Emilia Zboralska
Biographic Data
| ID | 7341530 |
|---|---|
| NAME | Emilia Zboralska |
| GIVEN NAMES | Emilia |
| FAMILY NAME | Zboralska |
| SIGNATURE | ZBORALSKA E |
| AFFILIATIONS | Toronto Metropolitan University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
No More Status Quo! Canadian Web-Series Creators’ Entrepreneurial Motives Through a Contextualized “Entrepreneuring As Emancipation” Framework
The increasing ubiquity of broadband Internet and the rapid rise and uptake of new online video capabilities and platforms are transforming the ecology of traditional television across the globe, and restructuring its economics, politics, culture, and norms. The Canadian television sector presents a particularly interesting case study given its highly regulated dimensions, acknowledged absence of widespread and consistent critical and economic su…
Transnational over-the-top media distribution as a business and policy disruptor
Digital disruption is often characterized as the conflict between the exponential rate of change in technology, and the slower-paced, incremental rate of change in law, economy, policy, and society writ-large (Franklin, 2012). The rapid encroachment of over-the-top (OTT) content distribution raises policy issues concerning jurisdiction, access, pricing, consolidation of ownership, and source diversity (Holt, 2014), while undermining many of the t…
Small Among Giants
Big countries and major markets are often proposed as models for TV broadcasting everywhere. This is evident in the development of European media policies and strategic renewal. It is taken for granted that such offer suitable and desirable models for smaller countries. This book questions that assumption on the basis of empirical research. Does a media market in a country with a few million people and far less GDP have the same opportunities as …
Telling Our Stories
Screenwriters are a vital part of the production of cultural products in the Canadian screen industry, but little has been written about how they perceive the environment in which they practice their craft. Situating our methodology within the general production culture framework, particularly in regards to industrial reflexivity, we present an analysis of 50 in-depth interviews with English-language Canadian screenwriters. As our subjects reflec…
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Telling Our Stories
Screenwriters are a vital part of the production of cultural products in the Canadian screen industry, but little has been written about how they perceive the environment in which they practice their craft. Situating our methodology within the general production culture framework, particularly in regards to industrial reflexivity, we present an analysis of 50 in-depth interviews with English-language Canadian screenwriters. As our subjects reflec…
Small Among Giants
Big countries and major markets are often proposed as models for TV broadcasting everywhere. This is evident in the development of European media policies and strategic renewal. It is taken for granted that such offer suitable and desirable models for smaller countries. This book questions that assumption on the basis of empirical research. Does a media market in a country with a few million people and far less GDP have the same opportunities as …
No More Status Quo! Canadian Web-Series Creators’ Entrepreneurial Motives Through a Contextualized “Entrepreneuring As Emancipation” Framework
The increasing ubiquity of broadband Internet and the rapid rise and uptake of new online video capabilities and platforms are transforming the ecology of traditional television across the globe, and restructuring its economics, politics, culture, and norms. The Canadian television sector presents a particularly interesting case study given its highly regulated dimensions, acknowledged absence of widespread and consistent critical and economic su…
Transnational over-the-top media distribution as a business and policy disruptor
Digital disruption is often characterized as the conflict between the exponential rate of change in technology, and the slower-paced, incremental rate of change in law, economy, policy, and society writ-large (Franklin, 2012). The rapid encroachment of over-the-top (OTT) content distribution raises policy issues concerning jurisdiction, access, pricing, consolidation of ownership, and source diversity (Holt, 2014), while undermining many of the t…
Cultural Industries and Urban Development (3 works) · Advertising (2 works) · Business (2 works) · Computer Science (2 works) · Media studies (2 works) · Political science (2 works) · Private Equity and Venture Capital (2 works) · Sociology (2 works) · Accounting (1 work) · Art (1 work)