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Amy D Dooling

Biographic Data

ID730529
NAMEAmy D Dooling
GIVEN NAMESAmy D
FAMILY NAMEDooling
SIGNATUREDOOLING A D
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS3
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR1994
LATEST PUBLICATION YEAR2005
H-INDEX1
  • Desire and Disease: Bai Wei and the Literary Left of the 1930s

    Open Access•Amy D Dooling•CHAPTER•Contested Modernities in Chinese…•2005

    The rewriting of dominant literary history (chongxie wenxueshi) has encompassed important new scholarship on the modern women's literary tradition. As a result, we are in the process of constructing an ever more nuanced picture of the literary roles of women through the gender relations reshaped by social, ideological, and economic factors in the twentieth century. Yet our understanding of women's participation in the cultural left of the 1930s, …

  • Women’s Literary Feminism in Twentieth-Century China

    Open Access•Amy D Dooling, A Dooling•BOOK•Women's Literary Feminism in…•2005

    This is a critical inquiry into the connections between emergent feminist ideologies in China and the production of 'modern' women's writing from the demise of the last imperial dynasty to the foundin

  • Writing Women in Modern China: An Anthology of Women's Literature from the Early Twentieth Century

    Richard King, Amy D Dooling et al.•ARTICLE•Pacific Affairs•2000

    Writing Women in Modern China is the first major anthology in English to highlight the contributions of women to modern literary culture with respect to the heated gender debates of early twentieth-century China. Featuring examples of fiction, drama, autobiography, essays, and poetry by eighteen writers, many of whom have been neglected by mainstream literary history, this collection demonstrates the creative diversity in modern women's writing. …

  • The Mother and Narrative Politics in Modern China

    Charles A Laughlin, Sally Taylor Lieberman et al.•ARTICLE•Tulsa Studies in Women s Literature•1999•Cited by: 3

    A modernist icon, an object of forbidden desire, a symbol of loss and suffering, and an incorrigible survivor - the mother takes all of these forms in Chinese literature from the 1920s and 1930s. In an innovative analysis, Sally Taylor Lieberman explores the meanings the maternal figure acquired at a particular place and time and then engages those meanings in a feminist rereading of the master narratives of modern Chinese intellectual and litera…

  • Writing Women in Modern China: An Anthology of Women's Literature from the Early Twentieth Century

    Bettina L Knapp, Amy D Dooling et al.•ARTICLE•World Literature Today•1998

  • Chinese Women through Chinese Eyes

    Amy D Dooling, Amy Dooling et al.•ARTICLE•Chinese Literature Essays…•1994

    This book on crime and justice is motivated primarily by the idea that individual behaviour is influenced both by self-interest and by conscience, or by a sense of community responsibility. Forst has assembled a collection of authors who are writing in four parts: (1) the philosophical foundations and the moral dimension of crime and punishment (2) the sense of community and the way it influences the problem of crime (3) on offenders and offences…

  • The Mother and Narrative Politics in Modern China

    Charles A Laughlin, Sally Taylor Lieberman et al.•ARTICLE•Tulsa Studies in Women s Literature•1999•Cited by: 3

    A modernist icon, an object of forbidden desire, a symbol of loss and suffering, and an incorrigible survivor - the mother takes all of these forms in Chinese literature from the 1920s and 1930s. In an innovative analysis, Sally Taylor Lieberman explores the meanings the maternal figure acquired at a particular place and time and then engages those meanings in a feminist rereading of the master narratives of modern Chinese intellectual and litera…

  • Chinese Women through Chinese Eyes

    Amy D Dooling, Amy Dooling et al.•ARTICLE•Chinese Literature Essays…•1994

    This book on crime and justice is motivated primarily by the idea that individual behaviour is influenced both by self-interest and by conscience, or by a sense of community responsibility. Forst has assembled a collection of authors who are writing in four parts: (1) the philosophical foundations and the moral dimension of crime and punishment (2) the sense of community and the way it influences the problem of crime (3) on offenders and offences…

  • Writing Women in Modern China: An Anthology of Women's Literature from the Early Twentieth Century

    Bettina L Knapp, Amy D Dooling et al.•ARTICLE•World Literature Today•1998

  • The Mother and Narrative Politics in Modern China

    Charles A Laughlin, Sally Taylor Lieberman et al.•ARTICLE•Tulsa Studies in Women s Literature•1999•Cited by: 3

    A modernist icon, an object of forbidden desire, a symbol of loss and suffering, and an incorrigible survivor - the mother takes all of these forms in Chinese literature from the 1920s and 1930s. In an innovative analysis, Sally Taylor Lieberman explores the meanings the maternal figure acquired at a particular place and time and then engages those meanings in a feminist rereading of the master narratives of modern Chinese intellectual and litera…

  • Writing Women in Modern China: An Anthology of Women's Literature from the Early Twentieth Century

    Richard King, Amy D Dooling et al.•ARTICLE•Pacific Affairs•2000

    Writing Women in Modern China is the first major anthology in English to highlight the contributions of women to modern literary culture with respect to the heated gender debates of early twentieth-century China. Featuring examples of fiction, drama, autobiography, essays, and poetry by eighteen writers, many of whom have been neglected by mainstream literary history, this collection demonstrates the creative diversity in modern women's writing. …

  • Desire and Disease: Bai Wei and the Literary Left of the 1930s

    Open Access•Amy D Dooling•CHAPTER•Contested Modernities in Chinese…•2005

    The rewriting of dominant literary history (chongxie wenxueshi) has encompassed important new scholarship on the modern women's literary tradition. As a result, we are in the process of constructing an ever more nuanced picture of the literary roles of women through the gender relations reshaped by social, ideological, and economic factors in the twentieth century. Yet our understanding of women's participation in the cultural left of the 1930s, …

  • Women’s Literary Feminism in Twentieth-Century China

    Open Access•Amy D Dooling, A Dooling•BOOK•Women's Literary Feminism in…•2005

    This is a critical inquiry into the connections between emergent feminist ideologies in China and the production of 'modern' women's writing from the demise of the last imperial dynasty to the foundin

Chinese history and philosophy (6 works) · Art (5 works) · History (5 works) · Literature (5 works) · Sociology (5 works) · China (4 works) · Gender Studies (4 works) · Law (4 works) · Political science (4 works) · Politics (3 works)

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