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Chatterjee

Biographic Data

ID7160
NAMEChatterjee
FAMILY NAMEChatterjee
SIGNATURECHATTERJEE
AFFILIATIONSIndian Institute of Technology Hyderabad
ORCID0000-0002-0210-0510
VERIFIEDYes
TOTAL WORKS12
TOTAL CITATIONS1
WORKS AS AUTHOR12
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1956
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Beyond myths of wickedness

    Open Access•Vern Vincent, Vinita Vincent et al.•ARTICLE•Women s Studies International Forum•2026

  • Politics of Joint Forest Management

    Open Access•Chatterjee, Suchisree Chatterjee et al.•ARTICLE•Sociological Bulletin•2026•References: 21

    Community forest management is a phase of transition between absolute state control and a renewal of community control over the forestland that has become possible with the enactment of the Forest Rights Act (FRA), 2006. Joint Forest Management (JFM), which used to have a robust presence in West Bengal, has been facing increasing challenges from the forest-dwellers who wish to implement the FRA (2006) in the state, despite the multiple hurdles pl…

  • Hyper(in)visibility and the Crisis of Missing Black Girls in Monday's Not Coming and When You Look Like Us

    Open Access•Chatterjee, Vern Vincent et al.•ARTICLE•Journal of Black Studies•2025•Cited by: 1•References: 21

    Missing Black girls in contemporary America-owing to intersectional marginalization and racial stereotyping-are often ironically rendered both invisible and hypervisible. By underscoring how missing Black girls not only face police apathy but also endure mediatized misnomers of delinquency, this essay outlines Black girls experiences of hyper(in)visibility within hegemonic white patriarchal settings. African American young adult novels by Black w…

  • The Female Prophet and Religious Re-visioning in Marilynne Robinson’s Lila

    Aswathi Velayathikode Anand, Chatterjee et al.•ARTICLE•ANQ A Quarterly Journal of Short…•2023

    A devout Calvinist, Marilynne Robinson often quotes her theological and spiritual mentor to advocate that “[w]e ought to embrace the whole human race without exception in a single feeling of love”

  • Relocating the Sacred

    Nilanjana Ghosal, Chatterjee et al.•ARTICLE•ANQ A Quarterly Journal of Short…•2023

    An engagement with the sacred in Don DeLillo’s Falling Man is as implicit as it is all-pervasive: it abounds as Biblical metaphors in the repeated performances of the eponymous Falling Man (David J

  • Fictive Kinship in Marilynne Robinson’s Gilead

    Nilanjana Ghosal, Chatterjee et al.•ARTICLE•ANQ A Quarterly Journal of Short…•2023

  • Television culture and the beauty bias problem

    Chatterjee, Srirupa Chatterjee et al.•ARTICLE•Media Asia•2022

    This study aims to critically analyze the problem of the beauty bias prevalent in contemporary India with the help of popular postmillennial Hindi television serials. It begins with a review of literature on television’s social impact and then demonstrates how representations of women on Indian television have historically been deeply interwoven with hegemonic perceptions of appearance. It then examines as case studies five popular tele serials w…

  • The Trouble Goes Back to Your Grandfather’s Time”

    Shreya Rastogi, Chatterjee et al.•ARTICLE•English Studies•2021•References: 9

    This essay reads evolving cultures of white American middle-class masculinity in tandem with ekphrastic symbolisms of domestic architecture in Anne Tyler’s A Spool of Blue Thread. It interprets the text as a subversive narrative where if hegemonic gender norms oppress women and children, they also often confine men primarily to the role of a provider and alienate them from their own shelters. Accordingly, by focusing on the profound connection be…

  • Animal Sightings and Citings under Covid Capitalism

    Chatterjee, CHATTERJEE CHATTERJEE et al.•ARTICLE•Feminist Studies•2021

  • The changing politics of beauty labour in Indian cinema

    Chatterjee, Shreya Rastogi•ARTICLE•South Asian Popular Culture•2020•References: 2

    This essay analyses the changing politics of beauty labour and female body image in Indian cinema. It begins by discussing how beauty, a social capital for women, is a measuring rod with which their bodies are both assessed and objectified. It claims that cinema being a visual medium demands some aesthetic capital from actors, and the beauty of leading ladies portrayed on screen often adds to the spectacle. Focusing on mainstream Bollywood films …

  • Heterotopic Homes

    Shreya Rastogi, Chatterjee•ARTICLE•Women a Cultural Review•2020•References: 3

    This paper offers a spatial reading of Joyce Carol Oates’s We Were the Mulvaneys (1996). It argues that restructured domestic spaces depicted in the novel underscore the possibility of alternate homesteads that celebrate female choice and autonomy. Since We Were the Mulvaneys presents various models of domesticity coupled with a variety of domestic spaces that range from stifling to empowering, this paper engages specifically with architectural a…

  • Indian Climatology

    Chatterjee, B Chatterjee et al.•ARTICLE•Geographical Journal•1956

  • Hyper(in)visibility and the Crisis of Missing Black Girls in Monday's Not Coming and When You Look Like Us

    Open Access•Chatterjee, Vern Vincent et al.•ARTICLE•Journal of Black Studies•2025•Cited by: 1•References: 21

