Naila Ceribašic
Biographic Data
| ID | 715104 |
|---|---|
| NAME | Naila Ceribašic |
| GIVEN NAMES | Naila |
| FAMILY NAME | Ceribašic |
| SIGNATURE | CERIBAŠIC N |
| AFFILIATIONS | Institute of Ethnology and Folklore Research |
| ORCID | 0000-0003-3578-8515 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 24 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 3 |
It's Not the End, but Something Feels off
My contribution defines musical data colonialism for the first time, and then discusses potential approaches to musical data (anti-)colonialism in ethnomusicology
Glazba u izvedbi
Na temelju odabranih snimaka istaknutih pjevača sevdalinke, koji su vezani uz različite društvene kontekste njezina izvođenja – Nikola Stojković 1937, Sofka Nikolić potkraj 1920-ih i Zaim Imamović 1950-ih, kao i relevantnih komparativnih snimaka iz tih i kasnijih desetljeća, u radu se analiziraju značajke glazbene interpretacije ovoga žanra. U tome se autorica oslanja na pojedine postupke i identificirane elemente za analizu razvijene u okviru st…
On Engaging Up and Expertise in Ethnomusicology
Musings on ethnomusicology, interdisciplinarity, intradisciplinarity, and decoloniality
Thinking from the perspective of Croatian ethnomusicology as one of ethnomusicologies "at home", the author muses on the position of ethnomusicology on a global scale, and in particular how it relates to mainstream English-language ethnomusicology and other fringe ethnomusicologies, the interdisciplinary links with sister disciplines (primarily ethnology and cultural anthropology), and endeavours to decolonize ethnomusicology. By taking into acco…
Encyclopedia of Romantic Nationalism in Europe
This encyclopedia documents the presence and impact of nationalized cultural consciousness in European nationalism. It tracks how intellectuals, historians, philologists, novelists, poets, painters, folklorists, and composers, in an intensely collaborative transnational network, articulated the national identities and aspirations that would go on to determine European history and politics, with effects that are still felt today. Edited by Joep Le…
L'économie de la musique traditionnelle en Croatie postsocialiste
L'auteure étudie les mouvements d'argent qui concernent la musique traditionnelle dans la Croatie d'hier et d'aujourd'hui et qui est porteuse d'un capital économique, social ou symbolique. En examinant la période postsocialiste, elle attire l'attention sur le lien de plus en plus intime entre capital culturel et capital économique, et estime que l'étude classique de « la politique et de la poétique » devrait être complétée par une étude de « l'éc…
Croatian Traditional Music Recordings
Book Review| July 01 2010 Croatian Traditional Music Recordings: The 1990s and 2000s Naila Ceribašic; Naila Ceribašic Institute of Ethnology and Folklore Research, Zagreb Search for other works by this author on: This Site Google Joško Caleta Joško Caleta Institute of Ethnology and Folklore Research, Zagreb Search for other works by this author on: This Site Google Journal of American Folklore (2010) 123 (489): 331–345. https://doi.org/10.5406/ja…
Post-Yugoslavian Ethnomusicologies in Dialogue
From the 1950s through 1990s, ethnomusicology in Yugoslavia represented the sum of several distinct research traditions that, by and large, overlapped with the borders of six constituent republics: Bosnia-Herzegovina, Croatia, Macedonia, Montenegro, Serbia, and Slovenia. Although the overarching national framework quickly disintegrated with the onset of the Yugoslav wars of succession in the early 1990s, localized research within particular borde…
Musical Faces of Croatian Multiculturality
When I started the journey of writing this essay, I wondered at length what topic to propose and what tone it should take. Since theYearbook for Traditional Musicis a highly respected, international ethnomusicological journal, should I speak as an exponent of a small national ethnomusicology or am I allowed to take a more personal stance? Should I use this space for more canonized thoughts or could I allow myself to propose untested ones, to spea…
Post-Yugoslavian Ethnomusicologies in Dialogue
From the 1950s through 1990s, ethnomusicology in Yugoslavia represented the sum of several distinct research traditions that, by and large, overlapped with the borders of six constituent republics: Bosnia-Herzegovina, Croatia, Macedonia, Montenegro, Serbia, and Slovenia. Although the overarching national framework quickly disintegrated with the onset of the Yugoslav wars of succession in the early 1990s, localized research within particular borde…
L'économie de la musique traditionnelle en Croatie postsocialiste
L'auteure étudie les mouvements d'argent qui concernent la musique traditionnelle dans la Croatie d'hier et d'aujourd'hui et qui est porteuse d'un capital économique, social ou symbolique. En examinant la période postsocialiste, elle attire l'attention sur le lien de plus en plus intime entre capital culturel et capital économique, et estime que l'étude classique de « la politique et de la poétique » devrait être complétée par une étude de « l'éc…
