Gerardo Mosquera

Biographic Data

ID725696
NAMEGerardo Mosquera
GIVEN NAMESGerardo
FAMILY NAMEMosquera
SIGNATUREMOSQUERA G
AFFILIATIONSHavana
ORCID0000-0003-4253-1195
VERIFIEDYes
TOTAL WORKS14
TOTAL CITATIONS7
AUTHOR COUNT14
EDITOR COUNT0
FIRST PUBLICATION YEAR1986
LATEST PUBLICATION YEAR2003
H-INDEX1

  • Cuba, Republic of

    Gerardo Mosquera, Liliana Herrera et al.CHAPTER2003

  • Alien-Own/Own-Alien

    Gerardo MosqueraARTICLEboundary 22002Cited by: 3

  • Good‐bye identity, welcome difference

    Gerardo MosqueraARTICLEThird Text2001Cited by: 1References: 1

  • Liliana Porter

    Gerardo MosqueraARTICLEThird Text1998

  • Juan Francisco Elso

    Gerardo MosqueraARTICLEThird Text1997Cited by: 1

  • Cuban Art and National Identity

    Gerardo Mosquera, Juan Antonio Huertas-Martínez et al.ARTICLEHispanic American Historical Review1995

  • Carlos Capelán

    Gerardo MosqueraARTICLEThird Text1994

  • Ernesto Pujol

    Gerardo MosqueraARTICLEThird Text1994

  • Encounters/displacements

    Gerardo MosqueraARTICLEThird Text1993

  • The Marco Polo Syndrome

    Gerardo MosqueraARTICLESouth Atlantic Quarterly1993

    Research Article| July 01 1993 The Marco Polo Syndrome: A Few Problems Surrounding Art and Eurocentrism Gerardo Mosquera Gerardo Mosquera Search for other works by this author on: This Site Google South Atlantic Quarterly (1993) 92 (3): 529–542. https://doi.org/10.1215/00382876-92-3-529 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Gerardo Mosquera; The Marco Polo Syndrome: A Few Problems Surrou…

  • Cuba / special issue

    Gerardo Mosquera, Rachel Weiss et al.ARTICLEThird Text1992

  • The Marco Polo syndrome

    Gerardo MosqueraARTICLEThird Text1992Cited by: 1References: 2

    (1992). The Marco Polo syndrome: Some problems around art and eurocentrism. Third Text: Vol. 6, The Wake of Utopia, pp. 35-41

  • Modernidad y Africanía

    Gerardo MosqueraARTICLEThird Text1992Cited by: 1

    (1992). Modernidad y Africania: Wifredo Lam in his Island. Third Text: Vol. 6, Cuba, pp. 43-68

  • Bad Taste in Good Form

    Gerardo MosqueraARTICLESocial Text1986

    The painter Flavio Garciandia is working in a new style based on images drawn from festive and ornamental kitsch of cities. He doesn't criticize kitsch but rather recuperates-not entirely without humor-some stereotyped signs (e.g., tropicalizing representation of coconut trees). He reworks abstract ornamentations used in everyday decoration by non-professional (in homes, murals, feasts, etc.) and decorations in bad taste designed by professional …