishment of a new government in 1906.

  • Islam in Modern Drama and Theatre

    Peter Chelkowski•ARTICLE•Die Welt des Islams•1984

  • Shia Muslim Processional Performances

    Peter Chelkowski•ARTICLE•The Drama Review TDR•1985•Cited by: 5

  • Edward G. Browne's Turkish Connexion

    Open Access•Peter Chelkowski•ARTICLE•Bulletin of the School of…•1986•References: 2

    The famous British orientalist E. G. Browne, a physician by training, was interested in Turkish language and literataure long before he became Professor of Arabic at Cambridge. It was at Cambridge that he wrote most of the works in the field of Persian studies, which were to bring him recognition as an outstanding Iranologist. But Browne's sense of affinity with the Turks endured from the time of the Russian-Turkish war of 1877-78, when he was on…

  • Narrative Painting and Painting Recitation in Qajar Iran

    Peter Chelkowski•ARTICLE•Muqarnas Online•1988

  • Ideology and Power in the Middle East: Essays in Honor of George Lenczowski

    John C Campbell, Peter Chelkowski et al.•ARTICLE•Foreign Affairs•1988

  • Narrative Painting and Painting Recitation in Qajar Iran

    Peter Chelkowski•ARTICLE•Muqarnas Online•1989

  • Popular Entertainment, Media and Social Change in Twentieth-Century Iran

    Open Access•Peter Chelkowski•CHAPTER•The Cambridge history of Iran.•1991

    The 20th century has witnessed a dramatic change in the kind and form of entertainment in Iran. This is particularly true of the period since World War II. Some traditional entertainments have disappeared, others have undergone radical transformation, some are dying. New foreign forms have appeared and become popular. The crucial point, however, is that for the majority of the population, especially those living in towns, their major entertainmen…

  • The Cambridge History of Iran

    Open Access•C P Melville, Stanley I Grossman et al.•BOOK•The Cambridge history of Iran.•1991

    This final volume of The Cambridge History of Iran covers the period from 1722 to 1979. Part I sets out the political framework. Beginning in the reign of Nadir Shah, it traces the establishment of the Qajar dynasty and the rise and fall of the Pahlavi autocracy. Part II discusses relations with the Ottoman Empire, Russia, European countries, Britain and British India. Part III covers economic and social developments, including systems of land te…

  • Community Process and the Performance of Muharram Observances in Trinidad

    Frank J Korom, Peter Chelkowski et al.•ARTICLE•TDR/The Drama Review•1994

    The famed Trinidadian writer quoted above speaks to us as a liminar from the margins. Being of East Indian origin, he is squarely on the inside of the community of worshippers he witnesses, but being a Hindu, he is on the outside looking in. He simultaneously lacks and shares something with those he observes, not fully cognizant of the experiential directness that he so acutely points out. The writer's epistemological dilemma or lack of understan…

  • Mohammad B. Ghaffari: Taziyeh Director

    Peter Chelkowski, Peter J Chelkowski•ARTICLE•TDR/The Drama Review•2005

    December 01 2005 Mohammad B. Ghaffari: Taziyeh Director Peter J. Chelkowski Peter J. Chelkowski Professor of Middle Eastern and Islamic Studies at New York University Search for other works by this author on: This Site Google Scholar Author and Article Information Peter J. Chelkowski Professor of Middle Eastern and Islamic Studies at New York University Online ISSN: 1531-4715 Print ISSN: 1054-2043 © 2005 Massachusetts Institute of Technology2005 …

  • From the Sun-Scorched Desert of Iran to the Beaches of Trinidad: Taziyeh's Journey from Asia to the Caribbean

