Philip Rawson
Biographic Data
| ID | 734634 |
|---|---|
| NAME | Philip Rawson |
| GIVEN NAMES | Philip |
| FAMILY NAME | Rawson |
| SIGNATURE | RAWSON P |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1953 |
| LATEST PUBLICATION YEAR | 1996 |
| H-INDEX | 1 |
Laya in Indian music
The essay begins by negating a common fallacy that heavy beat is the prime vehicle of feeling in music; then continues by describing the role of essentially linear laya as the prime vehicle of feeling in Indian music. It goes on to describe the nature and properties of the basic structures of Indian music, including râga and tala, along with the distinctive role of laya in developing extempore monodic composition based on these structures. This i…
Indian Art
The Appreciation of the Arts
The Art of Southeast Asia
An Exalted Theory of Ornament
Journal Article AN EXALTED THEORY OF ORNAMENT: A STUDY IN INDIAN AESTHETICS Get access Philip Rawson Philip Rawson Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 7, Issue 1, January 1967, Pages 31–40, https://doi.org/10.1093/bjaesthetics/7.1.31 Published: 01 January 1967
The Methods of Zen Painting
THE METHODS OF ZEN PAINTING Get access Philip Rawson Philip Rawson Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 7, Issue 4, October 1967, Pages 315–338, https://doi.org/10.1093/bjaesthetics/7.4.315 Published: 01 October 1967
Palace Wares from Nimrud Technical Observations on Selected Examples
A delicate vessel, not uncommon in levels of the seventh century B.C. is the small thrown goblet (e.g. ND.1839, Plate XLI No. 1), generally some 8–10 cm. in height, with a fairly high-shouldered belly, and a wide neck of almost cylindrical form, splaying slightly out towards the everted lip. The neck accounts for between one third and one half of the total height of the vessels. The bases of these goblets show that they were commonly pinched off …
Excavations at Brahmapuri (Kolhapur), 1945–6. Deccan College Monograph Series
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Surface Treatment of Early Indian Pottery
Describes the use of small knobs or haematite to colour and burnish pottery in the green hard state; either rubbing by handstrokes or centering the pot on the wheel and holding the haematite knob against it as it revolved. The variations in colour are caused by the variation of the fireing temperature. -- AATA
The Methods of Zen Painting
THE METHODS OF ZEN PAINTING Get access Philip Rawson Philip Rawson Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 7, Issue 4, October 1967, Pages 315–338, https://doi.org/10.1093/bjaesthetics/7.4.315 Published: 01 October 1967
The Surface Treatment of Early Indian Pottery
Describes the use of small knobs or haematite to colour and burnish pottery in the green hard state; either rubbing by handstrokes or centering the pot on the wheel and holding the haematite knob against it as it revolved. The variations in colour are caused by the variation of the fireing temperature. -- AATA
Palace Wares from Nimrud Technical Observations on Selected Examples
A delicate vessel, not uncommon in levels of the seventh century B.C. is the small thrown goblet (e.g. ND.1839, Plate XLI No. 1), generally some 8–10 cm. in height, with a fairly high-shouldered belly, and a wide neck of almost cylindrical form, splaying slightly out towards the everted lip. The neck accounts for between one third and one half of the total height of the vessels. The bases of these goblets show that they were commonly pinched off …
Excavations at Brahmapuri (Kolhapur), 1945–6. Deccan College Monograph Series
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
An Exalted Theory of Ornament
Journal Article AN EXALTED THEORY OF ORNAMENT: A STUDY IN INDIAN AESTHETICS Get access Philip Rawson Philip Rawson Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 7, Issue 1, January 1967, Pages 31–40, https://doi.org/10.1093/bjaesthetics/7.1.31 Published: 01 January 1967
The Methods of Zen Painting
THE METHODS OF ZEN PAINTING Get access Philip Rawson Philip Rawson Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 7, Issue 4, October 1967, Pages 315–338, https://doi.org/10.1093/bjaesthetics/7.4.315 Published: 01 October 1967
The Art of Southeast Asia
The Appreciation of the Arts
Indian Art
Laya in Indian music
The essay begins by negating a common fallacy that heavy beat is the prime vehicle of feeling in music; then continues by describing the role of essentially linear laya as the prime vehicle of feeling in Indian music. It goes on to describe the nature and properties of the basic structures of Indian music, including râga and tala, along with the distinctive role of laya in developing extempore monodic composition based on these structures. This i…
Art (7 works) · Aesthetics (3 works) · Ancient history (3 works) · Eurasian Exchange Networks (3 works) · History (3 works) · Visual arts (3 works) · Art history (2 works) · Art History and Market Analysis (2 works) · Computer Science (2 works) · Geology (2 works)