Michael Raine
Biographic Data
| ID | 7208549 |
|---|---|
| NAME | Michael Raine |
| GIVEN NAMES | Michael |
| FAMILY NAME | Raine |
| SIGNATURE | RAINE M |
| AFFILIATIONS | Flinders University |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Incremental and cumulative’: Griffiths and the limitations of the Native Title Act 1993 (Cth) in dealing with compensation for cultural loss
Coming more than 25 years after Mabo v Queensland [No 2] (1992) 175 CLR 1, the landmark decision in Northern Territory v Griffiths (‘Griffiths’) (2019) 269 CLR 1 is the first judicially determined award of compensation for both economic and non-economic, or cultural loss under the Native Title Act 1993 (Cth). Although some attention has been given to the economic loss component of the decision, very little has been written about the most importan…
Tracing Tendencies in the Japanese Documentary Mode
The documentary mode has not had the recognition it deserves in the western historiography of Japanese cinema [...]
The Insect Woman, or: The Female Art of Failure
“You Can't Replace Gone with the Wind with Chūshingura”: China Nights and the Problem of Japanese Film Policy in Occupied Shanghai
The Japanese-made film Shina no yoru (China Nights, 1940) featured Ri Kōran, an ethnically Japanese actress who masqueraded as Chinese both on and off the screen. The film is widely regarded as Japanese propaganda, but it was condemned by Japanese cultural bureaucrats and, contrary to historiographic orthodoxy, became surprisingly popular with Chinese audiences in occupied Shanghai. Drawing on box-office figures and official reports, this essay a…
Ishihara Yûjirô: Youth, Celebrity, and the Male Body in late-1950s Japan
To borrow a line from Marlene Dietrich (Touch of Evil, 1957), Ishihara Yûjirô was “some kind of a man.” Unlike Marlene, I think it does “matter what we say about people”: the discourse on Yûjirô's celebrity speaks to us indirectly about the history of youth and masculinity in postwar Japan. In this essay I look at the early career of Ishihara Yûjirô as symptomatic of the social and aesthetic conditions of contemporary Japanese mass culture. I ven…
Word and Image in Japanese Cinema
Word and Image in Japanese Cinema examines the complex relationship between the temporal order of linguistic narrative and the spatiality of visual spectacle, a dynamic that has played an important role in much of Japanese film. The tension between the controlling order of words and the liberating fragmentation of images has been an important force that has shaped modern culture in Japan and that has also determined the evolution of its cinema. I…
No prominent works on this page.
Ishihara Yûjirô: Youth, Celebrity, and the Male Body in late-1950s Japan
To borrow a line from Marlene Dietrich (Touch of Evil, 1957), Ishihara Yûjirô was “some kind of a man.” Unlike Marlene, I think it does “matter what we say about people”: the discourse on Yûjirô's celebrity speaks to us indirectly about the history of youth and masculinity in postwar Japan. In this essay I look at the early career of Ishihara Yûjirô as symptomatic of the social and aesthetic conditions of contemporary Japanese mass culture. I ven…
Word and Image in Japanese Cinema
Word and Image in Japanese Cinema examines the complex relationship between the temporal order of linguistic narrative and the spatiality of visual spectacle, a dynamic that has played an important role in much of Japanese film. The tension between the controlling order of words and the liberating fragmentation of images has been an important force that has shaped modern culture in Japan and that has also determined the evolution of its cinema. I…
“You Can't Replace Gone with the Wind with Chūshingura”: China Nights and the Problem of Japanese Film Policy in Occupied Shanghai
The Japanese-made film Shina no yoru (China Nights, 1940) featured Ri Kōran, an ethnically Japanese actress who masqueraded as Chinese both on and off the screen. The film is widely regarded as Japanese propaganda, but it was condemned by Japanese cultural bureaucrats and, contrary to historiographic orthodoxy, became surprisingly popular with Chinese audiences in occupied Shanghai. Drawing on box-office figures and official reports, this essay a…
The Insect Woman, or: The Female Art of Failure
Tracing Tendencies in the Japanese Documentary Mode
The documentary mode has not had the recognition it deserves in the western historiography of Japanese cinema [...]
Incremental and cumulative’: Griffiths and the limitations of the Native Title Act 1993 (Cth) in dealing with compensation for cultural loss
Coming more than 25 years after Mabo v Queensland [No 2] (1992) 175 CLR 1, the landmark decision in Northern Territory v Griffiths (‘Griffiths’) (2019) 269 CLR 1 is the first judicially determined award of compensation for both economic and non-economic, or cultural loss under the Native Title Act 1993 (Cth). Although some attention has been given to the economic loss component of the decision, very little has been written about the most importan…
History (6 works) · Art (4 works) · Japanese History and Culture (4 works) · Political science (4 works) · Law (3 works) · Movie theater (3 works) · Sociology (3 works) · Art history (2 works) · Asian Culture and Media Studies (2 works) · Cinema and Media Studies (2 works)