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Guntis Smidchens

Biographic Data

ID714413
NAMEGuntis Smidchens
GIVEN NAMESGuntis
FAMILY NAMESmidchens
SIGNATURESMIDCHENS G
AFFILIATIONSUniversity of Washington
VERIFIEDNo
TOTAL WORKS14
TOTAL CITATIONS19
WORKS AS AUTHOR14
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1990
LATEST PUBLICATION YEAR2026
H-INDEX2
  • Kristin Kuutma (1959–2025)

    Thomas A Dubois, Guntis Smidchens•ARTICLE•Journal of American Folklore•2026

  • The Storytelling Human

    Open Access•Guntis Smidchens•ARTICLE•FOLKLORICA - Journal of the…•2022

  • Baltimaade üldlaulupidude laulutraditsioonid ja pärand

    Open Access•Guntis Smidchens•ARTICLE•Mäetagused•2016•References: 2

    An overview of all the 1,973 songs that have appeared in seventy Estonian, Latvian, and Lithuanian national song celebration programmes from 1869 to the present day reveals a richly innovative, creative tradition: in each of the three festival repertoires, 74–84 percent of the songs were performed only once over the entire history of the national celebrations. When concert participants choose to repeat songs sung in previous years, they identify …

  • Cornelius Hasselblatt, Kalevipoeg studies

    Guntis Smidchens•ARTICLE•Journal of Baltic Studies•2016

  • Music during the Occupation

    Guntis Smidchens•ARTICLE•Journal of Baltic Studies•2014

    Scholars of World War II in the Baltic will embrace this 695-page survey of musical life in Latvia under Soviet (1940–1941) and Nazi (1941–1945) occupation. Far too little has been written. Histori

  • The Power of Song

    Guntis Smidchens•BOOK•Power of Song•2014•Cited by: 11

    The Power of Song shows how the people of Estonia, Latvia, and Lithuania confronted a military superpower and achieved independence in the Baltic “Singing Revolution.” When attacked by Soviet soldiers in public displays of violent force, singing Balts maintained faith in nonviolent political action. More than 110 choral, rock, and folk songs are translated and interpreted in poetic, cultural, and historical context. Watch the trailer: http://www.…

  • Power of Song

    Guntis Smidchens•BOOK•Power of Song•2013

  • Baltic Studies in North America

    Guntis Smidchens, Rennesa Osterberg•ARTICLE•Journal of Baltic Studies•2007•References: 4

  • National Heroic Narratives in the Baltics as a Source for Nonviolent Political Action

    Open Access•Guntis Smidchens•ARTICLE•Slavic Review•2007•Cited by: 8•References: 2

    The national heroes of Estonia, Latvia, and Lithuania that emerged in literary culture during the nineteenth century were warrior heroes. In the twentieth century, a series of interpretations and adaptations by leading authors disarmed and desacralized Kalevipoeg, Bearslayer (Lāčplēsis), and King Mindaugas, tempering or rejecting their violent actions and recasting these central allegories of national myth into a nonviolent mold. These heroes are…

  • Notes on the Latvian National Hero, L??pl?sis

    Guntis Smidchens•ARTICLE•Journal of Folklore Research•2006

    My initial interest when I read the title of Sergei Kruks' article, The Latvian Epic Ladplesis: Passe-partout Ideology, Traumatic Imagination of Community, about the Latvian and Estonian national epics (JFR 41/1:1-32) was quickly followed by disappointment: the article inaccurately retells the content of the Latvian epic; it omits passages that contradict its arguments; it alludes to content that does not exist in the epic; it interprets excerpts…

  • Vladimir Propp and the Universal Folktale

    Guntis Smidchens, Peter Gilet•ARTICLE•The Slavic and East European…•2000

  • Surematu Kalevipoeg

    Guntis Smidchens, Felix J Oinas et al.•ARTICLE•The Slavic and East European…•1995

  • Lettische Volksmarchen

    Guntis Smidchens, Ojars Ambainis et al.•ARTICLE•Journal of American Folklore•1992

  • Linguistics and Poetics of Latvian Folk Songs

    Guntis Smidchens, Vaira Vikis-Freibergs•ARTICLE•The Slavic and East European…•1990

  • The Power of Song

    Guntis Smidchens•BOOK•Power of Song•2014•Cited by: 11

    The Power of Song shows how the people of Estonia, Latvia, and Lithuania confronted a military superpower and achieved independence in the Baltic “Singing Revolution.” When attacked by Soviet soldiers in public displays of violent force, singing Balts maintained faith in nonviolent political action. More than 110 choral, rock, and folk songs are translated and interpreted in poetic, cultural, and historical context. Watch the trailer: http://www.…

