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Pamela Lothspeich

Biographic Data

ID713085
NAMEPamela Lothspeich
GIVEN NAMESPamela
FAMILY NAMELothspeich
SIGNATURELOTHSPEICH P
AFFILIATIONSUniversity of North Carolina at Chapel Hill
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS2
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2024
H-INDEX1
  • The Radheshyam Ramayan and the Sanskritization of Khari Boli Hindi- Erratum

    Open Access•Pamela Lothspeich•ARTICLE•Modern Asian Studies•2024

  • Chasing the Parsi Theatre in Bareilly

    Pamela Lothspeich•ARTICLE•TDR/The Drama Review•2015

    A contemporary restaging of Pandit Radheshyam Kathavachak’s mythological play Heroic Abhimanyu in the style of Parsi theatre raises questions about postcolonial mimicry, hybrid theatre forms, and the vicissitudes of reviving traditional theatre in India

  • Behind the Scenes of Heroic Abhimanyu

    Pamela Lothspeich•ARTICLE•TDR/The Drama Review•2015

    A behind-the-scenes look at a Parsi theatre–style revival of Pandit Radheshyam Kathavachak’s mythological play Heroic Abhimanyu details the challenges of financing and producing theatre in Uttar Pradesh, India

  • The Radheshyam Ramayan and the Sanskritizationof Khari Boli Hindi

    Open Access•Pamela Lothspeich•ARTICLE•Modern Asian Studies•2013•References: 2

    This paper charts the linguistic shifts in a popular iteration of the story of Lord Ram, commonly known as the 'Radheshyam Ramayan' (composed in the first quarter of the twentieth century), across four versions of the text published in the devanāgarī script, between 1939 and 1969. It argues that the author, Radheshyam Kathavachak, likely revised his text over the course of many years, in large part to bring its language closer to śuddh (pure) Hin…

  • India

    Pamela Lothspeich•ARTICLE•Journal of Contemporary Asia•2011

  • Research Article

    Open Access•Pamela Lothspeich•ARTICLE•Bulletin of the School of…•2009•Cited by: 1•References: 2

  • The Mahābhārata as national history and allegory in modern tales of Abhimanyu

    Open Access•Pamela Lothspeich•ARTICLE•Bulletin of the School of…•2008•Cited by: 1

    During a renaissance of Hindu mythology in the late colonial period, the Mahābhārata in particular was embraced as the essential account of the nation's ancient past. In the many literary retellings of the period, epic history is often recast as national history, even as the epic narratives themselves are inscribed with allegorical significance. Such is the case in the many poems and plays on the subject of Abhimanyu and his nemesis Jayadrath, in…

  • Research Article

    Open Access•Pamela Lothspeich•ARTICLE•Bulletin of the School of…•2009•Cited by: 1•References: 2

  • The Mahābhārata as national history and allegory in modern tales of Abhimanyu

    Open Access•Pamela Lothspeich•ARTICLE•Bulletin of the School of…•2008•Cited by: 1

    During a renaissance of Hindu mythology in the late colonial period, the Mahābhārata in particular was embraced as the essential account of the nation's ancient past. In the many literary retellings of the period, epic history is often recast as national history, even as the epic narratives themselves are inscribed with allegorical significance. Such is the case in the many poems and plays on the subject of Abhimanyu and his nemesis Jayadrath, in…

  • The Mahābhārata as national history and allegory in modern tales of Abhimanyu

    Open Access•Pamela Lothspeich•ARTICLE•Bulletin of the School of…•2008•Cited by: 1

    During a renaissance of Hindu mythology in the late colonial period, the Mahābhārata in particular was embraced as the essential account of the nation's ancient past. In the many literary retellings of the period, epic history is often recast as national history, even as the epic narratives themselves are inscribed with allegorical significance. Such is the case in the many poems and plays on the subject of Abhimanyu and his nemesis Jayadrath, in…

  • Research Article

    Open Access•Pamela Lothspeich•ARTICLE•Bulletin of the School of…•2009•Cited by: 1•References: 2

  • India

    Pamela Lothspeich•ARTICLE•Journal of Contemporary Asia•2011

  • The Radheshyam Ramayan and the Sanskritizationof Khari Boli Hindi

    Open Access•Pamela Lothspeich•ARTICLE•Modern Asian Studies•2013•References: 2

    This paper charts the linguistic shifts in a popular iteration of the story of Lord Ram, commonly known as the 'Radheshyam Ramayan' (composed in the first quarter of the twentieth century), across four versions of the text published in the devanāgarī script, between 1939 and 1969. It argues that the author, Radheshyam Kathavachak, likely revised his text over the course of many years, in large part to bring its language closer to śuddh (pure) Hin…

  • Chasing the Parsi Theatre in Bareilly

    Pamela Lothspeich•ARTICLE•TDR/The Drama Review•2015

    A contemporary restaging of Pandit Radheshyam Kathavachak’s mythological play Heroic Abhimanyu in the style of Parsi theatre raises questions about postcolonial mimicry, hybrid theatre forms, and the vicissitudes of reviving traditional theatre in India

  • Behind the Scenes of Heroic Abhimanyu

    Pamela Lothspeich•ARTICLE•TDR/The Drama Review•2015

    A behind-the-scenes look at a Parsi theatre–style revival of Pandit Radheshyam Kathavachak’s mythological play Heroic Abhimanyu details the challenges of financing and producing theatre in Uttar Pradesh, India

  • The Radheshyam Ramayan and the Sanskritization of Khari Boli Hindi- Erratum

    Open Access•Pamela Lothspeich•ARTICLE•Modern Asian Studies•2024

History (4 works) · Art (3 works) · History (3 works) · Literature (3 works) · Mythology (3 works) · Indian History and Philosophy (2 works) · Philosophy (2 works) · South Asian Cinema and Culture (2 works) · Style (visual arts (2 works) · Theatre and Performance Studies (2 works)

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