Iain D Gilchrist
Biographic Data
| ID | 7215146 |
|---|---|
| NAME | Iain D Gilchrist |
| GIVEN NAMES | Iain D |
| FAMILY NAME | Gilchrist |
| SIGNATURE | GILCHRIST I D |
| AFFILIATIONS | University of Bristol |
| ORCID | 0000-0003-2070-6679 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Adapting a Live Streamed Digital Theatre Experience Using Physiological Synchrony
Digital theatre broadcasting has risen in popularity, yet it remains relatively novel, meaning the production norms for such content have yet to be established. We measured heart rate synchrony within three live streamed performances and provided data to the filming team to inform the creative direction for the following performance. The audience demonstrated greater heart rate synchrony on the final night compared to the first two nights and rat…
Methods used to study audience experience of screen-based media
The consumption of film, television, and virtual reality are major global art forms. The methods employed to study the audience experience of these temporal arts are diverse and originate from multiple fields, including psychology, media studies, human-computer interaction, and neuroscience. In this scoping review, we aimed to explore the methods used and to identify how methods are typically combined to understand audience experience. We also ai…
From story to heartbeats
Stories have the potential to emotionally and cognitively absorb us, and the degree to which audiences become immersed in narrative content (e.g. films, plays) is reflected in synchronization of their physiological response, including heart-rate. This heart-rate synchrony (HRS) has been repeatedly demonstrated in laboratory-based studies using pre-recorded content such as television or film. For live events, HRS has so far only been demonstrated …
Science and Art
June 02 2021 Science and Art: Understanding the Cross-Disciplinary Dialogue Catherine Baker, Catherine Baker Catherine Baker Birmingham Institute of Creative Arts, Birmingham City University, U.K. Search for other works by this author on: This Site Google Scholar Iain D. Gilchrist Iain D. Gilchrist Iain D. Gilchrist School of Psychological Science, University of Bristol, U.K. Search for other works by this author on: This Site Google Scholar Auth…
No prominent works on this page.
Science and Art
June 02 2021 Science and Art: Understanding the Cross-Disciplinary Dialogue Catherine Baker, Catherine Baker Catherine Baker Birmingham Institute of Creative Arts, Birmingham City University, U.K. Search for other works by this author on: This Site Google Scholar Iain D. Gilchrist Iain D. Gilchrist Iain D. Gilchrist School of Psychological Science, University of Bristol, U.K. Search for other works by this author on: This Site Google Scholar Auth…
From story to heartbeats
Stories have the potential to emotionally and cognitively absorb us, and the degree to which audiences become immersed in narrative content (e.g. films, plays) is reflected in synchronization of their physiological response, including heart-rate. This heart-rate synchrony (HRS) has been repeatedly demonstrated in laboratory-based studies using pre-recorded content such as television or film. For live events, HRS has so far only been demonstrated …
Adapting a Live Streamed Digital Theatre Experience Using Physiological Synchrony
Digital theatre broadcasting has risen in popularity, yet it remains relatively novel, meaning the production norms for such content have yet to be established. We measured heart rate synchrony within three live streamed performances and provided data to the filming team to inform the creative direction for the following performance. The audience demonstrated greater heart rate synchrony on the final night compared to the first two nights and rat…
Methods used to study audience experience of screen-based media
The consumption of film, television, and virtual reality are major global art forms. The methods employed to study the audience experience of these temporal arts are diverse and originate from multiple fields, including psychology, media studies, human-computer interaction, and neuroscience. In this scoping review, we aimed to explore the methods used and to identify how methods are typically combined to understand audience experience. We also ai…
Action Observation and Synchronization (2 works) · Art (2 works) · Psychology (2 works) · Aesthetic Perception and Analysis (1 works) · Aesthetics (1 works) · Applied Psychology (1 works) · Art history (1 works) · Audience participation (1 works) · Citation (1 works) · Cognitive psychology (1 works)