Koichi Tateishi
Biographic Data
| ID | 7339068 |
|---|---|
| NAME | Koichi Tateishi |
| GIVEN NAMES | Koichi |
| FAMILY NAME | Tateishi |
| SIGNATURE | TATEISHI K |
| AFFILIATIONS | Kobe College |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1991 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Prosodic boundary processing is language-dependent
This paper provides empirical data to support the claim that prosodic boundary processing is language-dependent. Prosody plays an important role in determining the meaning of the utterance. Despite their importance in speech recognition, prosodic boundaries in spontaneous speech are understudied, and the finding that syntactic and prosodic boundaries are not isomorphic complicates automatic speech recognition. This paper considers how prosodic bo…
Are we biased against AI-made haiku poems
Haiku is a traditional Japanese unrhymed short poem of 17 syllables with ‘a seasonal word’ and ‘a cut letter’ to divide 17 syllables into smaller units of [5][75], [57][5], or [5][7][5]. Due to its brevity, haiku often lack arguments and predicates, and a cut letter separates the text into smaller parts, making it difficult to establish local coherence. However, Gilbert (2024) claims that the play of disjunction and coherence is a taproot of haik…
Toward processing of prosody in spontaneous Japanese
This paper considers how prosody in spontaneous Japanese is processed. We have conducted Rapid Prosody Transcription (RPT) perception experiments on the Corpus of Spontaneous Japanese (CSJ) and investigated how boundaries and prominences are perceived. We recruited three groups of participants from different Japanese dialects and found that (i) F0 is not a strong prominence cue in Japanese, contra Japanese literature on focus prominence (Pierrehu…
Why is L1 not easy to hear
We naively believe that L1 is easier to hear than L2. Generally, this belief is correct, but not always. Japanese contrastive focus is more challenging to identify than English focus even for L1 speakers. To account for why Japanese is hard to perceive, we first conducted production and perception experiments, to understand linguistic mechanisms. We found that Japanese lacks a part of focus effects and is an acoustically weak language contra prev…
Double Nominatives in Japanese
It is well known that nominative subjects can be doubled or multiplied in Japanese in ordinary clausal contexts. Various types of analysis have been proposed on the topic. However, many of them mix up notions involved in the issue of the Double Nominative Construction in Japanese. First of all, it has never been logically proven that it is nominative that is involved in the construction (and in “subjecthood” in Japanese in general). Second, nomin…
Les implications théoriques du langage des musiciens japonais
Tateishi Koichi. Les implications théoriques du langage des musiciens japonais. In: Langages, 25e année, n°101, 1991. Les javanais, sous la direction de Marc Plénat. pp. 51-72
No prominent works on this page.
Les implications théoriques du langage des musiciens japonais
Tateishi Koichi. Les implications théoriques du langage des musiciens japonais. In: Langages, 25e année, n°101, 1991. Les javanais, sous la direction de Marc Plénat. pp. 51-72
Double Nominatives in Japanese
It is well known that nominative subjects can be doubled or multiplied in Japanese in ordinary clausal contexts. Various types of analysis have been proposed on the topic. However, many of them mix up notions involved in the issue of the Double Nominative Construction in Japanese. First of all, it has never been logically proven that it is nominative that is involved in the construction (and in “subjecthood” in Japanese in general). Second, nomin…
Why is L1 not easy to hear
We naively believe that L1 is easier to hear than L2. Generally, this belief is correct, but not always. Japanese contrastive focus is more challenging to identify than English focus even for L1 speakers. To account for why Japanese is hard to perceive, we first conducted production and perception experiments, to understand linguistic mechanisms. We found that Japanese lacks a part of focus effects and is an acoustically weak language contra prev…
Toward processing of prosody in spontaneous Japanese
This paper considers how prosody in spontaneous Japanese is processed. We have conducted Rapid Prosody Transcription (RPT) perception experiments on the Corpus of Spontaneous Japanese (CSJ) and investigated how boundaries and prominences are perceived. We recruited three groups of participants from different Japanese dialects and found that (i) F0 is not a strong prominence cue in Japanese, contra Japanese literature on focus prominence (Pierrehu…
Prosodic boundary processing is language-dependent
This paper provides empirical data to support the claim that prosodic boundary processing is language-dependent. Prosody plays an important role in determining the meaning of the utterance. Despite their importance in speech recognition, prosodic boundaries in spontaneous speech are understudied, and the finding that syntactic and prosodic boundaries are not isomorphic complicates automatic speech recognition. This paper considers how prosodic bo…
Are we biased against AI-made haiku poems
Haiku is a traditional Japanese unrhymed short poem of 17 syllables with ‘a seasonal word’ and ‘a cut letter’ to divide 17 syllables into smaller units of [5][75], [57][5], or [5][7][5]. Due to its brevity, haiku often lack arguments and predicates, and a cut letter separates the text into smaller parts, making it difficult to establish local coherence. However, Gilbert (2024) claims that the play of disjunction and coherence is a taproot of haik…
Linguistics (4 works) · Computer Science (3 works) · Philosophy (3 works) · Phonetics and Phonology Research (3 works) · Art (2 works) · Mathematics (2 works) · Natural Language Processing Techniques (2 works) · Perception (2 works) · Psychology (2 works) · Speech and dialogue systems (2 works)