Gabrielle Civil
Biographic Data
| ID | 712149 |
|---|---|
| NAME | Gabrielle Civil |
| GIVEN NAMES | Gabrielle |
| FAMILY NAME | Civil |
| SIGNATURE | CIVIL G |
| AFFILIATIONS | New York University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Dreaming in Motion: Zoom Excerpts from Black Motion Pictures
Gabrielle Civil, a Black feminist performance artist, and Anna Martine Whitehead, a Black transdisciplinary artist, formulate, exchange, and respond to embodied strategies of creativity and resistance. They discuss Black performance dreams and their own movements as Black performers. Recorded on June 4, 2020, during the coronavirus shutdown and shortly after George Floyd's tragic death, their words have become a time capsule. Their conversation i…
Opening Up Space for Global Black Girls
In this innovative dialogue, Gabrielle Civil and Zetta Elliott consider how their work inside and outside of the academy “opens up space” for Black girls in the United States and throughout the African diaspora. In her performance art and curation, Civil activates the presence and absence of diasporic Black girls and celebrates their creative potential. In her books for young readers, Elliott disrupts literary conventions by centering Black girl …
Behind the Orange Door
What does it mean to embody the Caribbean as performance/art? In this coolaborative essay, two Caribbean women artists respond to this question in a dynamic dialogue of text and images. Each has individually performed at and been exhibited in more than fifty venues across the Caribbean, Africa, and the United States. Artistic comrades for twenty years, they have also collaborated with each other in performance and video. Here, they offer a deep e…
Body dander, dust
(1999). Body dander, dust. Women & Performance: a journal of feminist theory: Vol. 10, No. 1-2, pp. 69-72
No prominent works on this page.
Body dander, dust
(1999). Body dander, dust. Women & Performance: a journal of feminist theory: Vol. 10, No. 1-2, pp. 69-72
Opening Up Space for Global Black Girls
In this innovative dialogue, Gabrielle Civil and Zetta Elliott consider how their work inside and outside of the academy “opens up space” for Black girls in the United States and throughout the African diaspora. In her performance art and curation, Civil activates the presence and absence of diasporic Black girls and celebrates their creative potential. In her books for young readers, Elliott disrupts literary conventions by centering Black girl …
Behind the Orange Door
What does it mean to embody the Caribbean as performance/art? In this coolaborative essay, two Caribbean women artists respond to this question in a dynamic dialogue of text and images. Each has individually performed at and been exhibited in more than fifty venues across the Caribbean, Africa, and the United States. Artistic comrades for twenty years, they have also collaborated with each other in performance and video. Here, they offer a deep e…
Dreaming in Motion: Zoom Excerpts from Black Motion Pictures
Gabrielle Civil, a Black feminist performance artist, and Anna Martine Whitehead, a Black transdisciplinary artist, formulate, exchange, and respond to embodied strategies of creativity and resistance. They discuss Black performance dreams and their own movements as Black performers. Recorded on June 4, 2020, during the coronavirus shutdown and shortly after George Floyd's tragic death, their words have become a time capsule. Their conversation i…
Art (3 works) · Sociology (2 works) · Visual arts (2 works) · Aesthetics (1 works) · Archaeology (1 works) · Art, Politics, and Modernism (1 works) · Artificial Intelligence (1 works) · Artificial Intelligence (1 works) · Black women (1 works) · Caribbean history, culture, and politics (1 works)