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Carol Steinberg

Biographic Data

ID7233058
NAMECarol Steinberg
GIVEN NAMESCarol
FAMILY NAMESteinberg
SIGNATURESTEINBERG C
AFFILIATIONSUniversity of the Witwatersrand
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS0
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1990
LATEST PUBLICATION YEAR2000
H-INDEX0
  • Love, Crime and Johannesburg

    Malcolm Purkey, Carol Steinberg•BOOK•Love, Crime and Johannesburg•2000

  • The New South Africa

    Carol Steinberg, Frank Meintjies•ARTICLE•TDR/The Drama Review•1993

  • Towards an Arts Council for South Africa

    Carol Steinberg•ARTICLE•South African Theatre Journal•1993

    (1993). TOWARDS AN ARTS COUNCIL FOR SOUTH AFRICA. South African Theatre Journal: Vol. 7, Theatre Arts at the Crossroads, pp. 8-40

  • Now is the Time for Feminist Criticism

    Open Access•Carol Steinberg•ARTICLE•Feminist Review•1992

    The political role of anti-apartheid drama cannot be underestimated. During the difficult years of its performance it was perhaps inappropriate to criticize it. In the face of the harsh conditions of theatre production, the ever-vigilant censors, and the detention and assassination of theatre workers, the imperative of progressive drama critics was to encourage anti-apartheid drama almost unequivocally. One of the most renowned genres, or subgenr…

  • Now is the Time for Feminist Criticism

    Carol Steinberg, Mbongeni Ngema•ARTICLE•Feminist Review•1992

  • Albie Sachs

    Carol Steinberg•ARTICLE•TDR/The Drama Review•1991

    Albie Sachs has the aura of a man who has been touched by death. One Sunday in 1988, Sachs walked to his car parked on a Mozambican beach front. As he turned the key in the lock, the car exploded. Miraculously, he was not killed, but he was severely injured. He lost his right arm and the sight of one eye. The South African security forces had set the booby trap. Sachs is fond of comparing his mutilated arm to South Africa: a withered stump, maime…

  • Now is the Time for Feminist Criticism

    Carol Steinberg•ARTICLE•South African Theatre Journal•1991

    The political role of anti-apartheid drama cannot be underestimated. During the difficult years of its performance it was perhaps inappropriate to criticize it. In the face of the harsh conditions of theatre production, the ever-vigilant censors, and the detention and assassination of theatre workers, the imperative of progressive drama critics was to encourage anti-apartheid drama almost unequivocally. One of the most renowned genres, or subgenr…

  • Group psychology and the mobilisatory spectacle

    Open Access•Carol Steinberg, Nicola Galombik•ARTICLE•Journal of Literary Studies•1990

    Theatrical and cinematic texts produced specifically for the purpose of furthering particular political ends are often dismissed as propagandistic: morally reprehensible and not worthy of academic enquiry. It is, however, only when moral attitudes towards propaganda are put aside that the sophisticated aesthetic mechanisms and the political power of propagandistic theatre and film can be fully explored. This paper contends that Freud's account of…

No prominent works on this page.

  • Group psychology and the mobilisatory spectacle

    Open Access•Carol Steinberg, Nicola Galombik•ARTICLE•Journal of Literary Studies•1990

    Theatrical and cinematic texts produced specifically for the purpose of furthering particular political ends are often dismissed as propagandistic: morally reprehensible and not worthy of academic enquiry. It is, however, only when moral attitudes towards propaganda are put aside that the sophisticated aesthetic mechanisms and the political power of propagandistic theatre and film can be fully explored. This paper contends that Freud's account of…

  • Albie Sachs

    Carol Steinberg•ARTICLE•TDR/The Drama Review•1991

    Albie Sachs has the aura of a man who has been touched by death. One Sunday in 1988, Sachs walked to his car parked on a Mozambican beach front. As he turned the key in the lock, the car exploded. Miraculously, he was not killed, but he was severely injured. He lost his right arm and the sight of one eye. The South African security forces had set the booby trap. Sachs is fond of comparing his mutilated arm to South Africa: a withered stump, maime…

  • Now is the Time for Feminist Criticism

    Carol Steinberg•ARTICLE•South African Theatre Journal•1991

    The political role of anti-apartheid drama cannot be underestimated. During the difficult years of its performance it was perhaps inappropriate to criticize it. In the face of the harsh conditions of theatre production, the ever-vigilant censors, and the detention and assassination of theatre workers, the imperative of progressive drama critics was to encourage anti-apartheid drama almost unequivocally. One of the most renowned genres, or subgenr…

  • Now is the Time for Feminist Criticism

    Open Access•Carol Steinberg•ARTICLE•Feminist Review•1992

    The political role of anti-apartheid drama cannot be underestimated. During the difficult years of its performance it was perhaps inappropriate to criticize it. In the face of the harsh conditions of theatre production, the ever-vigilant censors, and the detention and assassination of theatre workers, the imperative of progressive drama critics was to encourage anti-apartheid drama almost unequivocally. One of the most renowned genres, or subgenr…

  • Now is the Time for Feminist Criticism

    Carol Steinberg, Mbongeni Ngema•ARTICLE•Feminist Review•1992

  • The New South Africa

    Carol Steinberg, Frank Meintjies•ARTICLE•TDR/The Drama Review•1993

  • Towards an Arts Council for South Africa

    Carol Steinberg•ARTICLE•South African Theatre Journal•1993

    (1993). TOWARDS AN ARTS COUNCIL FOR SOUTH AFRICA. South African Theatre Journal: Vol. 7, Theatre Arts at the Crossroads, pp. 8-40

  • Love, Crime and Johannesburg

    Malcolm Purkey, Carol Steinberg•BOOK•Love, Crime and Johannesburg•2000

Political science (6 works) · Sociology (6 works) · South African History and Culture (6 works) · Art (5 works) · Law (5 works) · Aesthetics (4 works) · Criticism (4 works) · Theatre and Performance Studies (4 works) · Gender Studies (3 works) · History (3 works)

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