Nico Schüler
Biographic Data
| ID | 7340569 |
|---|---|
| NAME | Nico Schüler |
| GIVEN NAMES | Nico |
| FAMILY NAME | Schüler |
| SIGNATURE | SCHÜLER N |
| AFFILIATIONS | Texas State University |
| ORCID | 0000-0002-9093-2455 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Kollaboration ohne Konkurrenz? Wie intergenerationelle Zusammenarbeit gelingen kann: Ein transatlantisches Fallbeispiel aus der digitalen Aufführungsanalyse
Rediscovering Forgotten Composers with the Help of Online Genealogy and Music Score Databases: A Case Study on African-American Composer Jacob J. Sawyer (1856–1885)
This paper describes the reconstruction of life and work of African-American composer Jacob J. Sawyer (1856–1885) with the help of genealogy databases and online collections of music scores. During his life, Sawyer held positions with well-known music ensembles: Haverly’s Colored Minstrels, Hyers Sisters Troupe, and Slayton Ideal Company
New Jack Swing
From Musical Grammars to Music Cognition in the 1980s and 1990s: Highlights of the History of Computer-Assisted Music Analysis
While approaches that had already established historical precedents – computer-assisted analytical approaches drawing on statistics and information theory – developed further, many research projects conducted during the 1980s aimed at the development of new methods of computer-assisted music analysis. Some projects discovered new possibilities related to using computers to simulate human cognition and perception, drawing on cognitive musicology a…
Glasba je glasba svetov! Glasba svetov pri poučevanju glasbe na visokih šolah
Članek ponuja primere, kako vključevanje glasbe nezahodnih kultur prispeva pri študiju v mejah “strnjenega” učnega načrta, v katerem so različne glasbene discipline močno povezane druga z drugo: na primer teorija, zgodovina, izvajalska praksa, pedagogika itd. ter njihove poddiscipline. Medtem ko se članek osredotoča predvsem na glasbeno teorijo, zvočne zaznave in muzikologijo, pa so splošni komentarji namenjeni razširjanju pogleda na glasbo z glo…
Reflections on the History of Computer-Assisted Music Analysis II: The 1960s
This article, the second in a series of articles on the history of computer-assisted music analysis, focuses on developments of computer-assisted music analysis during the 1960s. While the most trendsetting approaches and publications are being discussed, this article points out that at least up to the end of the 1960s, computer-assisted analysis of style was anything but comprehensive, interpersonal, and rich in musical insight. Nevertheless, th…
Reflections on the History of Computer-Assisted Music Analysis I: Predecessors and the Beginnings
This article is the first of a series that focuses on the history of computer-assisted music analysis. This first article discusses the philosophical basis of computer-assisted music analysis, i.e. the application of information theory to aesthetics, as well as representative applications of statistical and information-theoretical measurements to music analysis and other computational approaches to music analysis that did not include the use of e…
No prominent works on this page.
Reflections on the History of Computer-Assisted Music Analysis I: Predecessors and the Beginnings
This article is the first of a series that focuses on the history of computer-assisted music analysis. This first article discusses the philosophical basis of computer-assisted music analysis, i.e. the application of information theory to aesthetics, as well as representative applications of statistical and information-theoretical measurements to music analysis and other computational approaches to music analysis that did not include the use of e…
Reflections on the History of Computer-Assisted Music Analysis II: The 1960s
This article, the second in a series of articles on the history of computer-assisted music analysis, focuses on developments of computer-assisted music analysis during the 1960s. While the most trendsetting approaches and publications are being discussed, this article points out that at least up to the end of the 1960s, computer-assisted analysis of style was anything but comprehensive, interpersonal, and rich in musical insight. Nevertheless, th…
From Musical Grammars to Music Cognition in the 1980s and 1990s: Highlights of the History of Computer-Assisted Music Analysis
While approaches that had already established historical precedents – computer-assisted analytical approaches drawing on statistics and information theory – developed further, many research projects conducted during the 1980s aimed at the development of new methods of computer-assisted music analysis. Some projects discovered new possibilities related to using computers to simulate human cognition and perception, drawing on cognitive musicology a…
Glasba je glasba svetov! Glasba svetov pri poučevanju glasbe na visokih šolah
Članek ponuja primere, kako vključevanje glasbe nezahodnih kultur prispeva pri študiju v mejah “strnjenega” učnega načrta, v katerem so različne glasbene discipline močno povezane druga z drugo: na primer teorija, zgodovina, izvajalska praksa, pedagogika itd. ter njihove poddiscipline. Medtem ko se članek osredotoča predvsem na glasbeno teorijo, zvočne zaznave in muzikologijo, pa so splošni komentarji namenjeni razširjanju pogleda na glasbo z glo…
New Jack Swing
Rediscovering Forgotten Composers with the Help of Online Genealogy and Music Score Databases: A Case Study on African-American Composer Jacob J. Sawyer (1856–1885)
This paper describes the reconstruction of life and work of African-American composer Jacob J. Sawyer (1856–1885) with the help of genealogy databases and online collections of music scores. During his life, Sawyer held positions with well-known music ensembles: Haverly’s Colored Minstrels, Hyers Sisters Troupe, and Slayton Ideal Company
Kollaboration ohne Konkurrenz? Wie intergenerationelle Zusammenarbeit gelingen kann: Ein transatlantisches Fallbeispiel aus der digitalen Aufführungsanalyse
Art (6 works) · Computer Science (4 works) · Visual arts (4 works) · Computer music (3 works) · Diverse Musicological Studies (3 works) · Music and Audio Processing (3 works) · Music Technology and Sound Studies (3 works) · Music theory (3 works) · Musical (3 works) · Cognitive science (2 works)