Maruša Zupančič
Biographic Data
| ID | 7340745 |
|---|---|
| NAME | Maruša Zupančič |
| GIVEN NAMES | Maruša |
| FAMILY NAME | Zupančič |
| SIGNATURE | ZUPANČIČ M |
| AFFILIATIONS | Karst Research Institute |
| ORCID | 0000-0002-0983-818X |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Institutionalization of Modern Bourgeois Musical Culture in Nineteenth-Century Carniola and Lower Styria
The article examines the institutionalization of modern bourgeois musical culture in Carniola and Lower Styria during the nineteenth century.This era was characterized by the decline of the old aristocracy and the rise of new social classes, including the wealthy bourgeoisie and the lower nobility (ennobled bourgeoisie), collectively referred to as the Second Society (Zweite Gesellschaft).Using various examples, this article traces the developmen…
Between Acts: Instrumental Music in Ljubljana’s Estates Theatre (1802–1837)
Music served a variety of purposes at the Estates Theatre in Ljubljana. As well as being the main component of opera and theatre productions, it also served as entertainment for the audience during intermissions and enriched evening events. The present study focuses on the importance of the interaction between instrumental music and theatrical and operatic performances from 1802 to 1837
Instrumentalna komorna dela Rista Savina v okviru komorne ustvarjalnosti in poustvarjalnosti na Slovenskem od začetka 19. stoletja do leta 1920
Risto Savin wrote ten instrumental chamber works: a string quartet, two piano trios, a cello sonata, and six violin pieces, of which two are arrangements of his own orchestral works. The paper places Savin’s instrumental chamber opus in the context of the chamber music of the time in Slovene lands and demonstrates that the composer paved the way for Slovene chamber repertoire from its very beginnings
Vplivi na razvoj violinske pedagogike na Slovenskem v 19. stoletju in v prvi polovici 20. stoletja
V primerjavi z ostalimi razvitimi evropskimi narodi sta se violinska pedagogika in njena metodika začeli na Slovenskem evidentno razvijati šele v 19. stoletju. Največje vplive in zasluge za razvoj violinske pedagogike na Slovenskem sta imeli violinski šoli dunajskega in praškega konservatorija. Obe violinski šoli sta imeli svoj izvor v francoski violinski šoli z glavnim predstavnikom G. B. Viottijem. Največji pečat je na razvoj violinske pedagogi…
No prominent works on this page.
Vplivi na razvoj violinske pedagogike na Slovenskem v 19. stoletju in v prvi polovici 20. stoletja
V primerjavi z ostalimi razvitimi evropskimi narodi sta se violinska pedagogika in njena metodika začeli na Slovenskem evidentno razvijati šele v 19. stoletju. Največje vplive in zasluge za razvoj violinske pedagogike na Slovenskem sta imeli violinski šoli dunajskega in praškega konservatorija. Obe violinski šoli sta imeli svoj izvor v francoski violinski šoli z glavnim predstavnikom G. B. Viottijem. Največji pečat je na razvoj violinske pedagogi…
Instrumentalna komorna dela Rista Savina v okviru komorne ustvarjalnosti in poustvarjalnosti na Slovenskem od začetka 19. stoletja do leta 1920
Risto Savin wrote ten instrumental chamber works: a string quartet, two piano trios, a cello sonata, and six violin pieces, of which two are arrangements of his own orchestral works. The paper places Savin’s instrumental chamber opus in the context of the chamber music of the time in Slovene lands and demonstrates that the composer paved the way for Slovene chamber repertoire from its very beginnings
Institutionalization of Modern Bourgeois Musical Culture in Nineteenth-Century Carniola and Lower Styria
The article examines the institutionalization of modern bourgeois musical culture in Carniola and Lower Styria during the nineteenth century.This era was characterized by the decline of the old aristocracy and the rise of new social classes, including the wealthy bourgeoisie and the lower nobility (ennobled bourgeoisie), collectively referred to as the Second Society (Zweite Gesellschaft).Using various examples, this article traces the developmen…
Between Acts: Instrumental Music in Ljubljana’s Estates Theatre (1802–1837)
Music served a variety of purposes at the Estates Theatre in Ljubljana. As well as being the main component of opera and theatre productions, it also served as entertainment for the audience during intermissions and enriched evening events. The present study focuses on the importance of the interaction between instrumental music and theatrical and operatic performances from 1802 to 1837
Art (4 works) · Diverse Musicological Studies (4 works) · Balkan and Eastern European Studies (2 works) · Humanities (2 works) · Literature (2 works) · Musicology and Musical Analysis (2 works) · Arts, Culture, and Music Studies (1 works) · Bourgeoisie (1 works) · Chemistry (1 works) · Computer Science (1 works)