Musical Faces of Croatian Multiculturality
When I started the journey of writing this essay, I wondered at length what topic to propose and what tone it should take. Since theYearbook for Traditional Musicis a highly respected, international ethnomusicological journal, should I speak as an exponent of a small national ethnomusicology or am I allowed to take a more personal stance? Should I use this space for more canonized thoughts or could I allow myself to propose untested ones, to spea…
Musings on ethnomusicology, interdisciplinarity, intradisciplinarity, and decoloniality
Thinking from the perspective of Croatian ethnomusicology as one of ethnomusicologies "at home", the author muses on the position of ethnomusicology on a global scale, and in particular how it relates to mainstream English-language ethnomusicology and other fringe ethnomusicologies, the interdisciplinary links with sister disciplines (primarily ethnology and cultural anthropology), and endeavours to decolonize ethnomusicology. By taking into acco…
Musical Faces of Croatian Multiculturality
When I started the journey of writing this essay, I wondered at length what topic to propose and what tone it should take. Since theYearbook for Traditional Musicis a highly respected, international ethnomusicological journal, should I speak as an exponent of a small national ethnomusicology or am I allowed to take a more personal stance? Should I use this space for more canonized thoughts or could I allow myself to propose untested ones, to spea…
Post-Yugoslavian Ethnomusicologies in Dialogue
From the 1950s through 1990s, ethnomusicology in Yugoslavia represented the sum of several distinct research traditions that, by and large, overlapped with the borders of six constituent republics: Bosnia-Herzegovina, Croatia, Macedonia, Montenegro, Serbia, and Slovenia. Although the overarching national framework quickly disintegrated with the onset of the Yugoslav wars of succession in the early 1990s, localized research within particular borde…
Croatian Traditional Music Recordings
Book Review| July 01 2010 Croatian Traditional Music Recordings: The 1990s and 2000s Naila Ceribašic; Naila Ceribašic Institute of Ethnology and Folklore Research, Zagreb Search for other works by this author on: This Site Google Joško Caleta Joško Caleta Institute of Ethnology and Folklore Research, Zagreb Search for other works by this author on: This Site Google Journal of American Folklore (2010) 123 (489): 331–345. https://doi.org/10.5406/ja…
L'économie de la musique traditionnelle en Croatie postsocialiste
L'auteure étudie les mouvements d'argent qui concernent la musique traditionnelle dans la Croatie d'hier et d'aujourd'hui et qui est porteuse d'un capital économique, social ou symbolique. En examinant la période postsocialiste, elle attire l'attention sur le lien de plus en plus intime entre capital culturel et capital économique, et estime que l'étude classique de « la politique et de la poétique » devrait être complétée par une étude de « l'éc…
Encyclopedia of Romantic Nationalism in Europe
This encyclopedia documents the presence and impact of nationalized cultural consciousness in European nationalism. It tracks how intellectuals, historians, philologists, novelists, poets, painters, folklorists, and composers, in an intensely collaborative transnational network, articulated the national identities and aspirations that would go on to determine European history and politics, with effects that are still felt today. Edited by Joep Le…
On Engaging Up and Expertise in Ethnomusicology
Musings on ethnomusicology, interdisciplinarity, intradisciplinarity, and decoloniality
Thinking from the perspective of Croatian ethnomusicology as one of ethnomusicologies "at home", the author muses on the position of ethnomusicology on a global scale, and in particular how it relates to mainstream English-language ethnomusicology and other fringe ethnomusicologies, the interdisciplinary links with sister disciplines (primarily ethnology and cultural anthropology), and endeavours to decolonize ethnomusicology. By taking into acco…
Glazba u izvedbi
Na temelju odabranih snimaka istaknutih pjevača sevdalinke, koji su vezani uz različite društvene kontekste njezina izvođenja – Nikola Stojković 1937, Sofka Nikolić potkraj 1920-ih i Zaim Imamović 1950-ih, kao i relevantnih komparativnih snimaka iz tih i kasnijih desetljeća, u radu se analiziraju značajke glazbene interpretacije ovoga žanra. U tome se autorica oslanja na pojedine postupke i identificirane elemente za analizu razvijene u okviru st…
It's Not the End, but Something Feels off
My contribution defines musical data colonialism for the first time, and then discusses potential approaches to musical data (anti-)colonialism in ethnomusicology
Art (7 works) · Diverse Musicological Studies (5 works) · Political science (5 works) · Balkan and Eastern European Studies (4 works) · Sociology (4 works) · Ethnomusicology (3 works) · History (3 works) · Law (3 works) · Literature (3 works) · Musical (3 works)