Andrew Berish
Biographic Data
| ID | 7217653 |
|---|---|
| NAME | Andrew Berish |
| GIVEN NAMES | Andrew |
| FAMILY NAME | Berish |
| SIGNATURE | BERISH A |
| AFFILIATIONS | University of South Florida |
| ORCID | 0000-0001-7188-1341 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
“Feel The Tears I Cried Today”: Barbra Streisand and the Sentimental Mode
In 2018, Barbra Streisand released her 36th studio recording, Walls . The album's songs, a mixture of originals and covers, focus on the cruelty of President Donald Trump. In orchestrating and celebrating a particular set of positive feelings—love, hope, and longing— Walls , like much of Streisand's work, is deeply sentimental. Understanding our current political crises, Walls asserts, is more an act of sympathy than intellect; we must “feel the …
Great Depression, the
From roughly 1929 through 1941 the United States experienced the most serious economic crisis in its history. At its worst, in the winter of 1932–3, the US gross domestic product shrunk 46%, investment in the economy dropped 98%, and unemployment hovered around 25%. Dramatic as these numbers are, they cannot convey the larger sense of fear, anxiety, shame, and uncertainty that gripped millions of Americans, especially those already at the bottom …
Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and '40s
Negotiating “A Blues Riff”: Listening for Django Reinhardt’s Place in American Jazz
While perhaps the most famous and adept practitioner of American jazz in Europe during the 1930s and 1940s, the Manouche gypsy guitarist Django Reinhardt was an outsider—both culturally and geographically—to American jazz. For this reason, scholars have had difficulty “placing” him securely in American jazz history. Reinhardt only visited the United States once, in 1946, as a guest of the Duke Ellington Orchestra. A recording made during that tou…
No prominent works on this page.
Negotiating “A Blues Riff”: Listening for Django Reinhardt’s Place in American Jazz
While perhaps the most famous and adept practitioner of American jazz in Europe during the 1930s and 1940s, the Manouche gypsy guitarist Django Reinhardt was an outsider—both culturally and geographically—to American jazz. For this reason, scholars have had difficulty “placing” him securely in American jazz history. Reinhardt only visited the United States once, in 1946, as a guest of the Duke Ellington Orchestra. A recording made during that tou…
Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and '40s
Great Depression, the
From roughly 1929 through 1941 the United States experienced the most serious economic crisis in its history. At its worst, in the winter of 1932–3, the US gross domestic product shrunk 46%, investment in the economy dropped 98%, and unemployment hovered around 25%. Dramatic as these numbers are, they cannot convey the larger sense of fear, anxiety, shame, and uncertainty that gripped millions of Americans, especially those already at the bottom …
“Feel The Tears I Cried Today”: Barbra Streisand and the Sentimental Mode
In 2018, Barbra Streisand released her 36th studio recording, Walls . The album's songs, a mixture of originals and covers, focus on the cruelty of President Donald Trump. In orchestrating and celebrating a particular set of positive feelings—love, hope, and longing— Walls , like much of Streisand's work, is deeply sentimental. Understanding our current political crises, Walls asserts, is more an act of sympathy than intellect; we must “feel the …
Art (3 works) · History (3 works) · Music History and Culture (2 works) · 20th century (1 works) · Active listening (1 works) · Aesthetics (1 works) · Archaeology (1 works) · Art history (1 works) · Big band music (1 works) · Blues (1 works)