  • National Heroic Narratives in the Baltics as a Source for Nonviolent Political Action

    Open Access•Guntis Smidchens•ARTICLE•Slavic Review•2007•Cited by: 8•References: 2

    The national heroes of Estonia, Latvia, and Lithuania that emerged in literary culture during the nineteenth century were warrior heroes. In the twentieth century, a series of interpretations and adaptations by leading authors disarmed and desacralized Kalevipoeg, Bearslayer (Lāčplēsis), and King Mindaugas, tempering or rejecting their violent actions and recasting these central allegories of national myth into a nonviolent mold. These heroes are…

  • Linguistics and Poetics of Latvian Folk Songs

    Guntis Smidchens, Vaira Vikis-Freibergs•ARTICLE•The Slavic and East European…•1990

  • Lettische Volksmarchen

    Guntis Smidchens, Ojars Ambainis et al.•ARTICLE•Journal of American Folklore•1992

  • Surematu Kalevipoeg

    Guntis Smidchens, Felix J Oinas et al.•ARTICLE•The Slavic and East European…•1995

  • Vladimir Propp and the Universal Folktale

    Guntis Smidchens, Peter Gilet•ARTICLE•The Slavic and East European…•2000

  • Notes on the Latvian National Hero, L??pl?sis

    Guntis Smidchens•ARTICLE•Journal of Folklore Research•2006

    My initial interest when I read the title of Sergei Kruks' article, The Latvian Epic Ladplesis: Passe-partout Ideology, Traumatic Imagination of Community, about the Latvian and Estonian national epics (JFR 41/1:1-32) was quickly followed by disappointment: the article inaccurately retells the content of the Latvian epic; it omits passages that contradict its arguments; it alludes to content that does not exist in the epic; it interprets excerpts…

  • Baltic Studies in North America

    Guntis Smidchens, Rennesa Osterberg•ARTICLE•Journal of Baltic Studies•2007•References: 4

  • National Heroic Narratives in the Baltics as a Source for Nonviolent Political Action

    Open Access•Guntis Smidchens•ARTICLE•Slavic Review•2007•Cited by: 8•References: 2

    The national heroes of Estonia, Latvia, and Lithuania that emerged in literary culture during the nineteenth century were warrior heroes. In the twentieth century, a series of interpretations and adaptations by leading authors disarmed and desacralized Kalevipoeg, Bearslayer (Lāčplēsis), and King Mindaugas, tempering or rejecting their violent actions and recasting these central allegories of national myth into a nonviolent mold. These heroes are…

  • Power of Song

    Guntis Smidchens•BOOK•Power of Song•2013

  • Music during the Occupation

    Guntis Smidchens•ARTICLE•Journal of Baltic Studies•2014

    Scholars of World War II in the Baltic will embrace this 695-page survey of musical life in Latvia under Soviet (1940–1941) and Nazi (1941–1945) occupation. Far too little has been written. Histori

  • The Power of Song

    Guntis Smidchens•BOOK•Power of Song•2014•Cited by: 11

    The Power of Song shows how the people of Estonia, Latvia, and Lithuania confronted a military superpower and achieved independence in the Baltic “Singing Revolution.” When attacked by Soviet soldiers in public displays of violent force, singing Balts maintained faith in nonviolent political action. More than 110 choral, rock, and folk songs are translated and interpreted in poetic, cultural, and historical context. Watch the trailer: http://www.…

  • Baltimaade üldlaulupidude laulutraditsioonid ja pärand

    Open Access•Guntis Smidchens•ARTICLE•Mäetagused•2016•References: 2

    An overview of all the 1,973 songs that have appeared in seventy Estonian, Latvian, and Lithuanian national song celebration programmes from 1869 to the present day reveals a richly innovative, creative tradition: in each of the three festival repertoires, 74–84 percent of the songs were performed only once over the entire history of the national celebrations. When concert participants choose to repeat songs sung in previous years, they identify …

  • Cornelius Hasselblatt, Kalevipoeg studies

    Guntis Smidchens•ARTICLE•Journal of Baltic Studies•2016

  • The Storytelling Human

    Open Access•Guntis Smidchens•ARTICLE•FOLKLORICA - Journal of the…•2022

  • Kristin Kuutma (1959–2025)

    Thomas A Dubois, Guntis Smidchens•ARTICLE•Journal of American Folklore•2026

Art (9 works) · History (7 works) · Literature (7 works) · Political science (7 works) · Historical Geopolitical and Social Dynamics (6 works) · History (6 works) · Folklore, Mythology, and Literature Studies (5 works) · Linguistics (4 works) · Philosophy (4 works) · Archaeology (3 works)

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