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Mary Kosut

Biographic Data

ID72888
NAMEMary Kosut
GIVEN NAMESMary
FAMILY NAMEKosut
SIGNATUREKOSUT M
AFFILIATIONSPurchase College
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS151
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2000
LATEST PUBLICATION YEAR2015
H-INDEX5
  • Tattoos and Body Modification

    Open Access•Mary Kosut•CHAPTER•International Encyclopedia of the…•2015

  • Visualising charisma

    Matthew Immergut, Mary Kosut•ARTICLE•Visual Studies•2014

    Although sociologists regard charisma as a social construct, few studies look at the explicit interactions that create and maintain this type of authority. This article examines one specific, but ubiquitous social interaction between leader and follower – the charismatic touch. The charismatic touch is a semi-formal interaction in which leader and followers exchange mutual recognition through verbal, visual and physical touch. Through touching ea…

  • Bees Making Art

    Open Access•Mary Kosut, Lisa Jean Moore•ARTICLE•Humanimalia•2014•Cited by: 3•References: 6

    In many cultural fields honeybees reveal themselves as a highly generative species; one that humans have become dependent on. Within the backdrop of Colony Collapse Disorder, this essay examines how live bees are used in the production of art works. Historically, bees have been an absent presence in art as artists have relied upon bees for the raw material they create (wax, honeycomb) and for their metaphorical value. Most recently, bees themselv…

  • The Artification of Tattoo

    Open Access•Mary Kosut•ARTICLE•Cultural Sociology•2014•Cited by: 14•References: 23

    Theorized as a Bourdieusian field, this article examines changes inside the tattoo world resulting in the valuation of certain tattoo practices as art and some actors taking 'fine art' positions within it. The category of tattoo art is distinct from tattoo because it positions the practice away from its traditional historic moorings as a lowbrow craft and occupation requiring a rudimentary level of technical skill. In contrast, tattoo art is crea…

  • Among the colony

    Open Access•Lisa Jean Moore, Mary Kosut•ARTICLE•Ethnography•2014•Cited by: 24•References: 38

    As a part of a larger ethnographic study of urban beekeepers in New York City, this article considers the challenges of conducting multispecies participant observation - being in the field with both human and non-human informants, beekeepers and bees. Keeping in mind the intra-active nature of human/insect entanglements, we explore how to interpret and translate the actions of another species while resisting anthropomorphic descriptions. Through …

  • An Ironic Fad

    Open Access•Mary Kosut•ARTICLE•The Journal of Popular Culture•2006•Cited by: 40•References: 4

  • Professorial Capital

    Open Access•Mary Kosut•ARTICLE•Culture Studies ↔ Critical…•2006•Cited by: 4•References: 14

    Merging theory with autoethnographic reflections, the author critically explores the relationship between social class and the reproduction of inequality within the upper ranks of the academy, while reflexively and purposefully challenging traditional modes of academic discourse. Drawing from the author's experiences as a blue-collar sociology doctoral student, the concept of an academic class ceiling is elaborated. In an attempt to link everyday…

  • Mad Artists and Tattooed Perverts

    Mary Kosut•ARTICLE•Deviant Behavior•2006•Cited by: 30•References: 34

    American tattoo history confirms that definitions of deviancy are always in flux. Until the last two decades of the twentieth century, academics recognized tattooing as a semiotic representation of pathology and deviancy. Recently, tattooing was designated as a meaningful way to modify the body and a valuable cultural form. Much like the social construction of the aesthetic category of asylum art, some institutional experts are currently redrawin…

  • Tattoo Narratives

    Mary Kosut•ARTICLE•Visual Sociology•2000•Cited by: 36•References: 5

    Drawing upon Frank's (1995) discussion of the personal and social aspects of embodied storytelling, this paper considers the tattoo as a form of visual communication created within a multiplicity of contexts. Based on in‐depth interviews with eight tattooed men and women, the focus of this article is the stories that these individuals tell about their tattoos. I argue that the tattooed body is a distinctively communicative body. It has a great de…

  • An Ironic Fad

    Open Access•Mary Kosut•ARTICLE•The Journal of Popular Culture•2006•Cited by: 40•References: 4

  • Tattoo Narratives

    Mary Kosut•ARTICLE•Visual Sociology•2000•Cited by: 36•References: 5

    Drawing upon Frank's (1995) discussion of the personal and social aspects of embodied storytelling, this paper considers the tattoo as a form of visual communication created within a multiplicity of contexts. Based on in‐depth interviews with eight tattooed men and women, the focus of this article is the stories that these individuals tell about their tattoos. I argue that the tattooed body is a distinctively communicative body. It has a great de…

  • Mad Artists and Tattooed Perverts

    Mary Kosut•ARTICLE•Deviant Behavior•2006•Cited by: 30•References: 34

    American tattoo history confirms that definitions of deviancy are always in flux. Until the last two decades of the twentieth century, academics recognized tattooing as a semiotic representation of pathology and deviancy. Recently, tattooing was designated as a meaningful way to modify the body and a valuable cultural form. Much like the social construction of the aesthetic category of asylum art, some institutional experts are currently redrawin…

  • Among the colony

    Open Access•Lisa Jean Moore, Mary Kosut•ARTICLE•Ethnography•2014•Cited by: 24•References: 38

    As a part of a larger ethnographic study of urban beekeepers in New York City, this article considers the challenges of conducting multispecies participant observation - being in the field with both human and non-human informants, beekeepers and bees. Keeping in mind the intra-active nature of human/insect entanglements, we explore how to interpret and translate the actions of another species while resisting anthropomorphic descriptions. Through …

