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Sherwood F Moran

Biographic Data

ID7190013
NAMESherwood F Moran
GIVEN NAMESSherwood F
FAMILY NAMEMoran
SIGNATUREMORAN S F
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS0
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1957
LATEST PUBLICATION YEAR1974
H-INDEX0
  • The Death of Buddha, a Painting at Koyasan

    Sherwood F Moran•ARTICLE•Artibus Asiae•1974

  • Early Heian Sculpture at Its Best

    Sherwood F Moran•ARTICLE•Artibus Asiae•1972

  • The Gilding of Ancient Bronze Statues in Japan

    Sherwood F Moran•ARTICLE•Artibus Asiae•1969

  • The Statue of Fugen Bosatsu Okura Museum, Tokyo

    Open Access•Sherwood F Moran•ARTICLE•Japanese Journal of Religious…•1965

  • Ashura, a Dry-Lacquer Statue of the Nara Period

    Sherwood F Moran•ARTICLE•Artibus Asiae•1964

  • Kichijoten, a Painting of the Nara Period

    Sherwood F Moran•ARTICLE•Artibus Asiae•1962

  • Structural Features of Clay Sculpture of the Nara Period

    Sherwood F Moran•ARTICLE•Artibus Asiae•1960

    Clay sculpture reached its greatest technical and artistic perfection in Japan in the Nara period (8th cent.). This sculpture is in fact mostly wood with a thick coating of unbaked clay. Straw rope was wound around the wood to help the clay adhere. The first, coarse, clay layer was tempered with rice straw or other grass material; the second layer was a finer clay, mixed with shredded paper; this was followed by a very fine clay mixed with mica. …

  • The Statue of Miroku Bosatsu of Chuguji

    Sherwood F Moran•ARTICLE•Artibus Asiae•1958

  • Certain Structural Features of the Kichijoten (Yoshi xiang tian) Statue in Kondo, Horyuji

    Sherwood F Moran•ARTICLE•Artibus Asiae•1957

No prominent works on this page.

  • Certain Structural Features of the Kichijoten (Yoshi xiang tian) Statue in Kondo, Horyuji

    Sherwood F Moran•ARTICLE•Artibus Asiae•1957

  • The Statue of Miroku Bosatsu of Chuguji

    Sherwood F Moran•ARTICLE•Artibus Asiae•1958

  • Structural Features of Clay Sculpture of the Nara Period

    Sherwood F Moran•ARTICLE•Artibus Asiae•1960

    Clay sculpture reached its greatest technical and artistic perfection in Japan in the Nara period (8th cent.). This sculpture is in fact mostly wood with a thick coating of unbaked clay. Straw rope was wound around the wood to help the clay adhere. The first, coarse, clay layer was tempered with rice straw or other grass material; the second layer was a finer clay, mixed with shredded paper; this was followed by a very fine clay mixed with mica. …

  • Kichijoten, a Painting of the Nara Period

    Sherwood F Moran•ARTICLE•Artibus Asiae•1962

  • Ashura, a Dry-Lacquer Statue of the Nara Period

    Sherwood F Moran•ARTICLE•Artibus Asiae•1964

  • The Statue of Fugen Bosatsu Okura Museum, Tokyo

    Open Access•Sherwood F Moran•ARTICLE•Japanese Journal of Religious…•1965

  • The Gilding of Ancient Bronze Statues in Japan

    Sherwood F Moran•ARTICLE•Artibus Asiae•1969

  • Early Heian Sculpture at Its Best

    Sherwood F Moran•ARTICLE•Artibus Asiae•1972

  • The Death of Buddha, a Painting at Koyasan

    Sherwood F Moran•ARTICLE•Artibus Asiae•1974

Art (8 works) · History (7 works) · History (7 works) · Ancient history (5 works) · Archaeology (5 works) · Japanese History and Culture (5 works) · Statue (4 works) · Aesthetics (3 works) · Art history (3 works) · Cultural Heritage Materials Analysis (3 works)

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