Daud Tanudirjo
Datos Biográficos
| ID | 72658 |
|---|---|
| NOMBRE | Daud Tanudirjo |
| NOMBRES | Daud |
| APELLIDO | Tanudirjo |
| FIRMA | TANUDIRJO D |
| AFILIACIONES | Universitas Gadjah Mada |
| VERIFICADO | No |
| TOTAL DE OBRAS | 12 |
| TOTAL DE CITAS | 25 |
| TOTAL COMO AUTOR | 12 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2007 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2026 |
| ÍNDICE H | 3 |
Bayesian chronological modelling for early pottery in the far western Pacific
The initial dispersal routes and subsequent exchange networks of Austronesian speaking populations in Island Southeast Asia (ISEA) and Near Oceania continue to be debated. Accurate and precise chronologies on pottery assemblages are key in clarifying these population movements and dynamics. Previous scholars have suggested red-slipped pottery may be a proxy for Malayo-Polynesian speakers’ presence, and Lapita pottery may be a proxy for Proto-Ocea…
Rock Painting Traditions around Waigeo Island, Raja Ampat, West New Guinea
Rock paintings around the western tip of New Guinea are extensive but poorly understood. This paper describes rock art around the northern Raja Ampat Islands, just off the coast of western New Guinea. Two main painting traditions are documented: a red pigment tradition and a white pigment tradition. Red paintings generally occur up to 10 m above the modern mean sea-level and are stylistically related to a larger painting complex around the Bomber…
Culturing island biomes
Five Centuries of Settlement Dynamics and Mobility in the Northern Raja Ampat Islands of West Papua
We explore changes to settlement and mobility in the northern Raja Ampat Islands (Waigeo, Gam, and Batanta) over the past five centuries, a time when speakers of several Austronesian languages were moving throughout the archipelago. The evidence shows: (1) some settlement relocations were rapid, occurring within a generation, while other settlements remained fixed for hundreds of years; and (2) there were numerous clan and family scale movements …
Des civilisations du végétal préhistoriques sous les tropiques
The rock art of Kisar Island, Indonesia
We report 40 recently discovered rock art sites from Kisar Island in eastern Indonesia and investigate the commonalities between this art and painted art in other islands of Indonesia and in Timor-Leste. Predominantly painted, the art can be broadly divided into three categories: 1) small figurative motifs including humans, animals, boats and items of material culture, 2) a range of geometrics, both curvilinear and rectilinear, and 3) hand and ar…
Sago oven pottery production in the Raja Ampat Islands of the far western Pacific
This paper is the first ethnographic description of ceramic sago oven production in the Raja Ampat Islands of West Papua. These rectilinear ovens are widespread throughout eastern Indonesia, used to bake sago flour into small ‘cakes,’ which can be stored during times of food shortage or used in exchange. Little is known about the emergence of this technology in the past and so this modern baseline serves as an important link to understand product…
New Data from an Open Neolithic Site in Eastern Indonesia
Here we report the results of excavation and analyses of an open site on Pulau Ay, a small (ca. 4 km 2 ) limestone island located in the Banda Islands, central Maluku, Indonesia. This report provides results of excavations at PA1 and other Pulau Ay sites conducted in 2007 and 2009. These sites reveal patterns of changes in marine resource exploitation, pottery, and use of domestic animals, particularly between initial occupation of the site at ap…
Ideology, Ritual Performance and Its Manifestations in the Rock Art of Timor-Leste and Kisar Island, Island Southeast Asia
Painted rock art occurs throughout the islands of the Western Pacific and has previously been argued to have motif and design elements in common, indicating that it was created within the context of a shared symbolic system. Here we report five new painted rock-art sites from Kisar Island in eastern Indonesia and investigate the commonalities between this art and the painted art corpus in Timor-Leste, the independent nation that forms the eastern…
Obsidian sources and distribution systems in Island Southeast Asia
Obsidian sources and distribution systems in Island Southeast Asia
Long and continuous or short term and occasional occupation? The human use of Leang Sarru rock shelter in the Talaud Islands, northeastern Indonesia
Leang Sarru is a small rockshelter on the coast of Salebabu Island (Talaud group, northeastern Indonesia). Excavation has revealed a circa 100 cm thick cultural deposit, consisting of at least four observable stratigraphic layers and containing pottery (within the uppermost layers), lithic materials, food shells, and occasional pieces of ochre. C14 dates suggest c. 30,000 years of human occupation here. Although it is possible to establish a gene…
Obsidian sources and distribution systems in Island Southeast Asia
Ideology, Ritual Performance and Its Manifestations in the Rock Art of Timor-Leste and Kisar Island, Island Southeast Asia
Painted rock art occurs throughout the islands of the Western Pacific and has previously been argued to have motif and design elements in common, indicating that it was created within the context of a shared symbolic system. Here we report five new painted rock-art sites from Kisar Island in eastern Indonesia and investigate the commonalities between this art and the painted art corpus in Timor-Leste, the independent nation that forms the eastern…
The rock art of Kisar Island, Indonesia
