Paul Ziff
Dados Biográficos
| ID | 731968 |
|---|---|
| NOME | Paul Ziff |
| PRENOMES | Paul |
| SOBRENOME | Ziff |
| ASSINATURA | ZIFF P |
| AFILIAÇÕES | University of North Carolina at Chapel Hill |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 19 |
| TOTAL DE CITAÇÕES | 17 |
| TOTAL COMO AUTOR | 19 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1953 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 1988 |
| ÍNDICE H | 3 |
Epistemic Analysis
I Linguistic Preliminaries.- II Actives and Passives.- III Reference.- IV Coherence.- V Hypostasis.- VI Knowledge.- VII Knowing How.- VIIII Various Uses.- IX Conditions.- X A Position to Know.- XI Analysis.- XII Skepticism.- XIII A Safe Position.- XIV Demons, Angels and Miracles.- XV Risk and Gravity.- Kreb's Epilogue.- Notes
Remarks on Mittgenstein's Remarks on the Foundations of Mathematics
About Reference
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Understanding Understanding
A Creative Use of Language
haps for to say of anyone that his is creative is presumably to, praise. But what is it? A of words any ordinary of words? Is that possible? One expects creative to be somehow special. Or is a creative use like a four legged aoudad? Any ordinary aoudad is four legged aoudad an everyday aoudad not some special kind. Wordsworth wrote and possibly took it upon himself to say right out loud
Goodman's Languages of Art
It is added that most literal portrait and the most prosaic passage are as much symbols, and as 'highly symbolic,' as the most fanciful and figurative (p. xi). Is every painting and every piece of sculpture, whether representational or abstract or nonobjective, a symbol? Is a toy airplane a symbol? Is a mask? What about a doll, or a chess piece, or a lock of hair? I do not know what the answers these questions are supposed be: the author's usage …
"A Response to "Stimulus Meaning
Philosophic Turnings
Philosophical Turnings
The Nonsynonymy of Active and Passive Sentences
The Matter of ZEN
"On Vendler's Grammar of "Good
Semantic Analysis
Semantic Analysis
On the Sources of Knowledge and of Ignorance
Theory of Beauty
The Socratic
The Task of Defining a Work of Art
Aesthetic Studies
The Task of Defining a Work of Art
Aesthetic Studies
The Socratic
Theory of Beauty
Semantic Analysis
Semantic Analysis
On the Sources of Knowledge and of Ignorance
"On Vendler's Grammar of "Good
The Matter of ZEN
The Nonsynonymy of Active and Passive Sentences
Philosophic Turnings
Philosophical Turnings
"A Response to "Stimulus Meaning
Goodman's Languages of Art
It is added that most literal portrait and the most prosaic passage are as much symbols, and as 'highly symbolic,' as the most fanciful and figurative (p. xi). Is every painting and every piece of sculpture, whether representational or abstract or nonobjective, a symbol? Is a toy airplane a symbol? Is a mask? What about a doll, or a chess piece, or a lock of hair? I do not know what the answers these questions are supposed be: the author's usage …
A Creative Use of Language
haps for to say of anyone that his is creative is presumably to, praise. But what is it? A of words any ordinary of words? Is that possible? One expects creative to be somehow special. Or is a creative use like a four legged aoudad? Any ordinary aoudad is four legged aoudad an everyday aoudad not some special kind. Wordsworth wrote and possibly took it upon himself to say right out loud
Understanding Understanding
About Reference
Preview this article: About Reference, Page 1 of 1 /docserver/preview/fulltext/sl.3.3.02zif-1.gif
Remarks on Mittgenstein's Remarks on the Foundations of Mathematics
Epistemic Analysis
I Linguistic Preliminaries.- II Actives and Passives.- III Reference.- IV Coherence.- V Hypostasis.- VI Knowledge.- VII Knowing How.- VIIII Various Uses.- IX Conditions.- X A Position to Know.- XI Analysis.- XII Skepticism.- XIII A Safe Position.- XIV Demons, Angels and Miracles.- XV Risk and Gravity.- Kreb's Epilogue.- Notes
Philosophy (17 obras) · Epistemology (13 obras) · Contemporary philosophy (9 obras) · Computer Science (6 obras) · Analytic philosophy (5 obras) · Linguistics (5 obras) · Psychology (5 obras) · General interest (4 obras) · Philosophy (4 obras) · Natural language processing (3 obras)