Hugh M Stimson
Biographic Data
| ID | 733840 |
|---|---|
| NAME | Hugh M Stimson |
| GIVEN NAMES | Hugh M |
| FAMILY NAME | Stimson |
| SIGNATURE | STIMSON H M |
| AFFILIATIONS | 1Yale University |
| VERIFIED | No |
| TOTAL WORKS | 16 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 16 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1961 |
| LATEST PUBLICATION YEAR | 1985 |
| H-INDEX | 0 |
Middle Chinese: A Study in Historical Phonology
Fifty-Five T'ang Poems; A Text in the Reading and Understanding of T'ang Poetry
Four masters of the shi form of Chinese poetry, who are generally considered to be giants in the entire history of Chinese literature, are represented in this book: three from the eighth century, and one from the ninth. A few works by other well-known poets are also included. The author provides a general background sketch, instruction to the student, a description of the phonological system and the spelling used, as well as an outline of the gra…
Phonology of Old Mandarin
Spoken Standard Chinese. Volume One
The Rimes of "Northward Journey," by Duh-Fuu (712-770)
The rimes of the poem are transcribed according to their Middle Chinese phonemic values, and rime changes are related to changes in semantic content. It is pointed out that in the riming position of line 124 the poet uses a word ending in -k, whereas all the other rime words of the poem end in -t; an explanation is offered suggesting that the poet archaistically extrapolated a correct rime for the graph based on the shape of its phonetic element
More On Peking Archaisms
An Introduction to Classical Chinese
This is a reissue of A New Introduction to Classical Chinese which replaced the author's An Introduction to Classical Chinese published in 1968. The notes were revised and the amount of text nearly doubled. The book now goes beyond the fourth century to include material from the great Han Dynasty historian Ssu-ma Ch'ien
Sheir, Shwu 'Who? Whom?' and Moh 'None' in Old Chinese
The most important grammatical patterns involving these three pronouns in all their occurrences in the Old Chinese texts provided with concordances are described as follows: first, pre-verbal occurrences; second, occurrences with preceding chyi; third, nominal occurrences. The suffic -k in shwu is discussed (see example [53]). Criteria for determining the regularity of cases of sheir and shwu are developed, one set applying to the shwu-dominated …
The Sound of a Tarng Poem: "Grieving about Greenslope," by Duh-Fuu
Stress in Peking Phonotactics
A Tabu Word in the Peking Dialect
It is well known that a form conventionally avoided in ordinary speech is nonetheless likely to persist as part of the active vocabulary of the community, while forms homonymous with it are likely to disappear. An early statement to this effect is Bloomfield's: ‘It is a remarkable fact that the tabu-word itself has a much tougher life than the harmless homonym.' This phenomenon is observable in many languages, including English and Chinese. Chine…
Late Han Chinese: A Study of the Archaic-Han Shift
Early Archaic Chinese: A Descriptive Grammar
Chinese Character Indexes
Ancient Chinese -p, -t, -k Endings in the Peking Dialect
The present study is an attempt to account for the variety in which Ancient Chinese (AC) syllables ending in - p, -t , and - k develop tones in the Peking dialect (P) that are identical to the tones carried by P reflexes of other AC syllables. AC syllables ending in - p, -t , and - k belong to a category traditionally known as ju4 sheng1 ‘Entering Tone’; other syllables belong to any of the three other tone categories, called p'ing2 sheng1 ‘Level…
Studia serica Bernhard Karlgren dedicata: Sinological Studies Dedicated to Bernhard Karlgren on His Seventieth Birthday, October Fifth, 1959
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Studia serica Bernhard Karlgren dedicata: Sinological Studies Dedicated to Bernhard Karlgren on His Seventieth Birthday, October Fifth, 1959
Ancient Chinese -p, -t, -k Endings in the Peking Dialect
The present study is an attempt to account for the variety in which Ancient Chinese (AC) syllables ending in - p, -t , and - k develop tones in the Peking dialect (P) that are identical to the tones carried by P reflexes of other AC syllables. AC syllables ending in - p, -t , and - k belong to a category traditionally known as ju4 sheng1 ‘Entering Tone’; other syllables belong to any of the three other tone categories, called p'ing2 sheng1 ‘Level…
Early Archaic Chinese: A Descriptive Grammar
Chinese Character Indexes
A Tabu Word in the Peking Dialect
It is well known that a form conventionally avoided in ordinary speech is nonetheless likely to persist as part of the active vocabulary of the community, while forms homonymous with it are likely to disappear. An early statement to this effect is Bloomfield's: ‘It is a remarkable fact that the tabu-word itself has a much tougher life than the harmless homonym.' This phenomenon is observable in many languages, including English and Chinese. Chine…
Late Han Chinese: A Study of the Archaic-Han Shift
Stress in Peking Phonotactics
The Sound of a Tarng Poem: "Grieving about Greenslope," by Duh-Fuu
Sheir, Shwu 'Who? Whom?' and Moh 'None' in Old Chinese
The most important grammatical patterns involving these three pronouns in all their occurrences in the Old Chinese texts provided with concordances are described as follows: first, pre-verbal occurrences; second, occurrences with preceding chyi; third, nominal occurrences. The suffic -k in shwu is discussed (see example [53]). Criteria for determining the regularity of cases of sheir and shwu are developed, one set applying to the shwu-dominated …
More On Peking Archaisms
An Introduction to Classical Chinese
This is a reissue of A New Introduction to Classical Chinese which replaced the author's An Introduction to Classical Chinese published in 1968. The notes were revised and the amount of text nearly doubled. The book now goes beyond the fourth century to include material from the great Han Dynasty historian Ssu-ma Ch'ien
The Rimes of "Northward Journey," by Duh-Fuu (712-770)
The rimes of the poem are transcribed according to their Middle Chinese phonemic values, and rime changes are related to changes in semantic content. It is pointed out that in the riming position of line 124 the poet uses a word ending in -k, whereas all the other rime words of the poem end in -t; an explanation is offered suggesting that the poet archaistically extrapolated a correct rime for the graph based on the shape of its phonetic element
Phonology of Old Mandarin
Spoken Standard Chinese. Volume One
Fifty-Five T'ang Poems; A Text in the Reading and Understanding of T'ang Poetry
Four masters of the shi form of Chinese poetry, who are generally considered to be giants in the entire history of Chinese literature, are represented in this book: three from the eighth century, and one from the ninth. A few works by other well-known poets are also included. The author provides a general background sketch, instruction to the student, a description of the phonological system and the spelling used, as well as an outline of the gra…
Middle Chinese: A Study in Historical Phonology
History (12 works) · Linguistics (10 works) · Philosophy (10 works) · Chinese history and philosophy (7 works) · Art (4 works) · Phonetics and Phonology Research (4 works) · Phonology (4 works) · Psychology (4 works) · Ancient history (3 works) · Linguistics and Cultural Studies (3 works)