Charles de Paiva Santana
Biographic Data
| ID | 7340645 |
|---|---|
| NAME | Charles de Paiva Santana |
| GIVEN NAMES | Charles de Paiva |
| FAMILY NAME | Santana |
| SIGNATURE | SANTANA C P |
| AFFILIATIONS | Centre National de la Recherche Scientifique |
| ORCID | 0000-0002-2202-3938 |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Transcoding as a Compositional Paradigm
This paper focuses on one of the author’s compositions, Outer Space, conceived using transcoding techniques between musical and visual parameters, such as the relative percentage of black and white dots per frame and the difference between the position of the dots from one frame to another
The Role of Orchestration in Shaping Musical Form
We introduce a method for computer-assisted analysis of orchestration. We also look into the role that texture and orchestration have in structuring musical form. The method comprises a numerical representation, a hierarchy of ‘textural situations’ and measures for heterogeneity, diversity and complexity of orchestral-textural configurations
A new algorithmic model and simulation of neighboring variants for Désordre, György Ligeti’s first étude for piano
This article discusses a new algorithmic model of Désordre , György Ligeti's first étude for piano. The model is able to accurately reconstruct the original score and automatically simulate neighboring variants. The algorithm is deterministic, that is, each set of parameter values corresponds to one and only one result. The basic strategies used to model the highly entropic aspects of the composition were the formulation of primitive versions of …
No prominent works on this page.
A new algorithmic model and simulation of neighboring variants for Désordre, György Ligeti’s first étude for piano
This article discusses a new algorithmic model of Désordre , György Ligeti's first étude for piano. The model is able to accurately reconstruct the original score and automatically simulate neighboring variants. The algorithm is deterministic, that is, each set of parameter values corresponds to one and only one result. The basic strategies used to model the highly entropic aspects of the composition were the formulation of primitive versions of …
Transcoding as a Compositional Paradigm
This paper focuses on one of the author’s compositions, Outer Space, conceived using transcoding techniques between musical and visual parameters, such as the relative percentage of black and white dots per frame and the difference between the position of the dots from one frame to another
The Role of Orchestration in Shaping Musical Form
We introduce a method for computer-assisted analysis of orchestration. We also look into the role that texture and orchestration have in structuring musical form. The method comprises a numerical representation, a hierarchy of ‘textural situations’ and measures for heterogeneity, diversity and complexity of orchestral-textural configurations
Computer Science (3 works) · Music and Audio Processing (3 works) · Music Technology and Sound Studies (3 works) · Art (2 works) · Musical (2 works) · Visual arts (2 works) · Acoustics (1 work) · Aesthetics (1 work) · Algorithm (1 work) · Artificial Intelligence (1 work)