  • The Artification of Tattoo

    Open Access•Mary Kosut•ARTICLE•Cultural Sociology•2014•Cited by: 14•References: 23

    Theorized as a Bourdieusian field, this article examines changes inside the tattoo world resulting in the valuation of certain tattoo practices as art and some actors taking 'fine art' positions within it. The category of tattoo art is distinct from tattoo because it positions the practice away from its traditional historic moorings as a lowbrow craft and occupation requiring a rudimentary level of technical skill. In contrast, tattoo art is crea…

  • Professorial Capital

    Open Access•Mary Kosut•ARTICLE•Culture Studies ↔ Critical…•2006•Cited by: 4•References: 14

    Merging theory with autoethnographic reflections, the author critically explores the relationship between social class and the reproduction of inequality within the upper ranks of the academy, while reflexively and purposefully challenging traditional modes of academic discourse. Drawing from the author's experiences as a blue-collar sociology doctoral student, the concept of an academic class ceiling is elaborated. In an attempt to link everyday…

  • Bees Making Art

    Open Access•Mary Kosut, Lisa Jean Moore•ARTICLE•Humanimalia•2014•Cited by: 3•References: 6

    In many cultural fields honeybees reveal themselves as a highly generative species; one that humans have become dependent on. Within the backdrop of Colony Collapse Disorder, this essay examines how live bees are used in the production of art works. Historically, bees have been an absent presence in art as artists have relied upon bees for the raw material they create (wax, honeycomb) and for their metaphorical value. Most recently, bees themselv…

  • Tattoo Narratives

    Mary Kosut•ARTICLE•Visual Sociology•2000•Cited by: 36•References: 5

    Drawing upon Frank's (1995) discussion of the personal and social aspects of embodied storytelling, this paper considers the tattoo as a form of visual communication created within a multiplicity of contexts. Based on in‐depth interviews with eight tattooed men and women, the focus of this article is the stories that these individuals tell about their tattoos. I argue that the tattooed body is a distinctively communicative body. It has a great de…

  • An Ironic Fad

    Open Access•Mary Kosut•ARTICLE•The Journal of Popular Culture•2006•Cited by: 40•References: 4

  • Professorial Capital

    Open Access•Mary Kosut•ARTICLE•Culture Studies ↔ Critical…•2006•Cited by: 4•References: 14

    Merging theory with autoethnographic reflections, the author critically explores the relationship between social class and the reproduction of inequality within the upper ranks of the academy, while reflexively and purposefully challenging traditional modes of academic discourse. Drawing from the author's experiences as a blue-collar sociology doctoral student, the concept of an academic class ceiling is elaborated. In an attempt to link everyday…

  • Mad Artists and Tattooed Perverts

    Mary Kosut•ARTICLE•Deviant Behavior•2006•Cited by: 30•References: 34

    American tattoo history confirms that definitions of deviancy are always in flux. Until the last two decades of the twentieth century, academics recognized tattooing as a semiotic representation of pathology and deviancy. Recently, tattooing was designated as a meaningful way to modify the body and a valuable cultural form. Much like the social construction of the aesthetic category of asylum art, some institutional experts are currently redrawin…

  • Visualising charisma

    Matthew Immergut, Mary Kosut•ARTICLE•Visual Studies•2014

    Although sociologists regard charisma as a social construct, few studies look at the explicit interactions that create and maintain this type of authority. This article examines one specific, but ubiquitous social interaction between leader and follower – the charismatic touch. The charismatic touch is a semi-formal interaction in which leader and followers exchange mutual recognition through verbal, visual and physical touch. Through touching ea…

  • Bees Making Art

    Open Access•Mary Kosut, Lisa Jean Moore•ARTICLE•Humanimalia•2014•Cited by: 3•References: 6

    In many cultural fields honeybees reveal themselves as a highly generative species; one that humans have become dependent on. Within the backdrop of Colony Collapse Disorder, this essay examines how live bees are used in the production of art works. Historically, bees have been an absent presence in art as artists have relied upon bees for the raw material they create (wax, honeycomb) and for their metaphorical value. Most recently, bees themselv…

  • The Artification of Tattoo

    Open Access•Mary Kosut•ARTICLE•Cultural Sociology•2014•Cited by: 14•References: 23

    Theorized as a Bourdieusian field, this article examines changes inside the tattoo world resulting in the valuation of certain tattoo practices as art and some actors taking 'fine art' positions within it. The category of tattoo art is distinct from tattoo because it positions the practice away from its traditional historic moorings as a lowbrow craft and occupation requiring a rudimentary level of technical skill. In contrast, tattoo art is crea…

  • Among the colony

    Open Access•Lisa Jean Moore, Mary Kosut•ARTICLE•Ethnography•2014•Cited by: 24•References: 38

    As a part of a larger ethnographic study of urban beekeepers in New York City, this article considers the challenges of conducting multispecies participant observation - being in the field with both human and non-human informants, beekeepers and bees. Keeping in mind the intra-active nature of human/insect entanglements, we explore how to interpret and translate the actions of another species while resisting anthropomorphic descriptions. Through …

  • Tattoos and Body Modification

    Open Access•Mary Kosut•CHAPTER•International Encyclopedia of the…•2015

Sociology (9 works) · Art (7 works) · Aesthetics (6 works) · Psychology (6 works) · Anthropology (5 works) · Political science (5 works) · Politics (5 works) · Social Psychology (5 works) · Tattoo and Body Piercing Complications (5 works) · Visual arts (5 works)

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