    Peter Chelkowski, Peter J Chelkowski•ARTICLE•TDR/The Drama Review•2005

    December 01 2005 From the Sun-Scorched Desert of Iran to the Beaches of Trinidad: Taziyeh's Journey from Asia to the Caribbean Peter J. Chelkowski Peter J. Chelkowski Professor of Middle Eastern and Islamic Studies at New York Uni-versity Search for other works by this author on: This Site Google Scholar Author and Article Information Peter J. Chelkowski Professor of Middle Eastern and Islamic Studies at New York Uni-versity Online Issn: 1531-471…

  • Presenting Taziyeh at Lincoln Center

    Nigel Redden, Mohammad B Ghaffariari et al.•ARTICLE•TDR/The Drama Review•2005

    December 01 2005 Presenting Taziyeh at Lincoln Center Nigel Redden, Nigel Redden Search for other works by this author on: This Site Google Scholar Mohammad B. Ghaffariari, Mohammad B. Ghaffariari Director at Ellen Stewart's La MaMa E.T.C. Search for other works by this author on: This Site Google Scholar Peter J. Chelkowski Peter J. Chelkowski Professor of Middle Eastern and Islamic Studies at New York Uni-versity Search for other works by this …

  • Taziyeh in Parma

    Anna Vanzan, Peter Chelkowski et al.•ARTICLE•TDR/The Drama Review•2005

    December 01 2005 Taziyeh in Parma Anna Vanzan, Anna Vanzan PhD from New York University Search for other works by this author on: This Site Google Scholar Peter J. Chelkowski Peter J. Chelkowski Professor of Middle Eastern and Islamic Studies at New York University. Search for other works by this author on: This Site Google Scholar Author and Article Information Anna Vanzan PhD from New York University Peter J. Chelkowski Professor of Middle East…

  • Time Out of Memory: Taziyeh, the Total Drama

    Peter Chelkowski, Peter J Chelkowski•ARTICLE•TDR/The Drama Review•2005

    December 01 2005 Time Out of Memory: Taziyeh, the Total Drama Peter J. Chelkowski Peter J. Chelkowski Search for other works by this author on: This Site Google Scholar Author and Article Information Peter J. Chelkowski Online Issn: 1531-4715 Print Issn: 1054-2043 © 2005 Massachusetts Institute of Technology2005 TDR/The Drama Review (2005) 49 (4 (188)): 15–27. https://doi.org/10.1162/105420405774763050 Cite Icon Cite Permissions Share Icon Share …

  • From Karbala to New York City: Taziyeh on the Move

    Peter Chelkowski, Peter J Chelkowski•ARTICLE•TDR/The Drama Review•2005

    This collection of articles traces Taziyeh from its origins in Karbala in Iraq through its development as a serious dramatic form in Iran; its adaptation in Lebanon, India, and the Caribbean; and its debut on Western stages, culminating in a 2002 performance at Lincoln Center in New York City and a historic symposium at the Asia Society, where this issue got its start. Karbala and the relationship between Shiite and Sunnite Muslims, the origins o…

  • In Memoriam Professor Ann K. S. Lambton (8 February 1912–19 July 2008)

    Open Access•Peter Chelkowski•ARTICLE•Iranian Studies•2009

    An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button

  • Warring Souls: Youth, Media, and Martyrdom in Post-Revolution Iran

    Peter Chelkowski•ARTICLE•Comparative Studies of South Asia…•2009

    Book Review| August 01 2009 Warring Souls: Youth, Media, and Martyrdom in Post-Revolution Iran Warring Souls: Youth, Media, and Martyrdom in Post-revolution Iran Roxanne Varzi Durham, NC: Duke University Press, 2006 290 pp., $79.95 (cloth), $22.95 (paper) Peter Chelkowski Peter Chelkowski Search for other works by this author on: This Site Google Comparative Studies of South Asia, Africa and the Middle East (2009) 29 (2): 343–345. https://doi.org…

History (18 works) · Art (15 works) · Islamic Studies and History (14 works) · Computer Science (9 works) · Ancient history (7 works) · Drama (7 works) · History (7 works) · Literature (7 works) · Archaeology (6 works) · Art history (6 works)

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