Sadiah Boonstra
Biographic Data
| ID | 728937 |
|---|---|
| NAME | Sadiah Boonstra |
| GIVEN NAMES | Sadiah |
| FAMILY NAME | Boonstra |
| SIGNATURE | BOONSTRA S |
| AFFILIATIONS | The University of Melbourne |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Tuol Sleng Genocide Museum
The aesthetics of intercultural method
This article examines how three dances featuring Indonesian artists and commissioned for Melbourne's 2020 Asia-Pacific Triennial of Performing Arts staged their method of creation in ways that make explicit core features of cultural production in inter-Asia contexts. In The Seen and Unseen, by Kamila Andini and Ida Ayu Wayan Satyani, a self-contained world is best understood as participating in a much longer process of creation. Lucy Guerin Inc a…
On the nature of botanical gardens; Decolonial aesthesis in Indonesian contemporary art
This article examines decolonial approaches to the nature of botanical gardens in Indonesia in the artworks of nine artists featured in the exhibition On the nature of botanical gardens: contemporary Indonesian perspective at Framer Framed, Amsterdam in 2020. Zico Albaiquini, Arahmaiani, Ade Darmawan, Edwin, Samuel Indratma, Lifepatch, Ipeh Nur, Elia Nurvista, and Sinta Tantra presented works which confronted the coloniality of botanical gardens.…
Wayang & Its Doubles
Unmarked Graves
There are many episodes in Indonesian history that are in dire need of rewriting and the anti-communist violence of 1965-1966 is one of these.The violence that killed half a million people, stigmatized and discriminated against former members and sympathizers of the PKI (Partai Kommunis Indonesia, Indonesian Communist Party) was taboo during Suharto's army-led regime.The advent of democracy since the fall of the New Order in 1998 ushered in a new…
Urban development in the margins of a World Heritage site
Urban development in the margins of a World Heritage site: in the shadows of Angkor, by Adèle Esposito." Asian Studies Review, 43(3), pp. 576–577
Putting on a show; Collecting, exhibiting and performing wayang at the Tropenmuseum from colonial times until the present
The Tropenmuseum in Amsterdam has a rich history in collecting, exhibiting and presenting wayangperformances. This paper traces this history of collection, exhibition and performance practice of wayangat the Colonial Institute, from 1949 known as Tropenmuseum in Amsterdam, the Netherlands, from colonial times until the present. It demonstrates the entanglement of colonial and postcolonial power structures, collection and exhibition legacies of th…
Goodlander, Jennifer
Anthropos , Seite 306 - 307
Inventing the Performing Arts
The dominant attention of scholars for performing arts in Indonesia associated with so-called 'traditional' performing art forms related to the courts of Java, has led to a gap in our knowledge about performing arts and popular entertainment during colonial times.Matthew Cohen, a scholar of theatre studies, has devoted much of his career to filling such gaps in our knowledge.Inventing the Performing Arts: Modernity and Tradition in Colonial Indon…
Indonesia-Malaysia Relations. Cultural Heritage, Politics and Labour Migration, written by Marshall Clark and Juliet Pietsch
On the nature of botanical gardens; Decolonial aesthesis in Indonesian contemporary art
This article examines decolonial approaches to the nature of botanical gardens in Indonesia in the artworks of nine artists featured in the exhibition On the nature of botanical gardens: contemporary Indonesian perspective at Framer Framed, Amsterdam in 2020. Zico Albaiquini, Arahmaiani, Ade Darmawan, Edwin, Samuel Indratma, Lifepatch, Ipeh Nur, Elia Nurvista, and Sinta Tantra presented works which confronted the coloniality of botanical gardens.…
Indonesia-Malaysia Relations. Cultural Heritage, Politics and Labour Migration, written by Marshall Clark and Juliet Pietsch
Inventing the Performing Arts
The dominant attention of scholars for performing arts in Indonesia associated with so-called 'traditional' performing art forms related to the courts of Java, has led to a gap in our knowledge about performing arts and popular entertainment during colonial times.Matthew Cohen, a scholar of theatre studies, has devoted much of his career to filling such gaps in our knowledge.Inventing the Performing Arts: Modernity and Tradition in Colonial Indon…
Goodlander, Jennifer
Anthropos , Seite 306 - 307
Urban development in the margins of a World Heritage site
Urban development in the margins of a World Heritage site: in the shadows of Angkor, by Adèle Esposito." Asian Studies Review, 43(3), pp. 576–577
Putting on a show; Collecting, exhibiting and performing wayang at the Tropenmuseum from colonial times until the present
The Tropenmuseum in Amsterdam has a rich history in collecting, exhibiting and presenting wayangperformances. This paper traces this history of collection, exhibition and performance practice of wayangat the Colonial Institute, from 1949 known as Tropenmuseum in Amsterdam, the Netherlands, from colonial times until the present. It demonstrates the entanglement of colonial and postcolonial power structures, collection and exhibition legacies of th…
Unmarked Graves
There are many episodes in Indonesian history that are in dire need of rewriting and the anti-communist violence of 1965-1966 is one of these.The violence that killed half a million people, stigmatized and discriminated against former members and sympathizers of the PKI (Partai Kommunis Indonesia, Indonesian Communist Party) was taboo during Suharto's army-led regime.The advent of democracy since the fall of the New Order in 1998 ushered in a new…
Wayang & Its Doubles
The aesthetics of intercultural method
This article examines how three dances featuring Indonesian artists and commissioned for Melbourne's 2020 Asia-Pacific Triennial of Performing Arts staged their method of creation in ways that make explicit core features of cultural production in inter-Asia contexts. In The Seen and Unseen, by Kamila Andini and Ida Ayu Wayan Satyani, a self-contained world is best understood as participating in a much longer process of creation. Lucy Guerin Inc a…
On the nature of botanical gardens; Decolonial aesthesis in Indonesian contemporary art
This article examines decolonial approaches to the nature of botanical gardens in Indonesia in the artworks of nine artists featured in the exhibition On the nature of botanical gardens: contemporary Indonesian perspective at Framer Framed, Amsterdam in 2020. Zico Albaiquini, Arahmaiani, Ade Darmawan, Edwin, Samuel Indratma, Lifepatch, Ipeh Nur, Elia Nurvista, and Sinta Tantra presented works which confronted the coloniality of botanical gardens.…
Tuol Sleng Genocide Museum
Sociology (7 works) · Art (6 works) · History (6 works) · Archaeology (5 works) · Asian Studies and History (5 works) · History (5 works) · Visual arts (5 works) · Art history (3 works) · Colonialism (3 works) · Indonesian (3 works)