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Djurdjina Sijakovic

Biographic Data

ID7251101
NAMEDjurdjina Sijakovic
GIVEN NAMESDjurdjina
FAMILY NAMESijakovic
SIGNATURESIJAKOVIC D
AFFILIATIONSInstitute of Ethnology
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2014
H-INDEX0
  • The otherness of a Barbarianess

    Open Access•Djurdjina Sijakovic•ARTICLE•Glasnik Etnografskog instituta•2014

    Belonging to a social community, a nation, a culture or a religion, can be expressed by stressing differences and borders between us and others, between our collective self and their otherness. Achievements of classical Greek culture for us are primarily bound to the polis, city-state, but classical Greek literature gives quite significance to the definition of universal Greek identity by creating the figure of a barbarian on the opposite side. T…

  • (De)construction of a female body in Euripides' Hippolytus

    Open Access•Djurdjina Sijakovic•ARTICLE•Glasnik Etnografskog instituta•2013

    Ancient Greek theatre and theatre in general, offering a special experience of reality, uses body as its medium to a great extent. At the same time, body is the sovereign of the stage, it benefits from its own possibilities and the possibilities of the text, scene, tendance of the audience. When it comes to tragedy, paradoxically enough, it possesses the greatest power and attracts the highest attention when it reaches the limits of its strength,…

  • Shaping the pain

    Open Access•Djurdjina Sijakovic•ARTICLE•Glasnik Etnografskog instituta•2012

    This paper is the continuation of a wider research, presented with its first part: Shaping the pain: Ancient Greek Lament and Its Therapeutic Aspect. In the mentioned papers’ focus is creative- therapeutic aspect of a lament. The pain verbalized, revealed and shared with others -becomes itself a more bearable burden both for the woman that laments and for the bereaved family. Related to this therapeutic is the creative aspect of lament: the woman…

  • Shaping the pain

    Open Access•Djurdjina Sijakovic•ARTICLE•Glasnik Etnografskog instituta•2011

    In this paper, which is the first part of a wider research, I focus on different aspects of ancient Greek lament. One of its most important aspects is the therapeutic aspect: by verbalizing, revealing the pain and by sharing it with others, the pain itself is becoming more bearable both for the woman that laments and for the bereaved family. Related to this therapeutic is the creative aspect of lament: the woman that mourns has to lament in order…

No prominent works on this page.

  • Shaping the pain

    Open Access•Djurdjina Sijakovic•ARTICLE•Glasnik Etnografskog instituta•2011

    In this paper, which is the first part of a wider research, I focus on different aspects of ancient Greek lament. One of its most important aspects is the therapeutic aspect: by verbalizing, revealing the pain and by sharing it with others, the pain itself is becoming more bearable both for the woman that laments and for the bereaved family. Related to this therapeutic is the creative aspect of lament: the woman that mourns has to lament in order…

  • Shaping the pain

    Open Access•Djurdjina Sijakovic•ARTICLE•Glasnik Etnografskog instituta•2012

    This paper is the continuation of a wider research, presented with its first part: Shaping the pain: Ancient Greek Lament and Its Therapeutic Aspect. In the mentioned papers’ focus is creative- therapeutic aspect of a lament. The pain verbalized, revealed and shared with others -becomes itself a more bearable burden both for the woman that laments and for the bereaved family. Related to this therapeutic is the creative aspect of lament: the woman…

  • (De)construction of a female body in Euripides' Hippolytus

    Open Access•Djurdjina Sijakovic•ARTICLE•Glasnik Etnografskog instituta•2013

    Ancient Greek theatre and theatre in general, offering a special experience of reality, uses body as its medium to a great extent. At the same time, body is the sovereign of the stage, it benefits from its own possibilities and the possibilities of the text, scene, tendance of the audience. When it comes to tragedy, paradoxically enough, it possesses the greatest power and attracts the highest attention when it reaches the limits of its strength,…

  • The otherness of a Barbarianess

    Open Access•Djurdjina Sijakovic•ARTICLE•Glasnik Etnografskog instituta•2014

    Belonging to a social community, a nation, a culture or a religion, can be expressed by stressing differences and borders between us and others, between our collective self and their otherness. Achievements of classical Greek culture for us are primarily bound to the polis, city-state, but classical Greek literature gives quite significance to the definition of universal Greek identity by creating the figure of a barbarian on the opposite side. T…

Aesthetics (4 works) · Art (4 works) · History (4 works) · Literature (4 works) · Ancient Greek (3 works) · Greek tragedy (3 works) · Balkan and Eastern European Studies (2 works) · Catharsis (2 works) · Drama (2 works) · Lament (2 works)

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