Tan Sooi Beng
Biographic Data
| ID | 729080 |
|---|---|
| NAME | Tan Sooi Beng |
| GIVEN NAMES | Tan Sooi |
| FAMILY NAME | Beng |
| SIGNATURE | BENG T S |
| AFFILIATIONS | Universiti Sains Malaysia |
| VERIFIED | No |
| TOTAL WORKS | 19 |
| TOTAL CITATIONS | 15 |
| AUTHOR COUNT | 19 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1985 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 2 |
“Music of Sound”: Using Existing Sonic Environments to Develop Inclusive, Experiential, and Collaborative Pedagogy in Malaysia
Music of Sound (MOS) pedagogy promotes the learning of musical concepts and creative expression using everyday objects, body parts, and one’s voice. The authors discuss the experiential, collaborative, and place-based approaches they have developed in MOS projects for schoolchildren of different ethnic, religious, and social backgrounds in Malaysia over the last two decades. Ensemble work in skill training, field research, and collective composit…
Audible Locality: The Recording Industry in Indonesia and its Approach to Minangkabau Music and Oral Tradition , by Suryadi
Guest Editors’ Preface
An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button
Bridging the Racial Divide in Malaysia: Crossing Borders through Research and Process Theatre
Vamping the Stage: Female Voices of Asian Modernities
The Music of Malaysia: The Classical, Folk and Syncretic Traditions
The Music of Malaysia, first published in Malay in 1997 and followed by an English edition in 2004 is still the only history, appreciation and analysis of Malaysian music in its many and varied forms available in English. The book categorizes the types of music genres found in Malaysian society and provides an overview of the development of music in that country. Analyses of the music are illustrated with many examples transcribed from original f…
Cultural Engagement and Ownership Through Participatory Approaches in Applied Ethnomusicology
Negotiating ‘His Master’s Voice: Gramophone Music and Cosmopolitan Modernity in British Malaya in the 1930s and Early 1940s
The label ‘His Master’s Voice’ (HMV) dominated the recording technology, production and distribution of 78 rpm discs in British Malaya in the 1930s and early 1940s. By analysing the lagu Melayu which formed a large part of the repertoire recorded by HMV, this article shows that musicians were able to decentre colonial hegemony by combining Anglo-American popular music idioms with Malay and other foreign musical elements. The new hybrid music with…
The "Huayue Tuan" (Chinese Orchestra) in Malaysia: Adapting to Survive
This article is a study of the development of the Chinese orchestra or huayue tuan in Malaysia. The ensemble is known by various names in other countries where Chinese predominate: minzu yuedui (national orchestra) in Mainland China; zhongyue tuan (Chinese orchestra) in Hong Kong; and guoyue tuan (Chinese orchestra) in Taiwan. This study focuses on the history, organization, sponsorship, membership, repertoire and the problems faced by the huayue…
Bangsawan: A Social and Stylistic History of Popular Malay Opera
The 78 RPM Record Industry in Malaya Prior to World War II
Cet article retrace l'histoire et le developpement de l'industrie du 78 tours a la veille de la seconde guerre mondiale en Malaisie. L'etude est centree sur la popularite du gramophone en tant qu'outil mediatique, sur les modalites de l'enregistrement sonore, sur la discographie, sur les compagnies industrielles du gramophone les plus dynamiques et les labels qu'elles produisaient. Pendant la periode coloniale britannique, Singapour etait le cent…
Learning by Performing Arts: From Indigenous to Endogenous Cultural Development
Bangsawan, A Social and Stylistic History of Popular Malay Opera
Breaking tradition; Women stars of Bangsawan theatre
Breaking Tradition Women Stars of Bangsawan TheatreWomen pop and rock artists such as Sheila Majid
Bangsawan: A Social and Stylistic History of Popular Malay Opera
The Playful Revolution: Theatre and Liberation in Asia
Bangsawan: A Social and Stylistic History of Popular Malay Opera
Theatre in Search of Social Change: The Relative Significance of Different Theatrical Approaches
Ko-tai: A New Form of Chinese Urban Street Theatre in Malaysia
The 78 RPM Record Industry in Malaya Prior to World War II
Cet article retrace l'histoire et le developpement de l'industrie du 78 tours a la veille de la seconde guerre mondiale en Malaisie. L'etude est centree sur la popularite du gramophone en tant qu'outil mediatique, sur les modalites de l'enregistrement sonore, sur la discographie, sur les compagnies industrielles du gramophone les plus dynamiques et les labels qu'elles produisaient. Pendant la periode coloniale britannique, Singapour etait le cent…
Cultural Engagement and Ownership Through Participatory Approaches in Applied Ethnomusicology
Negotiating ‘His Master’s Voice: Gramophone Music and Cosmopolitan Modernity in British Malaya in the 1930s and Early 1940s
