Jorge Huerta
Biographic Data
| ID | 721918 |
|---|---|
| NAME | Jorge Huerta |
| GIVEN NAMES | Jorge |
| FAMILY NAME | Huerta |
| SIGNATURE | HUERTA J |
| AFFILIATIONS | University of California San Diego |
| VERIFIED | No |
| TOTAL WORKS | 21 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 21 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1971 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Making the Invisible Visible
Research Article| March 01 2019 Making the Invisible Visible: Teatro Chicana/o, Then and Now Jorge A. Huerta Jorge A. Huerta Jorge A. Huerta is Chancellor’s Associate’s Professor of Theatre, Emeritus, at the University of California, San Diego, and adjunct professor of theater at Occidental College. A leading authority on contemporary Chicana/o and US Latina/o theater, he is author of Chicano Theatre: Themes and Forms (1982) and Chicano Drama: Pe…
Teaching and Producing Latina/o and Latin American Plays in US Colleges and Universities
Teaching and producing Latina/o and Latin American plays in US colleges and universities Jorge Huerta I believe that the greatest challenges to the study of Latino/a and Latin American theatre in college and university theatre, drama, or performance studies programs can be reduced to the problem of access: access to the plays, histor(ies), and theor(ies) in English, and access to the praxis/productions in English. It is no great revelation to say…
The Theatre Journal Auto / Archive: Jorge Huerta, Ph.D
In July of 1990, I wrote an op-ed for The Chronicle of Higher Education, entitled "Colleges Should Expose Their Students to the Tradition of Hispanic-American Theater." In that essay I argued for what the title implies: more recognition in theatre and drama curricula of what Latina/os and Latin American theatre artists have been doing in the Américas (which includes the United States) for centuries. I pointed out the fact that during the 1980s th…
Latina Performance: Traversing the Stage (review)
Alicia Arrizón's volume is a valuable addition to the growing number of books that discuss, analyze, and appreciate Latino theatre and performance in the United States. Arrizón dedicates her project to Latinas; thus her volume is doubly welcome as one of the few books that centers on women in Latina/o performance and theatre. Further, Arrizón adds a queer subjectivity to her study, challenging and [End Page 141] subverting (Anglo-Latina/o) cultur…
Teatro Hispano! Three Major New York Companies
Latin American Popular Theatre: The First Five Centuries
Latin American Popular Theatre: The First Five Centuries
Memories of Chicano History: The Life and Narrative of Bert Corona
Negotiating Performance: Gender, Sexuality, and Theatricality in Latin/o America
Para esta conferencia dedicada al teatro latinoamericano, George Woodyard me asignó la tarea de hablar acerca de "Performance."Esto me interesó muchísimo; de hecho Juan Villegas y yo estamos editando un libro sobre el asunto titulado Negotiating Performance.Pero ya de entrada el tema me presentó dos problemas interesantes.Para empezar, la palabra "performance" en inglés tiene varios sentidos contradictorios.Más problemático aún es que no existe l…
Necessary Theater: Six Plays about the Chicano Experience
Nuevos pasos: Chicano and Puerto Rican Drama
Necessary Theater: Six Plays about the Chicano Experience
Chicano Theater: Themes and Forms
Chicano Theater: Themes and Forms
Chicano Theater: Themes and Forms
Chicano Theater: Themes and Forms
Nuevos Pasos: Chicano and Puerto Rican Drama. Revista Chicano-Riquena
Nuevos Pasos: Chicano and Puerto Rican Drama
Journal Article Nuevos Pasos: Chicano and Puerto Rican Drama Editors: Nicolás Kanellos and Jorge A. Huerta. Revista Chicano Riqueña VII: 1 (Winter 1979). Available as a separate book $5.00, c/o Revista Chicano Riqueña (Indiana University, Northwest 3400 Broadway, Gary, Indiana 46408) 204 pp. Get access Nuevos Pasos: Chicano and Puerto Rican Drama. Nicolás Kanellos Jorge A. Huerta. Revista Chicano Riqueña VII: 1 (Winter 1979). Available as a separ…
El Teatro de la Esperanza: Keeping in Touch with the People
El Teatro de la Esperanza began as a student group composed of Chicanos attending the University of California at Santa Barbara in 1969. Then known as Teatro Mecha, the Teatro left the ranks of a student organization, called M.E.Ch.A., in order to get more fully involved in Santa Barbara's Chicano community, in the summer of 1971. This move proved to be an asset for both the community and the Teatro, for the group took part in the acquisition and…
Videotape at the University of Iowa
Chicano Teatro: A Background
Research Article| October 01 1971 Chicano Teatro: A Background Jorge A. Huerta Jorge A. Huerta Dramatic Arts Department, University of California, Santa Bárbara Search for other works by this author on: This Site PubMed Google Scholar Aztlán (1971) 2 (2): 63–78. https://doi.org/10.1525/azt.1971.2.2.63 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tool…
Chicano Theater: Themes and Forms
El Teatro de la Esperanza: Keeping in Touch with the People
