Eduardo Ralickas
Biographic Data
| ID | 7203386 |
|---|---|
| NAME | Eduardo Ralickas |
| GIVEN NAMES | Eduardo |
| FAMILY NAME | Ralickas |
| SIGNATURE | RALICKAS E |
| AFFILIATIONS | Russian State Agrarian Correspondence University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
From the Gestell to the Reprogestell
This article casts a retrospective glance at the technological continuum from which the art history slide lecture springs. The article focuses specifically on the copy apparatuses widely used to make transparencies for art-historical consumption, circa 1930 to the early 2000s. The ways in which these once prevalent technologies developed to frame and disseminate visual materials by means of light was instrumental in shaping the widespread illusio…
The potent image
La migration de l’aura ou comment explorer un original par le biais de ses fac-similés
En prenant l’exemple de la duplication par l’intermédiaire de techniques numériques des Noces de Cana de Véronèse et de son accrochage dans son lieu palladien d’origine à San Giorgio à Venise, les auteurs envisagent la possibilité d’un détachement de l’aura par rapport à l’oeuvre originale. Grâce aux nouvelles techniques de fac - similisation , l’aura pourrait s’attacher à l’une ou l’autre des reproductions selon la qualité de ce que l’on peut co…
Reflections on the Pragmatics of the Illustrated Perspective Treatise
This essay reconsiders visual demonstrations contained in a selection of illustrated perspective treatises. Based on a fundamental distinction made in the field of pragmatics, the author argues that the images designed to demonstrate/teach/instantiate the perspectival system are plagued by a contradiction between the conceptual “content” of perspective and the figurative means deployed to display such content. In all cases, this aporia, which def…
No prominent works on this page.
Reflections on the Pragmatics of the Illustrated Perspective Treatise
This essay reconsiders visual demonstrations contained in a selection of illustrated perspective treatises. Based on a fundamental distinction made in the field of pragmatics, the author argues that the images designed to demonstrate/teach/instantiate the perspectival system are plagued by a contradiction between the conceptual “content” of perspective and the figurative means deployed to display such content. In all cases, this aporia, which def…
La migration de l’aura ou comment explorer un original par le biais de ses fac-similés
En prenant l’exemple de la duplication par l’intermédiaire de techniques numériques des Noces de Cana de Véronèse et de son accrochage dans son lieu palladien d’origine à San Giorgio à Venise, les auteurs envisagent la possibilité d’un détachement de l’aura par rapport à l’oeuvre originale. Grâce aux nouvelles techniques de fac - similisation , l’aura pourrait s’attacher à l’une ou l’autre des reproductions selon la qualité de ce que l’on peut co…
The potent image
From the Gestell to the Reprogestell
This article casts a retrospective glance at the technological continuum from which the art history slide lecture springs. The article focuses specifically on the copy apparatuses widely used to make transparencies for art-historical consumption, circa 1930 to the early 2000s. The ways in which these once prevalent technologies developed to frame and disseminate visual materials by means of light was instrumental in shaping the widespread illusio…
Art (2 works) · Artificial Intelligence (2 works) · Computer Science (2 works) · Philosophy (2 works) · Aesthetics (1 works) · Architecture and Art History Studies (1 works) · Art history (1 works) · Art, Aesthetics, and Perception (1 works) · Aura (1 works) · Cognitive science (1 works)