The label ‘His Master’s Voice’ (HMV) dominated the recording technology, production and distribution of 78 rpm discs in British Malaya in the 1930s and early 1940s. By analysing the lagu Melayu which formed a large part of the repertoire recorded by HMV, this article shows that musicians were able to decentre colonial hegemony by combining Anglo-American popular music idioms with Malay and other foreign musical elements. The new hybrid music with…
The "Huayue Tuan" (Chinese Orchestra) in Malaysia: Adapting to Survive
This article is a study of the development of the Chinese orchestra or huayue tuan in Malaysia. The ensemble is known by various names in other countries where Chinese predominate: minzu yuedui (national orchestra) in Mainland China; zhongyue tuan (Chinese orchestra) in Hong Kong; and guoyue tuan (Chinese orchestra) in Taiwan. This study focuses on the history, organization, sponsorship, membership, repertoire and the problems faced by the huayue…
Breaking tradition; Women stars of Bangsawan theatre
Breaking Tradition Women Stars of Bangsawan TheatreWomen pop and rock artists such as Sheila Majid
Ko-tai: A New Form of Chinese Urban Street Theatre in Malaysia
Theatre in Search of Social Change: The Relative Significance of Different Theatrical Approaches
Bangsawan: A Social and Stylistic History of Popular Malay Opera
The Playful Revolution: Theatre and Liberation in Asia
Bangsawan: A Social and Stylistic History of Popular Malay Opera
Learning by Performing Arts: From Indigenous to Endogenous Cultural Development
Bangsawan, A Social and Stylistic History of Popular Malay Opera
Breaking tradition; Women stars of Bangsawan theatre
Breaking Tradition Women Stars of Bangsawan TheatreWomen pop and rock artists such as Sheila Majid
The 78 RPM Record Industry in Malaya Prior to World War II
Cet article retrace l'histoire et le developpement de l'industrie du 78 tours a la veille de la seconde guerre mondiale en Malaisie. L'etude est centree sur la popularite du gramophone en tant qu'outil mediatique, sur les modalites de l'enregistrement sonore, sur la discographie, sur les compagnies industrielles du gramophone les plus dynamiques et les labels qu'elles produisaient. Pendant la periode coloniale britannique, Singapour etait le cent…
Bangsawan: A Social and Stylistic History of Popular Malay Opera
The "Huayue Tuan" (Chinese Orchestra) in Malaysia: Adapting to Survive
This article is a study of the development of the Chinese orchestra or huayue tuan in Malaysia. The ensemble is known by various names in other countries where Chinese predominate: minzu yuedui (national orchestra) in Mainland China; zhongyue tuan (Chinese orchestra) in Hong Kong; and guoyue tuan (Chinese orchestra) in Taiwan. This study focuses on the history, organization, sponsorship, membership, repertoire and the problems faced by the huayue…
Negotiating ‘His Master’s Voice: Gramophone Music and Cosmopolitan Modernity in British Malaya in the 1930s and Early 1940s
The label ‘His Master’s Voice’ (HMV) dominated the recording technology, production and distribution of 78 rpm discs in British Malaya in the 1930s and early 1940s. By analysing the lagu Melayu which formed a large part of the repertoire recorded by HMV, this article shows that musicians were able to decentre colonial hegemony by combining Anglo-American popular music idioms with Malay and other foreign musical elements. The new hybrid music with…
Cultural Engagement and Ownership Through Participatory Approaches in Applied Ethnomusicology
Vamping the Stage: Female Voices of Asian Modernities
The Music of Malaysia: The Classical, Folk and Syncretic Traditions
The Music of Malaysia, first published in Malay in 1997 and followed by an English edition in 2004 is still the only history, appreciation and analysis of Malaysian music in its many and varied forms available in English. The book categorizes the types of music genres found in Malaysian society and provides an overview of the development of music in that country. Analyses of the music are illustrated with many examples transcribed from original f…
Bridging the Racial Divide in Malaysia: Crossing Borders through Research and Process Theatre
Guest Editors’ Preface
An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button
Audible Locality: The Recording Industry in Indonesia and its Approach to Minangkabau Music and Oral Tradition , by Suryadi
“Music of Sound”: Using Existing Sonic Environments to Develop Inclusive, Experiential, and Collaborative Pedagogy in Malaysia
Music of Sound (MOS) pedagogy promotes the learning of musical concepts and creative expression using everyday objects, body parts, and one’s voice. The authors discuss the experiential, collaborative, and place-based approaches they have developed in MOS projects for schoolchildren of different ethnic, religious, and social backgrounds in Malaysia over the last two decades. Ensemble work in skill training, field research, and collective composit…
Art (14 works) · Asian Studies and History (12 works) · History (9 works) · Linguistics (7 works) · Visual arts (7 works) · Literature (6 works) · Malay (6 works) · Philosophy (6 works) · Political science (6 works) · Sociology (6 works)