    Missing Black girls in contemporary America-owing to intersectional marginalization and racial stereotyping-are often ironically rendered both invisible and hypervisible. By underscoring how missing Black girls not only face police apathy but also endure mediatized misnomers of delinquency, this essay outlines Black girls experiences of hyper(in)visibility within hegemonic white patriarchal settings. African American young adult novels by Black w…

  • Indian Climatology

    Chatterjee, B Chatterjee et al.•ARTICLE•Geographical Journal•1956

  • The changing politics of beauty labour in Indian cinema

    Chatterjee, Shreya Rastogi•ARTICLE•South Asian Popular Culture•2020•References: 2

    This essay analyses the changing politics of beauty labour and female body image in Indian cinema. It begins by discussing how beauty, a social capital for women, is a measuring rod with which their bodies are both assessed and objectified. It claims that cinema being a visual medium demands some aesthetic capital from actors, and the beauty of leading ladies portrayed on screen often adds to the spectacle. Focusing on mainstream Bollywood films …

  • Heterotopic Homes

    Shreya Rastogi, Chatterjee•ARTICLE•Women a Cultural Review•2020•References: 3

    This paper offers a spatial reading of Joyce Carol Oates’s We Were the Mulvaneys (1996). It argues that restructured domestic spaces depicted in the novel underscore the possibility of alternate homesteads that celebrate female choice and autonomy. Since We Were the Mulvaneys presents various models of domesticity coupled with a variety of domestic spaces that range from stifling to empowering, this paper engages specifically with architectural a…

  • The Trouble Goes Back to Your Grandfather’s Time”

    Shreya Rastogi, Chatterjee et al.•ARTICLE•English Studies•2021•References: 9

    This essay reads evolving cultures of white American middle-class masculinity in tandem with ekphrastic symbolisms of domestic architecture in Anne Tyler’s A Spool of Blue Thread. It interprets the text as a subversive narrative where if hegemonic gender norms oppress women and children, they also often confine men primarily to the role of a provider and alienate them from their own shelters. Accordingly, by focusing on the profound connection be…

  • Animal Sightings and Citings under Covid Capitalism

    Chatterjee, CHATTERJEE CHATTERJEE et al.•ARTICLE•Feminist Studies•2021

  • Television culture and the beauty bias problem

    Chatterjee, Srirupa Chatterjee et al.•ARTICLE•Media Asia•2022

    This study aims to critically analyze the problem of the beauty bias prevalent in contemporary India with the help of popular postmillennial Hindi television serials. It begins with a review of literature on television’s social impact and then demonstrates how representations of women on Indian television have historically been deeply interwoven with hegemonic perceptions of appearance. It then examines as case studies five popular tele serials w…

  • The Female Prophet and Religious Re-visioning in Marilynne Robinson’s Lila

    Aswathi Velayathikode Anand, Chatterjee et al.•ARTICLE•ANQ A Quarterly Journal of Short…•2023

    A devout Calvinist, Marilynne Robinson often quotes her theological and spiritual mentor to advocate that “[w]e ought to embrace the whole human race without exception in a single feeling of love”

  • Relocating the Sacred

    Nilanjana Ghosal, Chatterjee et al.•ARTICLE•ANQ A Quarterly Journal of Short…•2023

    An engagement with the sacred in Don DeLillo’s Falling Man is as implicit as it is all-pervasive: it abounds as Biblical metaphors in the repeated performances of the eponymous Falling Man (David J

  • Fictive Kinship in Marilynne Robinson’s Gilead

    Nilanjana Ghosal, Chatterjee et al.•ARTICLE•ANQ A Quarterly Journal of Short…•2023

  • Hyper(in)visibility and the Crisis of Missing Black Girls in Monday's Not Coming and When You Look Like Us

    Open Access•Chatterjee, Vern Vincent et al.•ARTICLE•Journal of Black Studies•2025•Cited by: 1•References: 21

    Missing Black girls in contemporary America-owing to intersectional marginalization and racial stereotyping-are often ironically rendered both invisible and hypervisible. By underscoring how missing Black girls not only face police apathy but also endure mediatized misnomers of delinquency, this essay outlines Black girls experiences of hyper(in)visibility within hegemonic white patriarchal settings. African American young adult novels by Black w…

  • Beyond myths of wickedness

    Open Access•Vern Vincent, Vinita Vincent et al.•ARTICLE•Women s Studies International Forum•2026

  • Politics of Joint Forest Management

    Open Access•Chatterjee, Suchisree Chatterjee et al.•ARTICLE•Sociological Bulletin•2026•References: 21

    Community forest management is a phase of transition between absolute state control and a renewal of community control over the forestland that has become possible with the enactment of the Forest Rights Act (FRA), 2006. Joint Forest Management (JFM), which used to have a robust presence in West Bengal, has been facing increasing challenges from the forest-dwellers who wish to implement the FRA (2006) in the state, despite the multiple hurdles pl…

Sociology (7 works) · Political science (6 works) · Politics (5 works) · Aesthetics (4 works) · Art (4 works) · Gender Studies (4 works) · Law (4 works) · Psychology (4 works) · Gender Studies (3 works) · Geography (3 works)

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