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Marko Motnik

Biographic Data

ID7340612
NAMEMarko Motnik
GIVEN NAMESMarko
FAMILY NAMEMotnik
SIGNATUREMOTNIK M
AFFILIATIONSUniversity of Music and Performing Arts Vienna
ORCID0000-0001-8938-4132
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS0
AUTHOR COUNT5
EDITOR COUNT2
FIRST PUBLICATION YEAR2001
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Mozarts Tanzmusik zwischen Markt und Geselligkeit: Neue Perspektiven aus einer Wiener Handschrift. A Viennese Manuscript Delivers New Perspectives

    Marko Motnik•ARTICLE•Archiv für Musikwissenschaft•2026

    The manuscript A-Wgm XV 29374 (Q 20472), preserved in the Archive of the Gesellschaft der Musikfreunde in Vienna, records seven contredanses that include choreographic notations and an overture by Wolfgang Amadeus Mozart. This little-studied source illustrates both the dissemination and marketing of dance music in late eighteenth-century Vienna in addition to details of dance practice around 1790. The relatively simple choreographic figures point…

  • The Ljubljana Stage in the 1830s: Cultural Exchange and Institutional Dynamics

    Open Access•Tanja Žigon, Marko Motnik•ARTICLE•Forum Historiae•2025

    IGON

  • Laibacher Deutscher after the Congress of Laibach

    Open Access•Lidija Podlesnik Tomášiková, Marko Motnik et al.•ARTICLE•Musicological Annual•2021

    Behind the scenes of the Congress of Laibach (modern day Ljubljana), a dance form called Deutscher came into existence and for a decade remained, in a specific local version, the most popular dance of bourgeois circles. This paper sheds light on the phenomenon of the Laibacher Deutscher within a broad social and cultural context and political background

  • Excudebat Leonhardus Formica: Leonhard Formica (Lenart Mravlja) und seine Musikdrucke

    Open Access•Marko Motnik•ARTICLE•Musicological Annual•2015

    Lenart Mravlja, also named Leonhard Formica, is one of the numerous personalities from Carniola who worked abroad in the sixteenth century. After being educated in Ljubljana and in several protestant German towns, Formica moved to Vienna at the end of the 1580s where he founded a printing office. Before his death in 1605, he produced approximately 70 books, among which are five high quality music prints

  • Nemška tabulatura: Uporabna ali utrudljiva

    Open Access•Marko Motnik•ARTICLE•Musicological Annual•2011

    Intabuliranje in igranje vokalnih skladb sta v 16. in 17. stoletju sodili med pomembne dolžnosti organistov. To potrjujejo tako izrecna poročila kot tudi vsebina številnih tabulaturnih knjig iz tega časa

  • Handl [Gallus, Händl, Handelius], Jacobus

    Allen B Skei, Danilo Pokorn et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Prenner [Brenner, Pyrenaeus], Georg

    Albert Dunning, Marko Motnik•CHAPTER•The new Grove dictionary of music…•2001

No prominent works on this page.

  • Handl [Gallus, Händl, Handelius], Jacobus

    Allen B Skei, Danilo Pokorn et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Prenner [Brenner, Pyrenaeus], Georg

    Albert Dunning, Marko Motnik•CHAPTER•The new Grove dictionary of music…•2001

  • Nemška tabulatura: Uporabna ali utrudljiva

    Open Access•Marko Motnik•ARTICLE•Musicological Annual•2011

    Intabuliranje in igranje vokalnih skladb sta v 16. in 17. stoletju sodili med pomembne dolžnosti organistov. To potrjujejo tako izrecna poročila kot tudi vsebina številnih tabulaturnih knjig iz tega časa

  • Excudebat Leonhardus Formica: Leonhard Formica (Lenart Mravlja) und seine Musikdrucke

    Open Access•Marko Motnik•ARTICLE•Musicological Annual•2015

    Lenart Mravlja, also named Leonhard Formica, is one of the numerous personalities from Carniola who worked abroad in the sixteenth century. After being educated in Ljubljana and in several protestant German towns, Formica moved to Vienna at the end of the 1580s where he founded a printing office. Before his death in 1605, he produced approximately 70 books, among which are five high quality music prints

  • Laibacher Deutscher after the Congress of Laibach

    Open Access•Lidija Podlesnik Tomášiková, Marko Motnik et al.•ARTICLE•Musicological Annual•2021

    Behind the scenes of the Congress of Laibach (modern day Ljubljana), a dance form called Deutscher came into existence and for a decade remained, in a specific local version, the most popular dance of bourgeois circles. This paper sheds light on the phenomenon of the Laibacher Deutscher within a broad social and cultural context and political background

  • The Ljubljana Stage in the 1830s: Cultural Exchange and Institutional Dynamics

    Open Access•Tanja Žigon, Marko Motnik•ARTICLE•Forum Historiae•2025

    IGON

  • Mozarts Tanzmusik zwischen Markt und Geselligkeit: Neue Perspektiven aus einer Wiener Handschrift. A Viennese Manuscript Delivers New Perspectives

    Marko Motnik•ARTICLE•Archiv für Musikwissenschaft•2026

    The manuscript A-Wgm XV 29374 (Q 20472), preserved in the Archive of the Gesellschaft der Musikfreunde in Vienna, records seven contredanses that include choreographic notations and an overture by Wolfgang Amadeus Mozart. This little-studied source illustrates both the dissemination and marketing of dance music in late eighteenth-century Vienna in addition to details of dance practice around 1790. The relatively simple choreographic figures point…

Art (3 works) · Musicology and Musical Analysis (3 works) · Art history (2 works) · Dance (2 works) · Diverse Musicological Studies (2 works) · Diversity and Impact of Dance (2 works) · Historical, Literary, and Cultural Studies (2 works) · History (2 works) · Humanities (2 works) · Philosophy (2 works)

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