Loo Fung Chiat

Datos Biográficos

ID7340697
NOMBRELoo Fung Chiat
NOMBRESLoo Fung
APELLIDOChiat
FIRMACHIAT L F
AFILIACIONESUniversiti Putra Malaysia
VERIFICADONo
TOTAL DE OBRAS4
TOTAL DE CITAS0
TOTAL COMO AUTOR4
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2019
AÑO MÁS RECIENTE DE PUBLICACIÓN2026
ÍNDICE H0

  • Hybrid Transmission of Qitai Yangge

    Open AccessLi Songli, Loo Fung Chiat et al.ARTICLEAsian Culture and History2026

    This study investigates the contemporary transmission of Qitai Yangge (祁太秧歌), a folk operatic form from Shanxi (山西省), China, through a hybrid model that combines traditional apprenticeship with institutionalised teaching. Drawing on ethnographic fieldwork in Gulian Village (谷恋村) and interviews with national cultural bearers, it explores how intergenerational oral practices coexist with structured educational programmes. The research reveals that …

  • The Musical Expression of “san zu liang er”

    Open AccessYao Qin, Loo Fung Chiat et al.ARTICLEAsian Culture and History2025

    Yao Henglu is one of the most distinguished contemporary Chinese composers and educators. His work for Free Bass Accordion, “鼎”, Ding, (TRIPOD, Sonata No.1 for Free Bass Accordion), is a unique solo repertoire for the instrument. Yao Henglu employs a culturally informed approach to defining musical structures and organizes musical ideas through innovative Interval concepts. This piece reflects the composer’s integration of Chinese cultural elemen…

  • Negotiating Tradition and Innovation

    Open AccessYukun Li, Li Yukun et al.ARTICLEAsian Culture and History2025

    As a traditional Chinese narrative-singing art, Suzhou Pingtan is encountering growing challenges of preservation and renewal due to population aging and technological shifts. The Pingtan community’s heritage inheritance and cultural identity are being impacted by the digital transformation, underscoring the conflict between cultural preservation and adaptable solutions. Using qualitative field observations, interviews with heritage practitioners…

  • The Musical Language in Messiaen’s Catalogue d’oiseaux

    Open AccessLoo Fung Chiat, Loo Fung YingARTICLEMusicological Annual2019

    This paper presents an analysis of Olivier Messiaen’s ‘La Chouette hulotte’ from Catalogue d’oiseaux. The significance of this work lies in the representation of fear by the owls and ‘night’ music. Messiaen’s language of mode de valeurs representing the ‘night’ and the harmonic language of the tawny owl’s calls identifies Messiaen’s music