We report 40 recently discovered rock art sites from Kisar Island in eastern Indonesia and investigate the commonalities between this art and painted art in other islands of Indonesia and in Timor-Leste. Predominantly painted, the art can be broadly divided into three categories: 1) small figurative motifs including humans, animals, boats and items of material culture, 2) a range of geometrics, both curvilinear and rectilinear, and 3) hand and ar…
Long and continuous or short term and occasional occupation? The human use of Leang Sarru rock shelter in the Talaud Islands, northeastern Indonesia
Leang Sarru is a small rockshelter on the coast of Salebabu Island (Talaud group, northeastern Indonesia). Excavation has revealed a circa 100 cm thick cultural deposit, consisting of at least four observable stratigraphic layers and containing pottery (within the uppermost layers), lithic materials, food shells, and occasional pieces of ochre. C14 dates suggest c. 30,000 years of human occupation here. Although it is possible to establish a gene…
Long and continuous or short term and occasional occupation? The human use of Leang Sarru rock shelter in the Talaud Islands, northeastern Indonesia
Leang Sarru is a small rockshelter on the coast of Salebabu Island (Talaud group, northeastern Indonesia). Excavation has revealed a circa 100 cm thick cultural deposit, consisting of at least four observable stratigraphic layers and containing pottery (within the uppermost layers), lithic materials, food shells, and occasional pieces of ochre. C14 dates suggest c. 30,000 years of human occupation here. Although it is possible to establish a gene…
Obsidian sources and distribution systems in Island Southeast Asia
Obsidian sources and distribution systems in Island Southeast Asia
New Data from an Open Neolithic Site in Eastern Indonesia
Here we report the results of excavation and analyses of an open site on Pulau Ay, a small (ca. 4 km 2 ) limestone island located in the Banda Islands, central Maluku, Indonesia. This report provides results of excavations at PA1 and other Pulau Ay sites conducted in 2007 and 2009. These sites reveal patterns of changes in marine resource exploitation, pottery, and use of domestic animals, particularly between initial occupation of the site at ap…
Ideology, Ritual Performance and Its Manifestations in the Rock Art of Timor-Leste and Kisar Island, Island Southeast Asia
Painted rock art occurs throughout the islands of the Western Pacific and has previously been argued to have motif and design elements in common, indicating that it was created within the context of a shared symbolic system. Here we report five new painted rock-art sites from Kisar Island in eastern Indonesia and investigate the commonalities between this art and the painted art corpus in Timor-Leste, the independent nation that forms the eastern…
Sago oven pottery production in the Raja Ampat Islands of the far western Pacific
This paper is the first ethnographic description of ceramic sago oven production in the Raja Ampat Islands of West Papua. These rectilinear ovens are widespread throughout eastern Indonesia, used to bake sago flour into small ‘cakes,’ which can be stored during times of food shortage or used in exchange. Little is known about the emergence of this technology in the past and so this modern baseline serves as an important link to understand product…
The rock art of Kisar Island, Indonesia
We report 40 recently discovered rock art sites from Kisar Island in eastern Indonesia and investigate the commonalities between this art and painted art in other islands of Indonesia and in Timor-Leste. Predominantly painted, the art can be broadly divided into three categories: 1) small figurative motifs including humans, animals, boats and items of material culture, 2) a range of geometrics, both curvilinear and rectilinear, and 3) hand and ar…
Des civilisations du végétal préhistoriques sous les tropiques
Five Centuries of Settlement Dynamics and Mobility in the Northern Raja Ampat Islands of West Papua
We explore changes to settlement and mobility in the northern Raja Ampat Islands (Waigeo, Gam, and Batanta) over the past five centuries, a time when speakers of several Austronesian languages were moving throughout the archipelago. The evidence shows: (1) some settlement relocations were rapid, occurring within a generation, while other settlements remained fixed for hundreds of years; and (2) there were numerous clan and family scale movements …
Rock Painting Traditions around Waigeo Island, Raja Ampat, West New Guinea
Rock paintings around the western tip of New Guinea are extensive but poorly understood. This paper describes rock art around the northern Raja Ampat Islands, just off the coast of western New Guinea. Two main painting traditions are documented: a red pigment tradition and a white pigment tradition. Red paintings generally occur up to 10 m above the modern mean sea-level and are stylistically related to a larger painting complex around the Bomber…
Culturing island biomes
Bayesian chronological modelling for early pottery in the far western Pacific
The initial dispersal routes and subsequent exchange networks of Austronesian speaking populations in Island Southeast Asia (ISEA) and Near Oceania continue to be debated. Accurate and precise chronologies on pottery assemblages are key in clarifying these population movements and dynamics. Previous scholars have suggested red-slipped pottery may be a proxy for Malayo-Polynesian speakers’ presence, and Lapita pottery may be a proxy for Proto-Ocea…
Pacific and Southeast Asian Studies (12 obras) · Archaeology (9 obras) · Geography (9 obras) · Pleistocene-Era Hominins and Archaeology (8 obras) · Archaeology and ancient environmental studies (6 obras) · Geology (6 obras) · History (6 obras) · Ancient history (5 obras) · New guinea (3 obras) · Pottery (3 obras)