El Teatro de la Esperanza began as a student group composed of Chicanos attending the University of California at Santa Barbara in 1969. Then known as Teatro Mecha, the Teatro left the ranks of a student organization, called M.E.Ch.A., in order to get more fully involved in Santa Barbara's Chicano community, in the summer of 1971. This move proved to be an asset for both the community and the Teatro, for the group took part in the acquisition and…
Chicano Teatro: A Background
Research Article| October 01 1971 Chicano Teatro: A Background Jorge A. Huerta Jorge A. Huerta Dramatic Arts Department, University of California, Santa Bárbara Search for other works by this author on: This Site PubMed Google Scholar Aztlán (1971) 2 (2): 63–78. https://doi.org/10.1525/azt.1971.2.2.63 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tool…
Videotape at the University of Iowa
El Teatro de la Esperanza: Keeping in Touch with the People
El Teatro de la Esperanza began as a student group composed of Chicanos attending the University of California at Santa Barbara in 1969. Then known as Teatro Mecha, the Teatro left the ranks of a student organization, called M.E.Ch.A., in order to get more fully involved in Santa Barbara's Chicano community, in the summer of 1971. This move proved to be an asset for both the community and the Teatro, for the group took part in the acquisition and…
Nuevos Pasos: Chicano and Puerto Rican Drama
Journal Article Nuevos Pasos: Chicano and Puerto Rican Drama Editors: Nicolás Kanellos and Jorge A. Huerta. Revista Chicano Riqueña VII: 1 (Winter 1979). Available as a separate book $5.00, c/o Revista Chicano Riqueña (Indiana University, Northwest 3400 Broadway, Gary, Indiana 46408) 204 pp. Get access Nuevos Pasos: Chicano and Puerto Rican Drama. Nicolás Kanellos Jorge A. Huerta. Revista Chicano Riqueña VII: 1 (Winter 1979). Available as a separ…
Nuevos Pasos: Chicano and Puerto Rican Drama. Revista Chicano-Riquena
Chicano Theater: Themes and Forms
Chicano Theater: Themes and Forms
Chicano Theater: Themes and Forms
Chicano Theater: Themes and Forms
Nuevos pasos: Chicano and Puerto Rican Drama
Necessary Theater: Six Plays about the Chicano Experience
Necessary Theater: Six Plays about the Chicano Experience
Negotiating Performance: Gender, Sexuality, and Theatricality in Latin/o America
Para esta conferencia dedicada al teatro latinoamericano, George Woodyard me asignó la tarea de hablar acerca de "Performance."Esto me interesó muchísimo; de hecho Juan Villegas y yo estamos editando un libro sobre el asunto titulado Negotiating Performance.Pero ya de entrada el tema me presentó dos problemas interesantes.Para empezar, la palabra "performance" en inglés tiene varios sentidos contradictorios.Más problemático aún es que no existe l…
Memories of Chicano History: The Life and Narrative of Bert Corona
Latin American Popular Theatre: The First Five Centuries
Latin American Popular Theatre: The First Five Centuries
Teatro Hispano! Three Major New York Companies
Latina Performance: Traversing the Stage (review)
Alicia Arrizón's volume is a valuable addition to the growing number of books that discuss, analyze, and appreciate Latino theatre and performance in the United States. Arrizón dedicates her project to Latinas; thus her volume is doubly welcome as one of the few books that centers on women in Latina/o performance and theatre. Further, Arrizón adds a queer subjectivity to her study, challenging and [End Page 141] subverting (Anglo-Latina/o) cultur…
The Theatre Journal Auto / Archive: Jorge Huerta, Ph.D
In July of 1990, I wrote an op-ed for The Chronicle of Higher Education, entitled "Colleges Should Expose Their Students to the Tradition of Hispanic-American Theater." In that essay I argued for what the title implies: more recognition in theatre and drama curricula of what Latina/os and Latin American theatre artists have been doing in the Américas (which includes the United States) for centuries. I pointed out the fact that during the 1980s th…
Teaching and Producing Latina/o and Latin American Plays in US Colleges and Universities
Teaching and producing Latina/o and Latin American plays in US colleges and universities Jorge Huerta I believe that the greatest challenges to the study of Latino/a and Latin American theatre in college and university theatre, drama, or performance studies programs can be reduced to the problem of access: access to the plays, histor(ies), and theor(ies) in English, and access to the praxis/productions in English. It is no great revelation to say…
Making the Invisible Visible
Research Article| March 01 2019 Making the Invisible Visible: Teatro Chicana/o, Then and Now Jorge A. Huerta Jorge A. Huerta Jorge A. Huerta is Chancellor’s Associate’s Professor of Theatre, Emeritus, at the University of California, San Diego, and adjunct professor of theater at Occidental College. A leading authority on contemporary Chicana/o and US Latina/o theater, he is author of Chicano Theatre: Themes and Forms (1982) and Chicano Drama: Pe…
Art (19 works) · Latin American and Latino Studies (16 works) · History (11 works) · Sociology (7 works) · Visual arts (7 works) · Drama (5 works) · Humanities (4 works) · Literature (4 works) · Philosophy (4 works) · Aesthetics (3 works)